ÉVALUATION IMDb
7,1/10
28 k
MA NOTE
Après un accident presque mortel, un groupe d'amis part en vacances comme chaque année. Mais leurs secrets et leurs chagrins personnels menacent de les séparer.Après un accident presque mortel, un groupe d'amis part en vacances comme chaque année. Mais leurs secrets et leurs chagrins personnels menacent de les séparer.Après un accident presque mortel, un groupe d'amis part en vacances comme chaque année. Mais leurs secrets et leurs chagrins personnels menacent de les séparer.
- Prix
- 4 nominations au total
Avis en vedette
In Paris, a truck runs over the biker Ludo (Jean Dujardin) while he is driving home after spending the night snorting cocaine in a night-club. His long-time friends visit him in the hospital where he is in coma. The group is ready to travel on the annual vacation to the house of the successful businessman Max Cantara (François Cluzet) nearby Bordeaux and they decide to travel anyway and return when Ludo is better.
The physiotherapist Vincent Ribaud (Benoît Magimel), who is married with a child, tells to his fifteen year-old friend and godfather of his son, Max, that he wants to talk to him in private and they have lunch together in Max's restaurant. Vincent discloses to him that he has fallen in love with him. Max reacts to his words and Vincent asks him to keep the secret and forget their conversation.
Along the days, each friend has a little secret while Max is near nervous breakdown with Vincent. Until the day that Max's friend Jean-Louis (Joël Dupuch) tells the truth about their little lies and friendship.
"Les Petits Mouchoirs" is a French movie about friends' reunion in the same style of the American "The Big Chill" by Lawrence Kasdan or the British "Peter's Friends" by Kenneth Branagh. The movie has great performances but the prolix story is too long, a corny conclusion and deserved to be better and better for such wonderful cast. I liked this movie, but many sub-plots and the conclusion should have been shortened or deleted in the edition. My vote is six.
Title (Brazil): "Até a Eternidade" ("Until the Eternity")
The physiotherapist Vincent Ribaud (Benoît Magimel), who is married with a child, tells to his fifteen year-old friend and godfather of his son, Max, that he wants to talk to him in private and they have lunch together in Max's restaurant. Vincent discloses to him that he has fallen in love with him. Max reacts to his words and Vincent asks him to keep the secret and forget their conversation.
Along the days, each friend has a little secret while Max is near nervous breakdown with Vincent. Until the day that Max's friend Jean-Louis (Joël Dupuch) tells the truth about their little lies and friendship.
"Les Petits Mouchoirs" is a French movie about friends' reunion in the same style of the American "The Big Chill" by Lawrence Kasdan or the British "Peter's Friends" by Kenneth Branagh. The movie has great performances but the prolix story is too long, a corny conclusion and deserved to be better and better for such wonderful cast. I liked this movie, but many sub-plots and the conclusion should have been shortened or deleted in the edition. My vote is six.
Title (Brazil): "Até a Eternidade" ("Until the Eternity")
I really enjoyed this movie. I liked the way it was filmed and directed. A good story, the script was tight, the actors very good and I engaged well in their characters. None of them were particularly likable either. I loved the sound track too, some great tunes. A shock for me was the ending, last 10 minutes. It appeared tacked on, as if the producer's wife said to him if you don't stick this on, no more amour for you Cherie. To me it almost ruined the movie, so turn it off about 10 minutes from the end, you'll know when. It would have got 10 stars from me but for that. But having said that if you're into Hollywood style huggy, tears and let it all out crap in slow mo with a wincingly appropriate tune, let it roll.
Let me start of by saying: Do not watch this because you want to see Jean Dujardin! Since he won the Oscar a couple of months ago, I'm pretty sure the demand on his movies has been increased. But this is not a Dujardin vehicle. While his character is pivotal to the whole story, he himself will not appear in it for a long period of time. I didn't count the minutes, but his screen presence does not warrant you to watch it for him alone.
Having said that, I do hope you watch it for what it is and all the other wonderful french actors that are in it. One of them being his "partner-in-crime" in his newest movie (L'Infidels). The story consists of every character having something inside them, wanting to burst out. Some are subtle about it and some are not. I think the character who is the loudest might feel to be the most annoying one, but the actor walks the fine line of still making him sympathetic enough for us to care. A really good drama, that will find it's audience.
Having said that, I do hope you watch it for what it is and all the other wonderful french actors that are in it. One of them being his "partner-in-crime" in his newest movie (L'Infidels). The story consists of every character having something inside them, wanting to burst out. Some are subtle about it and some are not. I think the character who is the loudest might feel to be the most annoying one, but the actor walks the fine line of still making him sympathetic enough for us to care. A really good drama, that will find it's audience.
