Lorsque le Père Noël est kidnappé, Callum Drift, le chef de la sécurité du pôle Nord, doit faire équipe avec Jack O'Malley, un chasseur de primes, pour le trouver et le sauver.Lorsque le Père Noël est kidnappé, Callum Drift, le chef de la sécurité du pôle Nord, doit faire équipe avec Jack O'Malley, un chasseur de primes, pour le trouver et le sauver.Lorsque le Père Noël est kidnappé, Callum Drift, le chef de la sécurité du pôle Nord, doit faire équipe avec Jack O'Malley, un chasseur de primes, pour le trouver et le sauver.
- Prix
- 6 nominations au total
Avis en vedette
Bursts onto the scene with a dynamic and inventive twist on the superhero genre, seamlessly blending action, humor, and holiday spirit. Directed with flair, it brings together a talented cast that elevates the narrative into something more than your typical action-packed adventure. Dwayne Johnson and Chris Evans share an electric on-screen chemistry, each delivering standout performances that keep the audience engaged from start to finish. Their playful banter and contrasting personalities inject a sense of fun that is often missing in more conventional superhero films.
What makes Red One stand out is its refreshing approach to familiar tropes. While the movie has its fair share of explosive set pieces, it never forgets to ground itself in heart. The film's pacing ensures you're never bored, offering just enough depth and intrigue to keep the plot moving forward without overloading you with unnecessary complexity.
The visual effects are top-notch, providing a thrilling experience that matches the film's ambitious scale. Whether you're a fan of the genre or a newcomer to superhero films, Red One offers a thrilling yet lighthearted experience that redefines what an action movie can be during the holiday season.
What makes Red One stand out is its refreshing approach to familiar tropes. While the movie has its fair share of explosive set pieces, it never forgets to ground itself in heart. The film's pacing ensures you're never bored, offering just enough depth and intrigue to keep the plot moving forward without overloading you with unnecessary complexity.
The visual effects are top-notch, providing a thrilling experience that matches the film's ambitious scale. Whether you're a fan of the genre or a newcomer to superhero films, Red One offers a thrilling yet lighthearted experience that redefines what an action movie can be during the holiday season.
This isn't a flawless movie; some of the CGI and character designs are terrible (e.g. The Krampus cantina scene); the tone is an inconsistent mix of earnestness and moderately profane PG-13 snark; and the conclusion is predictable (as it is with virtually every Christmas movie, to be fair.)
Nevertheless it has enough strange notions along the way that it's entertaining in spite of its flaws. The worldbuilding is inventive and the story combines Icelandic, Alpine and Nordic traditions in satisfying ways. The acting is decent. The protagonists are well-developed and they're just barely sympathetic enough that their redemptions are rewarding. Some of the dialogue is deceptively sharp. Overall the movie isn't trying to be anything other than unconventional bombastic fun and it mostly succeeds.
This isn't a future classic or reinvention of a genre but it is enjoyable, quirky and affable. I'm perplexed by the overwhelmingly negative critical response; but having gone into it with low expectations because of same I was pleasantly surprised.
This isn't a future classic or reinvention of a genre but it is enjoyable, quirky and affable. I'm perplexed by the overwhelmingly negative critical response; but having gone into it with low expectations because of same I was pleasantly surprised.
Unlike some, I found this film every bit as engaging as most any other Christmas film. Was it as moving as a few old time classics, It's A Wonderful Life, A Miracle on 34th Street, etc? Maybe not, but for my money, it certainly held its own with the greater compliment of holiday films I've seen in my 60 years of life. I definitely see this as a film I'll be revisiting again, more than once, every holiday season. It certainly helped in my feeling the fun of Christmas in an especially tough year. Everyone in the cast did a fine job, the script worked well and all of the artistic and technical aspects made be believe in the magic. I'm so glad I didn't buy what the critics had to say. Red One is solid Holiday Surprise in all of the best ways!
7/10
Red One is pure entertainment. It knows what it is, leans into it, and doesn't try to be anything else. Movies like this are a rarity these days-a fun, self-aware story that's well-executed without taking itself too seriously. Think The Toxic Avenger or other classics that knew they were dumb fun and embraced it. That's Red One, and it absolutely works.
What sets this movie apart is its solid storytelling. There are no plot holes that leave you scratching your head or logical inconsistencies that pull you out of the experience. Everything in Red One fits together in a way that makes sense for the world it creates. It's entertaining because it's well-written, even though it's a "bad" movie by traditional standards. That's the magic: it's a good bad movie, and it knows how to deliver on every level.
