John Luther est un inspecteur criminel dont l'esprit brillant ne l'épargne pas toujours de la violence dangereuse de ses passions.John Luther est un inspecteur criminel dont l'esprit brillant ne l'épargne pas toujours de la violence dangereuse de ses passions.John Luther est un inspecteur criminel dont l'esprit brillant ne l'épargne pas toujours de la violence dangereuse de ses passions.
- Nommé pour 11 prix Primetime Emmy
- 16 victoires et 71 nominations au total
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Histoire
Le saviez-vous
- AnecdotesThe first three series end with the same line of dialogue: "Now what?"
- Citations
Alice Morgan: Some little girls grow up wanting ponies. I always wanted to be a widow.
- Autres versionsFor international distribution, changes were made to many episodes to shorten running time.
- ConnexionsFeatured in Breakfast: Episode dated 30 April 2010 (2010)
- Bandes originalesParadise Circus
(Main title)
Written by Robert Del Naja, Grant Marshall, Hope Sandoval, Dan Brown (as Daniel Jonathan Brown) and Stew Jackson (as Stewart Neville Jackson)
Performed by Massive Attack
Commentaire en vedette
Bias, it's a terrible thing I know but I have to admit I AM biased,biased against police drama's, for me they signify the apathy and mediocrity at the heart of British and American television.
However, occasionally along comes a series that sits so far above the grey landscape of indifference that it blinds by the light of it's creativity, one such show is the British drama 'Luther'. The show's direction takes the viewer helter skelter into the very heart and soul of John Luther, a dedicated senior police officer in a constant struggle to retain his moral compass because he dares to use questionable methods to ensure justice for victims of the most brutal crimes within a labyrinthine bureaucracy of a legal system whose very existence seems intent in ensuring the path towards a successful arrest and conviction is as difficult as possible.
Idris Elba is excellent at portraying this wrought, fallible but noble detective John Luther, which reflects once again how far Elba's acting range can reach post The Wire. The audio track is charged, insightful and electric, employing talents such as Emiliana Torrini and her track 'Gun'.
One of the more interesting back stories is the role of Alice Morgan, a young multiple murderess (played brilliantly by Ruth Wilson) who gives Luther chilling insight into the minds of his suspects while challenging him on sexual, intellectual and moral levels, intent on drawing him further inwards to the heart of her passion, John can see this, it both frightens and attracts him leaving the audience on a constant cliff-edge awaiting his fate. 'Luther' reminds me of 'the number 23' and how obsession can destroy and destroy utterly taking everything and everyone with it.
A triple A show among E-average competition.
However, occasionally along comes a series that sits so far above the grey landscape of indifference that it blinds by the light of it's creativity, one such show is the British drama 'Luther'. The show's direction takes the viewer helter skelter into the very heart and soul of John Luther, a dedicated senior police officer in a constant struggle to retain his moral compass because he dares to use questionable methods to ensure justice for victims of the most brutal crimes within a labyrinthine bureaucracy of a legal system whose very existence seems intent in ensuring the path towards a successful arrest and conviction is as difficult as possible.
Idris Elba is excellent at portraying this wrought, fallible but noble detective John Luther, which reflects once again how far Elba's acting range can reach post The Wire. The audio track is charged, insightful and electric, employing talents such as Emiliana Torrini and her track 'Gun'.
One of the more interesting back stories is the role of Alice Morgan, a young multiple murderess (played brilliantly by Ruth Wilson) who gives Luther chilling insight into the minds of his suspects while challenging him on sexual, intellectual and moral levels, intent on drawing him further inwards to the heart of her passion, John can see this, it both frightens and attracts him leaving the audience on a constant cliff-edge awaiting his fate. 'Luther' reminds me of 'the number 23' and how obsession can destroy and destroy utterly taking everything and everyone with it.
A triple A show among E-average competition.
- journalist1
- 24 juin 2010
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Détails
- Durée1 heure
- Couleur
- Mixage
- Rapport de forme
- 1.78 : 1
- 16:9 HD
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