Indiana Jones et le cadran de la destinée
Titre original : Indiana Jones and the Dial of Destiny
Un archéologue aventurier à la retraite, doit affronter son passé lorsque la fille d'un de ses assistants le convoque pour rechercher un artéfact convoité par un vieil ennemi de la 2ème Guer... Tout lireUn archéologue aventurier à la retraite, doit affronter son passé lorsque la fille d'un de ses assistants le convoque pour rechercher un artéfact convoité par un vieil ennemi de la 2ème Guerre Mondiale.Un archéologue aventurier à la retraite, doit affronter son passé lorsque la fille d'un de ses assistants le convoque pour rechercher un artéfact convoité par un vieil ennemi de la 2ème Guerre Mondiale.
- Nommé pour 1 oscar
- 8 victoires et 36 nominations au total
Alfonso Mandia
- Italian Ticket Seller
- (as Alfonso Rosario Mandia)
Avis en vedette
With a heavy heart, I think I have to concede that Indiana Jones and the Dial of Destiny is not good. It's probably even bad, because even the parts that are sort of entertaining ultimately disappoint.
Take for example the prologue with a de-aged Harrison Ford. The technology used to do it is impressive, and only looked awkward in a couple of shots for me. It's Indy adventuring during the end of World War II, and it almost captures the adventure/action you'd want. However, it's so dimly lit that barely anything can be seen. It's probably to disguise the de-aging, but it's disappointing. The stuff you can see isn't particularly great, but it fares better than the next couple of big action scenes.
These are spaced out over the next 80 to 90 minutes. Said 80 to 90-minute stretch is honestly very boring. Harrison Ford is trying, and John Williams' score is pretty good. I usually like Phoebe Waller-Bridge, but her character didn't work for me. Barely any of the humor landed. The action is incredibly dull and quite often poorly shot. Ford himself isn't in much of the action, which is understandable, but it also begs the question of why they even bothered trying to make an action movie with an 80-year-old man.
I swear characters enter a hotel at night, and they come out the front door five minutes later and it's the middle of the day. Why did they bring John Rhys-Davies back without giving him anything to do? Why was Antonio Banderas in this for like, five minutes? Why do they think audiences will care that Banderas and Toby Jones play "friends" of Indiana Jones, even if they've never been seen or mentioned before this film? Why does Hollywood keep wasting Mads Mikkelsen?
The final half-hour is sort of fun, but it concludes very abruptly and awkwardly. Some people will hate where the movie goes regardless, but I thought it came close to giving the whole thing a pulse. The final scene itself sounds like it should work on paper, but it did nothing for me emotionally. As I walked home, I liked the movie less and less, the more I thought about it.
It's so lifeless and uninspired, and even if maybe a third of it is passable, the rest is a combination of boring and baffling. Even if you're a big fan of the series, I wouldn't bother. This is a good deal worse than the other four.
Take for example the prologue with a de-aged Harrison Ford. The technology used to do it is impressive, and only looked awkward in a couple of shots for me. It's Indy adventuring during the end of World War II, and it almost captures the adventure/action you'd want. However, it's so dimly lit that barely anything can be seen. It's probably to disguise the de-aging, but it's disappointing. The stuff you can see isn't particularly great, but it fares better than the next couple of big action scenes.
These are spaced out over the next 80 to 90 minutes. Said 80 to 90-minute stretch is honestly very boring. Harrison Ford is trying, and John Williams' score is pretty good. I usually like Phoebe Waller-Bridge, but her character didn't work for me. Barely any of the humor landed. The action is incredibly dull and quite often poorly shot. Ford himself isn't in much of the action, which is understandable, but it also begs the question of why they even bothered trying to make an action movie with an 80-year-old man.
I swear characters enter a hotel at night, and they come out the front door five minutes later and it's the middle of the day. Why did they bring John Rhys-Davies back without giving him anything to do? Why was Antonio Banderas in this for like, five minutes? Why do they think audiences will care that Banderas and Toby Jones play "friends" of Indiana Jones, even if they've never been seen or mentioned before this film? Why does Hollywood keep wasting Mads Mikkelsen?
The final half-hour is sort of fun, but it concludes very abruptly and awkwardly. Some people will hate where the movie goes regardless, but I thought it came close to giving the whole thing a pulse. The final scene itself sounds like it should work on paper, but it did nothing for me emotionally. As I walked home, I liked the movie less and less, the more I thought about it.
It's so lifeless and uninspired, and even if maybe a third of it is passable, the rest is a combination of boring and baffling. Even if you're a big fan of the series, I wouldn't bother. This is a good deal worse than the other four.
So much negativity ahead of the release considering the role of a certain female support character. Then lots of stories about early reviews being bad to mediocre at best. We went to see it today and honestly, I liked it.. quite a lot! This isn't a story about replacing Indiana Jones with a female character. This is a really good final film and a worthy send off for our beloved adventurer. Don't expect it to be as good as the original three films. Go in with an open mind and realistic expectations, and you'll walk out entertain and humming a famous tune. In the end that's what Indiana Jones movies are all about.
I'm at a loss. I thought Indiana Jones was about an adventuring archeologist hunting ancient religious artifacts to be preserved in museums. And the first 20 minutes confirm that sentiment.
And to be fair, John Williams' fantastic score reminds me that I did walk into the right showing. But instead of a rousing epic, I witnessed a strange concoction of overblown ideas, baffling casting choices, plot conveniences, bad dialogue, and some of the worst written characters I can remember. Especially Helena, who's played by a talented PWB but is written to be an insufferable, pedantic braggart.
