Un père se rend à l'étranger pour récupérer la dépouille de son fils qu'il avait perdu de vue, mort sur le chemin de Compostelle, et décide d'entreprendre lui-même le pèlerinage.Un père se rend à l'étranger pour récupérer la dépouille de son fils qu'il avait perdu de vue, mort sur le chemin de Compostelle, et décide d'entreprendre lui-même le pèlerinage.Un père se rend à l'étranger pour récupérer la dépouille de son fils qu'il avait perdu de vue, mort sur le chemin de Compostelle, et décide d'entreprendre lui-même le pèlerinage.
- Director
- Writers
- Stars
- Prix
- 1 victoire et 8 nominations au total
Ángela Molina
- Angelica
- (as Angela Molina)
Avis en vedette
I really liked this film. It made me feel good. I loved the beautiful countryside camera shots. Those alone are worthy of National Geographic. The parts between conversations had a calming effect on me along with the soundtrack. I thought Martin Sheen did very well as did the other actors. They all worked so well together and by the end of the movie you could see they spent a lot of time together on the set and honestly got along or so it seemed and thats what made the movie impressive. Wonderful movie to watch with an uplifting vibe and quirky characters with a real bond make this a definite must see. I can actually see myself watching this for a second time and that's rare in films for me. Enjoy !
10msmoc
This is surely Emilio Estevez's Masterwork, in the same way as was Costner's "Dances with Wolves". It is "The Quiet Epic"! The movie didn't require; Noise, CGI, Foul Language or Special Effects - all that it needed and got were; Across the Board Top Class Acting Performances and Brilliant Cinematography.
Although, no longer a spring chicken, I spent over 2 hours completely engrossed in this film, alternating between tears and laughter. I found it was a movie made with such loving care that it encouraged, and enabled me, to share their experience and make my own life journey with them. My own emotions and life history became intermingled with theirs. I feel it was Emilio's intention for us all to take "Our Own Way".
My main sadness is that so many people will be unable to see it at cinemas, as it has only been given a single weeks run to facilitate the usual glut of "So called Blockbusters". Movies like The Way need time to breathe, as "Word of Mouth" is the key to expanding Audience figures and the wider appreciation such a work deserves..
Although, no longer a spring chicken, I spent over 2 hours completely engrossed in this film, alternating between tears and laughter. I found it was a movie made with such loving care that it encouraged, and enabled me, to share their experience and make my own life journey with them. My own emotions and life history became intermingled with theirs. I feel it was Emilio's intention for us all to take "Our Own Way".
My main sadness is that so many people will be unable to see it at cinemas, as it has only been given a single weeks run to facilitate the usual glut of "So called Blockbusters". Movies like The Way need time to breathe, as "Word of Mouth" is the key to expanding Audience figures and the wider appreciation such a work deserves..
Like most road movies, this is as much about the characters' inward journey as it is about getting from A to B. At times it is too sentimental for my taste and some of the encounters seem rather artificial. But it has considerable warmth, humanity and good humour.
I saw this at the BFI in London at a screening attended by Emilio Estevez and Martin Sheen. They are very proud of their film and it obviously means a lot to them, as father and son. They came across as intelligent and socially aware people, which was great to see.
During the discussion, a member of the audience pointed out the parallels with "The Wizard of Oz", something which I confess escaped me while the film was on but seemed perfectly obvious when I heard it. So watch out for that if you see the movie, and also look out for a cameo by Matt Clark, veteran character actor and, apparently, good friend of MArtin Sheen.
I saw this at the BFI in London at a screening attended by Emilio Estevez and Martin Sheen. They are very proud of their film and it obviously means a lot to them, as father and son. They came across as intelligent and socially aware people, which was great to see.
During the discussion, a member of the audience pointed out the parallels with "The Wizard of Oz", something which I confess escaped me while the film was on but seemed perfectly obvious when I heard it. So watch out for that if you see the movie, and also look out for a cameo by Matt Clark, veteran character actor and, apparently, good friend of MArtin Sheen.
... my sons way. Emilio Estevez has shown on numerous occasions, that he seems to be the more sensible one. Then again comparing him to Charlie Sheen (and his recent outbursts nonetheless) would be unfair to his brother. And while Martin Sheen also took on another surname to make it in Hollywood (Charlie and Martin succeeded), Emilio chose to keep his name, even though it may have blocked some doors for him.
For this movie he reunites with his father (not the first time he's directing him, but the toughest shoot he put him through yet). It's a very personal story about loss and finding one's way. The title is apt then and the journey ahead of the characters may be long, but also very insightful. Great acting and great locations make this a movie that will make you sentimental for sure.
For this movie he reunites with his father (not the first time he's directing him, but the toughest shoot he put him through yet). It's a very personal story about loss and finding one's way. The title is apt then and the journey ahead of the characters may be long, but also very insightful. Great acting and great locations make this a movie that will make you sentimental for sure.
This beautiful simple and involving film is one of the better films I've seen in the past couple of years. It does what the best of cinema can - it moves us, and reminds us that life is a journey full of chance encounters and that its not all serendipity, but we can walk on too.
Matin Sheen and his son, Emilio Estevez, make a winning team here - the direction, though straightforward is, like Ron Howard, filled with memorable scenes and images that linger. Sheen himself is always good at taking us with him - his half-amused, half-bemused style suits this perfectly. As he travels on the old pilgrimage route to Santiago de Compostela to deal with tragic loss he meets and forms a group with three other pilgrims.
All in all, the overall experience of watching this is simply pleasure - and like Danny Boyle's films, it seems simple but it is a complete experience. The Way is human, emotive, emotional, and sincere, and for this viewer a good journey.
Matin Sheen and his son, Emilio Estevez, make a winning team here - the direction, though straightforward is, like Ron Howard, filled with memorable scenes and images that linger. Sheen himself is always good at taking us with him - his half-amused, half-bemused style suits this perfectly. As he travels on the old pilgrimage route to Santiago de Compostela to deal with tragic loss he meets and forms a group with three other pilgrims.
All in all, the overall experience of watching this is simply pleasure - and like Danny Boyle's films, it seems simple but it is a complete experience. The Way is human, emotive, emotional, and sincere, and for this viewer a good journey.
Le saviez-vous
- AnecdotesMartin Sheen originally suggested Michael Douglas or Mel Gibson for the lead role, but Emilio Estevez had written the main character's role specifically for his father and refused to make the film if Martin Sheen did not take part in it. During a screening of the film, Estevez turned to Sheen and said jokingly, "When Michael Douglas sees this, he'll fire his agent."
- GaffesAt the end of their Way, the four pilgrims directly go to the Cathedral, carrying their backpacks. This is not allowed, the bulk being an annoyance when there are too many people inside, and also for security reasons. The movie is set in 2010. Back then, it was still allowed to bring a backpack to the cathedral. It was changed not before 2013.
- Bandes originalesCountry Road
Written and Performed by James Taylor
Courtesy of Warner Bros. Records Inc.
By arrangement with Warner Music Group Film & TV Licensing
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Détails
Box-office
- Brut – États-Unis et Canada
- 4 998 213 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 110 418 $ US
- 9 oct. 2011
- Brut – à l'échelle mondiale
- 13 916 152 $ US
- Durée2 heures 3 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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