ÉVALUATION IMDb
6,8/10
9,4 k
MA NOTE
Ajouter une intrigue dans votre langueDrizzle/Zeng Jing tries to start a new life after she had betrayed her gang and hid the remains of monk.Drizzle/Zeng Jing tries to start a new life after she had betrayed her gang and hid the remains of monk.Drizzle/Zeng Jing tries to start a new life after she had betrayed her gang and hid the remains of monk.
- Prix
- 3 victoires et 21 nominations au total
Zonghan Li
- Lu Zhu (Wisdom)
- (as Calvin Li)
Avis en vedette
English Title: Reign Of Assassins Original Title: Jianyu Year: 2010 Country: China Language: Mandarin Genre: Action Director: Chao-Bin Su Writers: Chao-Bin Su Cast: Michelle Yeoh Woo-sung Jung Xueqi Wang Kelly Lin Shawn Yue Barbie Hsu Leon Dai Hee Ching Paw Yiyan Jiang Zonghan Li Xiaodong Guo Pace Wu Matt Wu Feixia Wu Rating: 7/10
My gut feeling after the first view of this film is mixed with some relief and a shred of disappointment. Last year, it was propagandized as a John Woo's work in order to infuse some incentive into this star-studded kung-fu film to conquer the local cinemas. Shamefully this trick stumbled quite severely as it was largely overshadowed by DETECTIVE DEE (2010) at the box office with the same release period (during Chinese National Day, October 2010).
Its reviews were generally favored though, which should be merited to Chao-Bin Su, the real man behind-the-wheel and whose previous director works SILK (2006) and BETTER THAN SEX (2002) have won him some reputation as a gifted and emerging Taiwan director.
As a Chinese, the fact is that we tend to be immune from domestic Kung-fu films much more than foreigners, because since our infancy, we haven been surrounding and tested by myriad films like these, so it is difficult to make a fuss about it unless there is truly something special in it.
So speaking of this film, in spite of that it has many plot holes which doesn't make sense (even in the time of Jiang Hu, to name a few, our heroine's initial motivation of stealing the half buddha body in the first place; the plausibility of face-lifting technology; the sudden intensifying kung-fu mastery of our hero, etc.), the film converges some genuine talent to entertain its audience, especially the dreamlike cinematography successfully builds a ruthless world of Jiang Hu as well as its innovative fighting design which embodies each main character their own personality.
The cast is solid for an action film, it's the first time since CROUCHING TIGER HIDDEN DRAGON (2000), Michelle Yeoh finally collected a decent leading role as a martial fighter, which is well-done too judging by the criterion of acting. I do have high expectation of her to take a leap in the upcoming Aung San Suu Kyi's bio-pic THE LADY (directed by Luc Besson).
To sum up, I am pleased to watch this film and sincerely hope Su will become a big name in the near future.
My gut feeling after the first view of this film is mixed with some relief and a shred of disappointment. Last year, it was propagandized as a John Woo's work in order to infuse some incentive into this star-studded kung-fu film to conquer the local cinemas. Shamefully this trick stumbled quite severely as it was largely overshadowed by DETECTIVE DEE (2010) at the box office with the same release period (during Chinese National Day, October 2010).
Its reviews were generally favored though, which should be merited to Chao-Bin Su, the real man behind-the-wheel and whose previous director works SILK (2006) and BETTER THAN SEX (2002) have won him some reputation as a gifted and emerging Taiwan director.
As a Chinese, the fact is that we tend to be immune from domestic Kung-fu films much more than foreigners, because since our infancy, we haven been surrounding and tested by myriad films like these, so it is difficult to make a fuss about it unless there is truly something special in it.
So speaking of this film, in spite of that it has many plot holes which doesn't make sense (even in the time of Jiang Hu, to name a few, our heroine's initial motivation of stealing the half buddha body in the first place; the plausibility of face-lifting technology; the sudden intensifying kung-fu mastery of our hero, etc.), the film converges some genuine talent to entertain its audience, especially the dreamlike cinematography successfully builds a ruthless world of Jiang Hu as well as its innovative fighting design which embodies each main character their own personality.
The cast is solid for an action film, it's the first time since CROUCHING TIGER HIDDEN DRAGON (2000), Michelle Yeoh finally collected a decent leading role as a martial fighter, which is well-done too judging by the criterion of acting. I do have high expectation of her to take a leap in the upcoming Aung San Suu Kyi's bio-pic THE LADY (directed by Luc Besson).