There's a strange veneer that makes everything resemble something familiar. But it all feels off. Even the deepfakery produced some chuckles in the theatre.
There's some fun scenes and cameos and I enjoyed the villain. But calling this an Indiana Jones movie? Maybe Illinois Jones.
And to be fair, John Williams' fantastic score reminds me that I did walk into the right showing. But instead of a rousing epic, I witnessed a strange concoction of overblown ideas, baffling casting choices, plot conveniences, bad dialogue, and some of the worst written characters I can remember. Especially Helena, who's played by a talented PWB but is written to be an insufferable, pedantic braggart.
There's a strange veneer that makes everything resemble something familiar. But it all feels off. Even the deepfakery produced some chuckles in the theatre.
There's some fun scenes and cameos and I enjoyed the villain. But calling this an Indiana Jones movie? Maybe Illinois Jones.
There is no way you can fix the industry and begin producing good movies again if you can still make tens of millions of profit with this bad casting, this bad script, this bad editing and this bad production.
I've always thought that nobody worse than Shia LeBeouf could be cast in this franchise but Phoebe Waller Bridge... Wow!
Sometimes, as a producer, you should finish the product, then watch it and decide not to release it out of self respect.
Even The Kingdom of the Crystal Skull couldn't ruin the legacy for me but Phoebe Waller Bridge managed to do it in 5 minutes.
A young Harrison Ford CGI dubbed by the actual one was just tragic.
I've always thought that nobody worse than Shia LeBeouf could be cast in this franchise but Phoebe Waller Bridge... Wow!
Sometimes, as a producer, you should finish the product, then watch it and decide not to release it out of self respect.
Even The Kingdom of the Crystal Skull couldn't ruin the legacy for me but Phoebe Waller Bridge managed to do it in 5 minutes.
A young Harrison Ford CGI dubbed by the actual one was just tragic.
"Raiders of the Lost Ark" is on my top 10 list of all-time favorite movie. I did not feel that "Dial of Destiny" gave a proper send off to the francise. It seemed like the first half of the movie is nothing but over the top chase scenes about trying to get possession of the Dial. That first half does not invest time to plant motivation so the viewer will even care about the Dial and who gets possession of it. Also, the Helena character is pretty unlikeable. Her passion is in the wrong place. Indiana is at odds with Helena for most of the movie. They do not make a good team. And then Indiana is a deflated version of Indiana that is kind of depressing. And to top it all off, there is no sense of fun and comedy in the movie. I hope writers have not forgotten how to write a good adventure story. "Dial of Destiny" misses the mark on many levels. And it kind of bothered me how much unnecessary killing there was in the movie. That is not family friendly. I wanted to really like "Dial of Destiny", but as the movie was progressing, I had to admit the movie was just not working.
Who Makes Harrison Ford Laugh?
Who Makes Harrison Ford Laugh?
The cast and crew of Indiana Jones and the Dial of Destiny discuss the laughs they shared with star Harrison Ford on set.
Le saviez-vous
- AnecdotesIn an interview with Stephen Colbert, Harrison Ford explained how the filmmakers digitally de-aged him for the flashback sequence: "They have this artificial intelligence program that can go through every foot of film that Lucasfilm owns. Because I did a bunch of movies for them, they have all this footage, including film that wasn't printed. So they can mine it from where the light is coming from, from the expression. I don't know how they do it. But that's my actual face. Then I put little dots on my face and I say the words and they make [it]. It's fantastic." At 80, he is the oldest actor to be de-aged in a movie, surpassing Al Pacino, who was 79 when he was de-aged in The Irishman (2019).
- GaffesIndy and Helena dive at a shipwreck supposed to be 2,000 years old with its wooden hull clearly visible and recognizable. In most waters, such as the ones of the Aegean Sea, wood does not last more than a couple of decades. In fact, Greek and Roman shipwrecks in the area are found by their non wooden materials, such as bronze, and their cargo, such as vases and ceramics, which is where the actual Antikythera mechanism was found.
- Citations
Dr. Voller: You should have stayed in New York.
Indiana Jones: You should have stayed out of Poland.
- Générique farfeluThe Paramount Pictures logo appears normally, and does not fade into a mountain-shaped opening shot, the only film in the Indiana Jones films to do so.
Instead, the Lucasfilm logo fades into a lock on a door in 1944 Germany.
- Autres versionsOn the International prints of the film, the original variant of Disney's 100th anniversary logo (with 100 YEARS OF WONDER tagline) was shown as the first logo instead of tagline-less variant of the same logo.
- ConnexionsFeatured in AniMat's Crazy Cartoon Cast: Changing of the Bobs (2020)
- Bandes originalesLili Marleen
Written by Hans Leip and Norbert Schultze
Meilleurs choix
Connectez-vous pour évaluer et surveiller les recommandations personnalisées
'Indiana Jones' Stars Through The Years
'Indiana Jones' Stars Through The Years
See the stars of the beloved Indiana Jones franchise in some of their most iconic performances.
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Indiana Jones and the Dial of Destiny
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 387 200 000 $ US (estimation)
- Brut – États-Unis et Canada
- 174 480 468 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 60 368 101 $ US
- 2 juill. 2023
- Brut – à l'échelle mondiale
- 383 963 057 $ US
- Durée
- 2h 34m(154 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant