Basé sur les mémoires de Steve Jones, le légendaire guitariste des Sex Pistols qui a contribué à inaugurer une révolution punk en Grande-Bretagne.Basé sur les mémoires de Steve Jones, le légendaire guitariste des Sex Pistols qui a contribué à inaugurer une révolution punk en Grande-Bretagne.Basé sur les mémoires de Steve Jones, le légendaire guitariste des Sex Pistols qui a contribué à inaugurer une révolution punk en Grande-Bretagne.
- Nominé pour le prix 2 BAFTA Awards
- 3 nominations au total
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But loved it.
As a punk aged 14 in 1976 this should have been cringeworthy, but , regardless, it is most definitely not.
I read Steve Jones' autobiography "Lonely Boy ", and this series is basically a televised version.
The acting and artistic license were great.
What's not to like.
I hope John Lydon changes his opinion when he sees the six episodes for what they are, a celebration of what was, and is to my generation, a life changing attitude.
As a punk aged 14 in 1976 this should have been cringeworthy, but , regardless, it is most definitely not.
I read Steve Jones' autobiography "Lonely Boy ", and this series is basically a televised version.
The acting and artistic license were great.
What's not to like.
I hope John Lydon changes his opinion when he sees the six episodes for what they are, a celebration of what was, and is to my generation, a life changing attitude.
As Episode 1 of "Pistol" (2022 release from the UK; 6 episodes of about 50 min each) opens, it is the early 70s and we are introduced to Steve Jones, who is hanging out at the Hammersmith Odeon and fancies himself the next Davie Bowie/Ziggy Stardust, while along the way stealing music gear. He is desperate to start a band with his mates but how? Then one day he is stealing clothes from a fashion store called SEX but is caught. Turns out the store is owned by a chap named Malcolm McLaren... At this point we are 10 min into Episode 1.
Couple of comments: this is the latest from noted British director Dany Boyle ("Trainspotting"). Here he brings to the screen the Steve Jones memoir "Lonely Boy: Tales From a Sex Pistol" (and reason why this series is NOT Johnny Rotten-focused--Rotten doesn't even appear in Episode 1 at all). If you think you know the story of the Sex Pistols, well, in all likelihood you don't really, and that is one of the reasons this makes it such a compelling series. The series has the Danny Boyle touch and feel all over, including clever editing, rich use of music (Hawkwind's "Silver Machine" shows up in Episode 1), and just a very visual approach to things. I must admit that the cast was unknown to me but they do quite well. At the end of Episode 2, we get the Sex Pistols' first 'real' gig, at the London Saint Martins College of Art, on November 5, 1975. (As a complete aside: Johnny Rotten, the nice guy that he is, sued the film makers AND his former band mates in 2021 (i) from having Johnny Rotten to appear at all in the series, and (ii) from featuring any Sex Pistols music in the series, even though the series is based on Steve Jones' memoir. Thankfully a British court laughed Rotten out of the courtroom.)
All 6 episodes of "Pistol" started streaming yesterday on Hulu, and so far I've see the first 2 episodes. I am "totally in" on this mini-series, and can't wait to see the 4 remaining episodes very soon. If you have any interest in rock history, or are simply a fan of Danny Boyle's work, I'd readily suggest you check this out and draw your own conclusion.
UPDATE I've now seen all 6 episodes, and I've upgraded my rating from 7 to 8 stars. This mini-series is just fabulous. Watch the last episode when the Sex Pistols go on their disastrous US tour in early 1978. But the other thing I want to mention (not fully clear after watching the initial 2 episodes) is the major factor that was Chrissie Hynde (eventually starting The Pretenders) in all of this. She is featured prominently in all episodes. JUST WATCH.
Couple of comments: this is the latest from noted British director Dany Boyle ("Trainspotting"). Here he brings to the screen the Steve Jones memoir "Lonely Boy: Tales From a Sex Pistol" (and reason why this series is NOT Johnny Rotten-focused--Rotten doesn't even appear in Episode 1 at all). If you think you know the story of the Sex Pistols, well, in all likelihood you don't really, and that is one of the reasons this makes it such a compelling series. The series has the Danny Boyle touch and feel all over, including clever editing, rich use of music (Hawkwind's "Silver Machine" shows up in Episode 1), and just a very visual approach to things. I must admit that the cast was unknown to me but they do quite well. At the end of Episode 2, we get the Sex Pistols' first 'real' gig, at the London Saint Martins College of Art, on November 5, 1975. (As a complete aside: Johnny Rotten, the nice guy that he is, sued the film makers AND his former band mates in 2021 (i) from having Johnny Rotten to appear at all in the series, and (ii) from featuring any Sex Pistols music in the series, even though the series is based on Steve Jones' memoir. Thankfully a British court laughed Rotten out of the courtroom.)
All 6 episodes of "Pistol" started streaming yesterday on Hulu, and so far I've see the first 2 episodes. I am "totally in" on this mini-series, and can't wait to see the 4 remaining episodes very soon. If you have any interest in rock history, or are simply a fan of Danny Boyle's work, I'd readily suggest you check this out and draw your own conclusion.
UPDATE I've now seen all 6 episodes, and I've upgraded my rating from 7 to 8 stars. This mini-series is just fabulous. Watch the last episode when the Sex Pistols go on their disastrous US tour in early 1978. But the other thing I want to mention (not fully clear after watching the initial 2 episodes) is the major factor that was Chrissie Hynde (eventually starting The Pretenders) in all of this. She is featured prominently in all episodes. JUST WATCH.
