ÉVALUATION IMDb
6,2/10
23 k
MA NOTE
Une jeune journaliste revient dans sa ville natale de la campagne anglaise, où sa maison d'enfance est prête à être vendue.Une jeune journaliste revient dans sa ville natale de la campagne anglaise, où sa maison d'enfance est prête à être vendue.Une jeune journaliste revient dans sa ville natale de la campagne anglaise, où sa maison d'enfance est prête à être vendue.
- Prix
- 3 victoires et 3 nominations au total
Avis en vedette
British comedy is a strange creature. There are films that are satirical, such as In the Loop, satirical, like Four Lions, to intelligence and dialogue driven, Withnail and I, and films that aim for low key charm, Calendar Girls. Sometimes a film may try and made a number of these features, like the work of Edgar Wright. Based on a graphic novel by Posy Simmonds, Tamara Drewe hits our screens, with Gemma Arterton's profile continuing to increase.
The village of Ewedown has become a writers retreat, a place for writers to relax, work and chew the fat. Crime novelist Nicholas Hardiment (Roger Allam) and wife Beth (Tasmin Greig) run the place, with an American academic, Glen (Bill Camp (who sounds a lot like William Hurt)) struggling with his book on Thomas Hardy staying with them. In the village two schoolgirls, Jody (Jessica Barden) and Casey (Charlotte Christie) cause havoc and mayhem simply because they are bored. But the village is turned on its head when the attractive journalist Tamara Drewe (Arterton) returns home to sell her out house. She turns heads, including drummer Ben Sergeant (Dominic Cooper), her old frame Andy (Luke Evans) and Nicholas.
Writer Moira Buffini and director Stephen Frears make a film with drama and wit, and some moments of out right laughs. Frears was able to inject some style, like when characters speaking when there are on the phone. The humour of the film relies on number of areas, witty comments and observation, physical violence and visual gags. The schoolgirls offer a lot of comedy because many people can empathies with their situation: rural England is not the most exciting place to grow up as a teenager. Their mischief making and thrills about a star in their village compensates Barden lack of confidence as an actress. It is refreshing to characters that do look their age. Frears and Buffini aim to a make a charming comedy, but with more swearing; so trying to have their cake and eat. The two should have tried to make gone one way or the other. Strangely for a film called Tamara Drewe, there are long periods where she is not on the screen or mentioned. There are plots involving Nicholas wayward eyes and the budding relationship between Glen and Beth: walking the fine line of drama and comedy. Tamara Drewe goes from being pretty serious and hits you with a sudden joke and vice versa: working with effect. Tamara Drewe is very British beast, but Glen the American does offer an outsider view and will allow a non-British audience a point-of-view, with few British swears and slang words being used. There are some issues affecting rural England, like rich city flock buying houses and making villages too expensive to live in and boredom for young people: but it is hardly a political piece.
Whilst some of pacing is a little slow and the film ends up sidetracking at moments, there are strong performances from most of the cast. Atherton shows why she is a raising star, giving Tamara a quick, biting wit. Allam effectively plays a very slimy writer who takes advantage of his wife and he seems to have a nack for playing dislikeable characters (his previous roles have been in V for Vendetta and Speed Racer). Cooper and Evans work well against each other as love rivals for Tamara, with Cooper really understands the part of a pretentious indie musician. Greig too gives a good performance and given her background as a comic actress, she her character is for the most part serious, with moments of witty comments.
Tamara Drewe is more a gently comedy with small jokes and drama and not a out right laugh fest as the promotion will want you to believe.
The village of Ewedown has become a writers retreat, a place for writers to relax, work and chew the fat. Crime novelist Nicholas Hardiment (Roger Allam) and wife Beth (Tasmin Greig) run the place, with an American academic, Glen (Bill Camp (who sounds a lot like William Hurt)) struggling with his book on Thomas Hardy staying with them. In the village two schoolgirls, Jody (Jessica Barden) and Casey (Charlotte Christie) cause havoc and mayhem simply because they are bored. But the village is turned on its head when the attractive journalist Tamara Drewe (Arterton) returns home to sell her out house. She turns heads, including drummer Ben Sergeant (Dominic Cooper), her old frame Andy (Luke Evans) and Nicholas.
Writer Moira Buffini and director Stephen Frears make a film with drama and wit, and some moments of out right laughs. Frears was able to inject some style, like when characters speaking when there are on the phone. The humour of the film relies on number of areas, witty comments and observation, physical violence and visual gags. The schoolgirls offer a lot of comedy because many people can empathies with their situation: rural England is not the most exciting place to grow up as a teenager. Their mischief making and thrills about a star in their village compensates Barden lack of confidence as an actress. It is refreshing to characters that do look their age. Frears and Buffini aim to a make a charming comedy, but with more swearing; so trying to have their cake and eat. The two should have tried to make gone one way or the other. Strangely for a film called Tamara Drewe, there are long periods where she is not on the screen or mentioned. There are plots involving Nicholas wayward eyes and the budding relationship between Glen and Beth: walking the fine line of drama and comedy. Tamara Drewe goes from being pretty serious and hits you with a sudden joke and vice versa: working with effect. Tamara Drewe is very British beast, but Glen the American does offer an outsider view and will allow a non-British audience a point-of-view, with few British swears and slang words being used. There are some issues affecting rural England, like rich city flock buying houses and making villages too expensive to live in and boredom for young people: but it is hardly a political piece.