To sum up, I am pleased to watch this film and sincerely hope Su will become a big name in the near future.
This review does not contain any spoilers.
As a born and bred Chinese, I have seen my share of Chinese Martial arts movies. The Reign of Assassins gave me the feeling of watching one of the great classics. It's story is not the most original, but it gives a nice background for the viewer to see the beautiful acting and action scenes. At times it's a love story at others a suspense flick with all the intrigue. The actors do a good job in conveying their emotions to the audience. Most of the characters get fleshed out, so your not only interested in the main characters. Story wise I have to say that some of the things were a bit confusing, but if you paid attention it all made sense.
The action scenes are plenty and well choreographed. The fighting was made believable, nothing was over the top. I especially liked how the action sometimes slows down just to show the viewer how things are done. This brings the action more to life and you actually notice all the small gestures the actors need to make in order to sway or dodge an attack.
Overall I liked the movie and I highly recommend fans of the genre to watch it. I surely enjoyed it.
As a born and bred Chinese, I have seen my share of Chinese Martial arts movies. The Reign of Assassins gave me the feeling of watching one of the great classics. It's story is not the most original, but it gives a nice background for the viewer to see the beautiful acting and action scenes. At times it's a love story at others a suspense flick with all the intrigue. The actors do a good job in conveying their emotions to the audience. Most of the characters get fleshed out, so your not only interested in the main characters. Story wise I have to say that some of the things were a bit confusing, but if you paid attention it all made sense.
The action scenes are plenty and well choreographed. The fighting was made believable, nothing was over the top. I especially liked how the action sometimes slows down just to show the viewer how things are done. This brings the action more to life and you actually notice all the small gestures the actors need to make in order to sway or dodge an attack.
Overall I liked the movie and I highly recommend fans of the genre to watch it. I surely enjoyed it.
In the Ming Dynasty, there was a legend about the mystical powers of the missing remains of an Indian Buddhist monk that would be capable to heal anything and would become a great kung-fu fighter.
When the leader of the Dark Stone gang Cao Feng (Xueqi Wang) discovers that Prime Minister Zhang possesses half of the powerful remains, he sends a team of assassins to kill the minister and his son Zhang Renfeng (Xiaodong Guo). However, the skilled Xi Yu (Kelly Lin) flees with the remains and kills Renfeng, who fall off a bridge in a river. Then Xi Yu meets the monk Wisdom that advises her that she has four flaws fighting with her sword and she might be killed by Cao Feng that has trained her.
Xi Yu goes to the renowned plastic surgeon Dr. Li that changes her face and she decides to start a new life in a small village. She assumes the identity of Zeng Jing (Michelle Yeoh) and poses of merchant, and soon she marries the quiet and clumsy Jiang A-sheng (Woo-sung Jung). When there is a robbery in the local bank, Zeng Jing is forced to fight to protect her and her husband from being killed, disclosing her skills to Cao Feng. Now he sends Lei Bin (Shawn Yue), Lian Sheng (Leon Dai) and Ye Zhanqing (Barbie Hsu), who are his three best assassins, to retrieve the remains and kill Zeng Jing and her beloved husband.
The talented Michelle Yeoh is one of the most beautiful Chinese actresses and her movies are usually great. In "Jianyu", a.k.a. "Reign of Assassins", we have not only Michelle Yeoh, but also the hands of John Woo. The result is a great film of the genre, with predictable but not less engaging twists and a romantic conclusion.
The choreography of sword fights is breathtaking and the music score is wonderful. Fans of the genre will certainly adore the awarded "Jianyu". My vote is seven.
Title (Brazil): "Reino dos Assassinos" ("Reign of the Assassins")
When the leader of the Dark Stone gang Cao Feng (Xueqi Wang) discovers that Prime Minister Zhang possesses half of the powerful remains, he sends a team of assassins to kill the minister and his son Zhang Renfeng (Xiaodong Guo). However, the skilled Xi Yu (Kelly Lin) flees with the remains and kills Renfeng, who fall off a bridge in a river. Then Xi Yu meets the monk Wisdom that advises her that she has four flaws fighting with her sword and she might be killed by Cao Feng that has trained her.
Xi Yu goes to the renowned plastic surgeon Dr. Li that changes her face and she decides to start a new life in a small village. She assumes the identity of Zeng Jing (Michelle Yeoh) and poses of merchant, and soon she marries the quiet and clumsy Jiang A-sheng (Woo-sung Jung). When there is a robbery in the local bank, Zeng Jing is forced to fight to protect her and her husband from being killed, disclosing her skills to Cao Feng. Now he sends Lei Bin (Shawn Yue), Lian Sheng (Leon Dai) and Ye Zhanqing (Barbie Hsu), who are his three best assassins, to retrieve the remains and kill Zeng Jing and her beloved husband.
The talented Michelle Yeoh is one of the most beautiful Chinese actresses and her movies are usually great. In "Jianyu", a.k.a. "Reign of Assassins", we have not only Michelle Yeoh, but also the hands of John Woo. The result is a great film of the genre, with predictable but not less engaging twists and a romantic conclusion.
The choreography of sword fights is breathtaking and the music score is wonderful. Fans of the genre will certainly adore the awarded "Jianyu". My vote is seven.
Title (Brazil): "Reino dos Assassinos" ("Reign of the Assassins")
This is for sure a good movie to watch!!!
Maybe after Crouching Tiger.. this is a movie that I watched more than ones...
The action scenes are not too hyped.. and do not defy gravity...
The screenplay was well done
Plot of the movie was also well built and the characters keep opening up one after the other.
Of course there was age showing on Michelle but still she has that ability left in her to take up these roles and live to the expectations.
Definitely a good movie to watch..
Maybe after Crouching Tiger.. this is a movie that I watched more than ones...
The action scenes are not too hyped.. and do not defy gravity...
The screenplay was well done
Plot of the movie was also well built and the characters keep opening up one after the other.
Of course there was age showing on Michelle but still she has that ability left in her to take up these roles and live to the expectations.
Definitely a good movie to watch..
Excellent wuxia pan with Yeoh in top form dramatically as well as in weapons work. It was refreshing to see the pan-Asian casting done for specifically appropriate characters and acting ability, but without much overt typecasting. Wang Xueqi anchors the film opposite Yeoh more than Jung perhaps, but in the best genre fashion the villains are given gradation and more complex motive and arc than one often sees in action film.
An initial introductory sequence put me off, with a lot of intermittent cinematography and freeze-frames on specific characters. Fortunately, this device is not repeated or characteristic. Kam's score is more understated than usual, and plays well with string accompaniment to the more tightly choreographed parts. Leon Dai's assassin styles and names himself after a Taoist Magician, which initially seemed too light. However, this changed quickly, and although he lent much color to later scenes the overall tone fit well.
It's got a very classic feel, applying wirework sparingly and focusing on the intertwined dialogue and motives of a large cast within the jiang hu milieu. The fights are intricate, concentrating on exotic weapons and styles, but mixing it up with some proxy fighting and concealed technique. It neatly avoids recently popular pitfalls such as overt cgi spectacle, massing sheer volumes of Mainland extras, or lingering on glamour shots of pecs and shimmering hair weaves. Instead, we get clearly delineated spaces for a series of crafted set pieces which fit into a whole - not something to be written around by committee. Hopefully, fans will respond and more filmmakers take notice.
An initial introductory sequence put me off, with a lot of intermittent cinematography and freeze-frames on specific characters. Fortunately, this device is not repeated or characteristic. Kam's score is more understated than usual, and plays well with string accompaniment to the more tightly choreographed parts. Leon Dai's assassin styles and names himself after a Taoist Magician, which initially seemed too light. However, this changed quickly, and although he lent much color to later scenes the overall tone fit well.
It's got a very classic feel, applying wirework sparingly and focusing on the intertwined dialogue and motives of a large cast within the jiang hu milieu. The fights are intricate, concentrating on exotic weapons and styles, but mixing it up with some proxy fighting and concealed technique. It neatly avoids recently popular pitfalls such as overt cgi spectacle, massing sheer volumes of Mainland extras, or lingering on glamour shots of pecs and shimmering hair weaves. Instead, we get clearly delineated spaces for a series of crafted set pieces which fit into a whole - not something to be written around by committee. Hopefully, fans will respond and more filmmakers take notice.
Le saviez-vous
- AnecdotesMichelle Yeoh had initial doubts about the role as she had not used her martial arts skills since Tigre et dragon (2000).
- ConnexionsFeatured in At the Movies: Venice Film Festival 2010 (2010)
- Bandes originalesHua
Composed by Dingding Sa & Peng Bo
Lyrics by Salad Li & Dingding Sa
Performed by Dingding Sa & Qing Feng Wu
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Détails
Box-office
- Budget
- 12 000 000 $ US (estimation)
- Brut – à l'échelle mondiale
- 13 388 204 $ US
- Durée
- 1h 57m(117 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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