This isn't just a movie for kids, either. It's got plenty for parents to enjoy, too, from clever humor to genuinely heartfelt moments. It tells a wholesome story without being preachy, making it a perfect family film that's actually enjoyable for everyone.
It's frustrating to see some modern audiences trashing this movie. People seem to have forgotten what it means to just sit back and be entertained. Not every movie needs to be some deep, artistic exploration of the human condition. Sometimes, a film just needs to make you smile, and Red One nails that. Pure escapism.
If you're tired of agenda-driven, over-serious films that forget to actually entertain, Red One is a breath of fresh air. It's unapologetically fun, smartly written, and a reminder of why we love movies in the first place.
Red One is pure entertainment. It knows what it is, leans into it, and doesn't try to be anything else. Movies like this are a rarity these days-a fun, self-aware story that's well-executed without taking itself too seriously. Think The Toxic Avenger or other classics that knew they were dumb fun and embraced it. That's Red One, and it absolutely works.
What sets this movie apart is its solid storytelling. There are no plot holes that leave you scratching your head or logical inconsistencies that pull you out of the experience. Everything in Red One fits together in a way that makes sense for the world it creates. It's entertaining because it's well-written, even though it's a "bad" movie by traditional standards. That's the magic: it's a good bad movie, and it knows how to deliver on every level.
This isn't just a movie for kids, either. It's got plenty for parents to enjoy, too, from clever humor to genuinely heartfelt moments. It tells a wholesome story without being preachy, making it a perfect family film that's actually enjoyable for everyone.
It's frustrating to see some modern audiences trashing this movie. People seem to have forgotten what it means to just sit back and be entertained. Not every movie needs to be some deep, artistic exploration of the human condition. Sometimes, a film just needs to make you smile, and Red One nails that. Pure escapism.
If you're tired of agenda-driven, over-serious films that forget to actually entertain, Red One is a breath of fresh air. It's unapologetically fun, smartly written, and a reminder of why we love movies in the first place.
Don't go into this movie expecting a perfect plot or deep storytelling. However, if you're looking for an action-packed Christmas film with interesting holiday lore, cool characters, and fun gimmicks, it's worth checking out. While some character development feels lacking, the acting is solid overall and there are some genuinely funny moments if you're in the right mood. The movie blends Christmas magic with intense action sequences in an entertaining way, even though some parts of the story might feel unrealistic
Despite its flaws, it succeeds in delivering festive fun with a darker twist, making it an enjoyable watch for those who don't mind their holiday cheer mixed with some mayhem.
Despite its flaws, it succeeds in delivering festive fun with a darker twist, making it an enjoyable watch for those who don't mind their holiday cheer mixed with some mayhem.
Le saviez-vous
- AnecdotesAlong with Santa Claus and Krampus, Gryla is an actual myth associated with winter, possibly the oldest one. Of Icelandic origin, Gryla was an ogre with 13 sons, the Yule Lads. Gryla would tour the world on winter nights, asking for charity for her sons. Legend has it that, if she was denied charity, her sons would enter the dwelling and cause mischief until the owner begged Gryla to retrieve them. The idea of shape-shifting abilities and handing out punishment are later additions to the myth, borrowed from the Wild Hunt, another Nordic legend in which a pack of ghost hunters (Odin's entourage) would often give worthless gifts to kind strangers, like a bag of coal or a manure. If accepted this worthless gift would turn into gold the next day.
- GaffesWhen delivering presents in the final moments of the film, Santa is shown moving across the globe from West to East (US ' Brazil ' Paris ' Sydney). But due to timezones, children in Sydney wake up to Christmas a full day before children in the US, so Santa should be moving the opposite direction.
- Citations
Jack O'Malley: Hey. You don't have a Wonder Woman action figure, do you?
Callum Drift: That's not how it works. Come on.
- Bandes originalesHere Comes Santa Claus
Written by Gene Autry and Oakley Haldeman
Performed by Ray Conniff
Courtesy of Columbia Records
By arrangement with Sony Music Entertainment
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Red One
- Lieux de tournage
- 275 Centennial Olympic Park Drive NW, Atlanta, Géorgie, États-Unis(Wondrous Toys store)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 250 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 97 000 759 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 32 106 112 $ US
- 17 nov. 2024
- Brut – à l'échelle mondiale
- 186 000 759 $ US
- Durée2 heures 3 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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