Whilst some of pacing is a little slow and the film ends up sidetracking at moments, there are strong performances from most of the cast. Atherton shows why she is a raising star, giving Tamara a quick, biting wit. Allam effectively plays a very slimy writer who takes advantage of his wife and he seems to have a nack for playing dislikeable characters (his previous roles have been in V for Vendetta and Speed Racer). Cooper and Evans work well against each other as love rivals for Tamara, with Cooper really understands the part of a pretentious indie musician. Greig too gives a good performance and given her background as a comic actress, she her character is for the most part serious, with moments of witty comments.
Tamara Drewe is more a gently comedy with small jokes and drama and not a out right laugh fest as the promotion will want you to believe.
I remember the cartoon strip from the Guardian and the compelling story that made the Saturday paper a must buy each week that it ran. I had two worries going into the film: what happens if they change it and make it awful; and, I had imagined Tamara a little older than Gemma Arterton - maybe she was not right for the part. Film makers often disappoint (the "Time Travellers wife" is a case in point where an excellent story was ruined by someone not understanding the multiple viewpoints in the book).
Not sure if this was aimed at fat middle aged blokes - but it worked for me, my worries were groundless: the comedy and drama survived from the story (maybe Posy Simmonds should create more novels that can be filmed). The casting was excellent and Roger Allam gave a fantastic performance, Tamsin Greg was brilliant as usual and Gemma Arterton was a revelation in the lead role. The Drumming sequence with 'Ben' in the cottage was particularly brilliant. It was good with its 'loser' characters (and I thought, maybe they should have weekends to help civil servants write inspiring briefing for uninspiring Ministers)
I am amazed at the negative reviews on the site, I do not think that that the film tried to be more than it was and yes it was set in an idyllic English village - that was the point. Maybe these reviewers should be more careful at the multiplex and are more at home with rubbish like the "Expendibles". Not clear about the link to 'Cold Confort Farm' made by another reviewer this is clearly a different style of story about modern people in the modern countryside.
There was superb characterisation by a first rate cast in a subversive story that played with the stock characters that stories in English villages always have and made some real points about what is happening in these communities and about peoples lives and how selfish actions and jokey 'messing' can have big consequences in other people's lives.
Go and see this movie.
Not sure if this was aimed at fat middle aged blokes - but it worked for me, my worries were groundless: the comedy and drama survived from the story (maybe Posy Simmonds should create more novels that can be filmed). The casting was excellent and Roger Allam gave a fantastic performance, Tamsin Greg was brilliant as usual and Gemma Arterton was a revelation in the lead role. The Drumming sequence with 'Ben' in the cottage was particularly brilliant. It was good with its 'loser' characters (and I thought, maybe they should have weekends to help civil servants write inspiring briefing for uninspiring Ministers)
I am amazed at the negative reviews on the site, I do not think that that the film tried to be more than it was and yes it was set in an idyllic English village - that was the point. Maybe these reviewers should be more careful at the multiplex and are more at home with rubbish like the "Expendibles". Not clear about the link to 'Cold Confort Farm' made by another reviewer this is clearly a different style of story about modern people in the modern countryside.
There was superb characterisation by a first rate cast in a subversive story that played with the stock characters that stories in English villages always have and made some real points about what is happening in these communities and about peoples lives and how selfish actions and jokey 'messing' can have big consequences in other people's lives.
Go and see this movie.
A very, very good movie, no doubt. Everything, in particular, each man, woman, chicken, car, tear, cow and dog and meadow, each pop and tune is on the right place. Excellent dialogs, sparkling soundtrack, gorgeous photography, rich colors, fresh, witty and ebullient, perfectly balanced black and ... regular humor. The story is nicely knitted, a lot of grey matter must have been consumed for the dialogs. Some lines have got what it takes to become a "quote". I loved it! Found a few British stereotypes? So what? Troubles to follow the quick replies in the original English version? Cannot follow the subtitles while trying to translate the cream of the jokes? So what? Watch it again!! I will!
London columnist Tamara Drewe (Gemma Aterton) reappears in a small and isolated village in the English countryside. She wants to sell her parents' house and interview a rock star. Soon enough, three males fall for the young and very attractive woman : romance novelist and cheating husband Nicholas Hardiment (Roger Allam), rock star Ben Sargeant (Dominic Cooper) and past boyfriend Andy Cobb (Luke Evans). While her house is being renovated by Andy, Tamara writes her own novel and enjoys Ben's company. Little does she know that teenager Jody Long (Jessica Barden) is scheming to come closer to the rock star. In the course of a year, each character will find out that "The road to hell is paved with good intentions".
Don't expect an in-depth / social demonstration on city dwellers vs. villagers. This is a brilliant and funny comedy where each character's selfish motives and agenda are gradually exposed. "Writers are just thieves and liars" quotes Nicholas blissfully, more careful to please his paying guests than to pay attention to his devoted wife Beth (Tamsin Greig).
The actors are doing a fine job and there is a good chemistry between them. There are no dull moments since there are three main story lines : Tamara and Ben, her neighbors Nicholas and Beth, the mischievous teenagers. These two girls however tend to steal the show as they are so gross, unashamed and reckless !
Don't expect an in-depth / social demonstration on city dwellers vs. villagers. This is a brilliant and funny comedy where each character's selfish motives and agenda are gradually exposed. "Writers are just thieves and liars" quotes Nicholas blissfully, more careful to please his paying guests than to pay attention to his devoted wife Beth (Tamsin Greig).
The actors are doing a fine job and there is a good chemistry between them. There are no dull moments since there are three main story lines : Tamara and Ben, her neighbors Nicholas and Beth, the mischievous teenagers. These two girls however tend to steal the show as they are so gross, unashamed and reckless !
Ewedown is an idyllic, little English countryside village where writers retreat to seek inspiration, and peace and quiet. Or at least it was idyllic until Tamara Drewe returned home.
The stunningly beautiful Gemma Arterton plays Tamara Drewe. Her presence immediately sparks the interest of the local men, and the bored, local teenage girls who are looking for excitement to spice up their mundane town life. She is so sexy that she has her choice of affairs, but as usual, it's always the asshole who gets the girl. Just as it looks like Tamara is going to settle down with the rock and roll drummer Ben (Dominic Cooper) to interrupt the reserved lifestyle of the village, life gets complicated for everybody who wants something with Tamara.
"Tamara Drewe" is a comedy of affairs, complete with foul language, quirky characters and the irreverent British humour. Arterton sparkles as Tamara, but it's less about the characters and more about who will bed who and what will the consequences be? It sometimes seems to forget the age of its audience when it goes for the comedy of teenage girls getting into mischief, but it's also exactly what you would expect for an odd comedy about a group of writers and one hot girl.
The stunningly beautiful Gemma Arterton plays Tamara Drewe. Her presence immediately sparks the interest of the local men, and the bored, local teenage girls who are looking for excitement to spice up their mundane town life. She is so sexy that she has her choice of affairs, but as usual, it's always the asshole who gets the girl. Just as it looks like Tamara is going to settle down with the rock and roll drummer Ben (Dominic Cooper) to interrupt the reserved lifestyle of the village, life gets complicated for everybody who wants something with Tamara.
"Tamara Drewe" is a comedy of affairs, complete with foul language, quirky characters and the irreverent British humour. Arterton sparkles as Tamara, but it's less about the characters and more about who will bed who and what will the consequences be? It sometimes seems to forget the age of its audience when it goes for the comedy of teenage girls getting into mischief, but it's also exactly what you would expect for an odd comedy about a group of writers and one hot girl.
Le saviez-vous
- AnecdotesIn addition to being loosely based on a novel by Thomas Hardy, including a character who is writing a book about Hardy, and having a photograph of Hardy prominently displayed in one scene, the location filming was done in Dorset, where most of Hardy's novels are set - "Wessex" being a thinly fictionalized Dorset. The small ad for the writers' retreat that appears at the beginning of the film is also headed with the title of the novel: "Far from the Madding Crowd".
- GaffesWhen Jody is sending her second email, the screen shows "Message Sent" before she hits a key to send the message.
- Autres versionsThe version of the film released at the Cannes Film Festival 2010 and in France theatrically and on DVD differs from the theatrical version released worldwide. The differences are the changing of a line in a scene between Jody and Casey in Tamara's bedroom as Jody comments on Tamara being "a lucky c***", instead of "a lucky cow", and also with the inclusion of explanatory captions at the close of the film elaborating on events which take place after the film's timeline:
- FIN
- "Hardy's Aphrodite" by Dr. Glen McCreavy MFA, PhD received rave reviews. It only sold 6,002 copies.
- Tamara Drewe's forthcoming novel (about a writers' retreat) has already been optioned for a movie.
- After a spell in rehab, Ben Sergeant wrote five tracks for his new album, including stellar hit "Jail-Bait Jody".
- ConnexionsFeatured in At the Movies: Cannes Film Festival 2010 (2010)
- Bandes originalesThe Fear
Written by Lily Allen (as Lily Rose Allen) and Greg Kurstin (as Gregory Kurstin) © 2008
Performed by Lily Allen
Published by Universal Music Publishing Ltd. and EMI Music Publishing Limited
Licensed courtesy of EMI Records Ltd.
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Tình Say
- Lieux de tournage
- Salwayash, Dorset, Angleterre, Royaume-Uni(Stonefield)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 8 000 000 £ (estimation)
- Brut – États-Unis et Canada
- 560 391 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 18 604 $ US
- 10 oct. 2010
- Brut – à l'échelle mondiale
- 12 037 973 $ US
- Durée1 heure 47 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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