Guillaume Canet does his best Arnaud Desplechin impression to mixed results. The film centers on a simple plot (a group of longtime friends going on their yearly beach vacation together) with a slight twist (they leave a member of the group in the hospital to go). Canet (who wrote and directed) crafts a character piece, delving into the lies that these people tell each other and themselves, and then slowly picks at the facade until it all comes out in the open. It's a pretty standard premise, but the actors here really make the film shine. Every one of them has at least one moment to impress and the majority of the extended cast make good use of them.
Francois Cluzet is excellent as the patriarch of the group, constantly in a state of distress over having to bury a secret that he's uncomfortable with. Benoit Magimel shines as a family man who is struggling with his sexuality. Gilles Lellouche is perfectly cast as the man-child with a heart of gold. It's no surprise that the one who shines brightest is Marion Cotillard, given the role of the woman who is caught in a state of despair, not really knowing what she wants in life. Unfortunately, Canet is incapable of creating characters with a real sense of depth to them. Even the main ones that we delve into only really have one thing that we barrel in on, and the female characters (aside from Cotillard's) are almost insultingly thin.
The film pretty much focuses on the men and Cotillard, leaving the other women as these shells of characters that Canet refuses to dig into, despite the extensive 150 minute running time. You'd think that with a running time that long, he could have created characters much more complex than the ones we received. The film all boils up to a conclusion that is a very easy and obvious attempt at trying to get some emotion out of the audience, incredibly disappointing in it's predictability. Overall, this isn't a bad film; it's entertaining to watch and the actors are able to get some fine emotional moments out of it. But really it's a case of a great cast being able to overcome the ineptitude of it's writer and director.
Francois Cluzet is excellent as the patriarch of the group, constantly in a state of distress over having to bury a secret that he's uncomfortable with. Benoit Magimel shines as a family man who is struggling with his sexuality. Gilles Lellouche is perfectly cast as the man-child with a heart of gold. It's no surprise that the one who shines brightest is Marion Cotillard, given the role of the woman who is caught in a state of despair, not really knowing what she wants in life. Unfortunately, Canet is incapable of creating characters with a real sense of depth to them. Even the main ones that we delve into only really have one thing that we barrel in on, and the female characters (aside from Cotillard's) are almost insultingly thin.
The film pretty much focuses on the men and Cotillard, leaving the other women as these shells of characters that Canet refuses to dig into, despite the extensive 150 minute running time. You'd think that with a running time that long, he could have created characters much more complex than the ones we received. The film all boils up to a conclusion that is a very easy and obvious attempt at trying to get some emotion out of the audience, incredibly disappointing in it's predictability. Overall, this isn't a bad film; it's entertaining to watch and the actors are able to get some fine emotional moments out of it. But really it's a case of a great cast being able to overcome the ineptitude of it's writer and director.
Look, if you are looking for an incredibly funny movie, or an incredible drama!... don't watch this, you have to see this one expecting nothing from it, and i really think you will be pleasantly surprised with it, it's a solid story, really well written, i honestly in one moment got lost in it i thought i was watching like a documental or whatever, it seemed so real, the things that happen in the movie are so real, all the story, it's a movie about redemption, with a real message, the kind of message like "there are more important things in life than money" and all that stuff, it's really good.
I have to be honest, i only watched this movie because Marion Cotillard was in it , and she is one of my favorite actresses, so, i saw it expecting nothing and i really liked it.
Give it a try, its a story about family, love, it's sad... it makes you laugh, it's really REALLY good.
I have to be honest, i only watched this movie because Marion Cotillard was in it , and she is one of my favorite actresses, so, i saw it expecting nothing and i really liked it.
Give it a try, its a story about family, love, it's sad... it makes you laugh, it's really REALLY good.
Le saviez-vous
- AnecdotesThe French title "Les Petits Mouchoirs" refers to an idiomatic expression that is similar to the English term "Sweeping something under the rug". You cover something up with a napkin or a handkerchief and pretend it's no longer there even though everyone knows it is. The English term "Little White Lies" is a similar if not identical concept.
- GaffesEric sends a text message to Marie's cell phone to call him back urgently, while he is in the restaurant with the blonde actress. Marie's cell phone beeps when receiving this text message, but when Marie opens the text message, the cell phone's display shows that it is set on mute ("silencieux").
- Autres versionsThere are three versions. These are the running times for them: "2 hr 34 min (154 min), 2 hr 34 min (154 min) (France), 2 hr 14 min (134 min) (theatrical) (South Korea)".
- ConnexionsFeatured in Estrenos Críticos: El Castor, NowhereBoy... (2011)
- Bandes originalesAre You Gonna Be My Girl
Written by Nic Cester and Cameron Muncey
Performed by Jet
Courtesy of MCA Records
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- How long is Little White Lies?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Little White Lies
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 15 268 310 € (estimation)
- Brut – États-Unis et Canada
- 206 088 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 25 654 $ US
- 26 août 2012
- Brut – à l'échelle mondiale
- 53 319 615 $ US
- Durée2 heures 34 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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What is the Japanese language plot outline for Les petits mouchoirs (2010)?
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