Let's start with the elephant in the room.
John Lydon wasn't involved in this mini series which is a monumental missed opportunity. His exclusion depends on which story you believe - Disney & Boyle are adamant Lydon wanted no part of it. Lydon insists he was never asked and excluded from the outset. Either way, it's a shame.
However, for the most part, Pistol, which is based on Steve Jone's biography, is a triumph and captures the chaos, destruction, humour and self destruction of the destroyers of rock n roll.
Although focusing for the most part on Steve Jones, his damaged upbringing and his relationships, especially with Chrissie Hynde, Pistol brings to life the rebellious, anti-establishment, punk rock movement of 70's Britain.
In particular, Anson Boon as Rotten is superb with his acerbic barbs directed indiscriminately at anyone and everyone. And ironically, despite Lydons non-involvment in the series, the character is portrayed sensitively although I doubt Lydon will ever admit he likes it.
While acted brilliantly, Thomas Brodie-Sangster seems miss cast as McLaren, coming across more as a baby faced assassin rather than the weird and wacky provocateur. However, Sydney Chandler as Hynde is top drawer.
In music history, there have been a few occurrences of the 'perfect storm' where the music world has changed forever, Nirvana being one such example. But none more dramatic or explosive as the Pistols and Boyle's mini series captures much of the mood and madness, perfectly.
There is much deviation from actual events for presumably artistic reasons. And I'm sure Lydon will dispute much of Jones's recollection of events. But as an entertainment set-piece it all works surprisingly well.
John Lydon wasn't involved in this mini series which is a monumental missed opportunity. His exclusion depends on which story you believe - Disney & Boyle are adamant Lydon wanted no part of it. Lydon insists he was never asked and excluded from the outset. Either way, it's a shame.
However, for the most part, Pistol, which is based on Steve Jone's biography, is a triumph and captures the chaos, destruction, humour and self destruction of the destroyers of rock n roll.
Although focusing for the most part on Steve Jones, his damaged upbringing and his relationships, especially with Chrissie Hynde, Pistol brings to life the rebellious, anti-establishment, punk rock movement of 70's Britain.
In particular, Anson Boon as Rotten is superb with his acerbic barbs directed indiscriminately at anyone and everyone. And ironically, despite Lydons non-involvment in the series, the character is portrayed sensitively although I doubt Lydon will ever admit he likes it.
While acted brilliantly, Thomas Brodie-Sangster seems miss cast as McLaren, coming across more as a baby faced assassin rather than the weird and wacky provocateur. However, Sydney Chandler as Hynde is top drawer.
In music history, there have been a few occurrences of the 'perfect storm' where the music world has changed forever, Nirvana being one such example. But none more dramatic or explosive as the Pistols and Boyle's mini series captures much of the mood and madness, perfectly.
There is much deviation from actual events for presumably artistic reasons. And I'm sure Lydon will dispute much of Jones's recollection of events. But as an entertainment set-piece it all works surprisingly well.
I have a framed original Sid & Nancy movie poster. It's a fantastic movie. I can't help but judge this series against it and it doesn't quite hold up but how could it? I need to temper my expectations.
I like this series but I am watching it more as entertainment than a historical documentary. I remember enough of that time to be cognizant of the fact that there's a lot of fiction here.
I'm not all the way through the episodes but I am enjoying it well enough (see addendum at bottom). I don't have a problem with the actors, and some are quite good. The costumes and etc are spot on. The actor playing Rotten seems a bit over the top, and Malcom keeps reminding me of Doogie Howser MD.
I like that they try to place the story in its historical context. Things were messed up in England and punk was an outgrowth. I think this is what interests me the most and maybe what I really want is to know more about that macro context than the micro stories of the personalities involved. The characters do start to bore me a bit... and as I admitted I am about half way through.
That being said, the storyline about Chrissie Hynde was news to me! Wow! Bonus points that the actress that plays her is fantastic.
The music is excellent. There's an effort to have a wide range of contemporary music and it adds a lot. Also as mentioned previously there are some stunning visuals.
I am mindful there's a lot of controversy about this series. I acknowledge that but as I said, I think of this as entertainment. There's enough horror in life right now (mass shootings, Ukraine, inflation, etc) to let this series disrupt my existence further.
So, it's entertaining enough. I don't have any problem recommending it and if you find yourself not enjoying it, you can always skip it.
And if you haven't seen Sid & Nancy, look for it.
PS I did watch all the episodes. Nothing I saw really changes what I already wrote. The conclusion does leave you feeling sort of empty... I don't know if I should have expected anything different. It is Steve's story and thus the title is "Pistol" and not "Pistols", although the last two episodes have much to do about Sid.
I like this series but I am watching it more as entertainment than a historical documentary. I remember enough of that time to be cognizant of the fact that there's a lot of fiction here.
I'm not all the way through the episodes but I am enjoying it well enough (see addendum at bottom). I don't have a problem with the actors, and some are quite good. The costumes and etc are spot on. The actor playing Rotten seems a bit over the top, and Malcom keeps reminding me of Doogie Howser MD.
I like that they try to place the story in its historical context. Things were messed up in England and punk was an outgrowth. I think this is what interests me the most and maybe what I really want is to know more about that macro context than the micro stories of the personalities involved. The characters do start to bore me a bit... and as I admitted I am about half way through.
That being said, the storyline about Chrissie Hynde was news to me! Wow! Bonus points that the actress that plays her is fantastic.
The music is excellent. There's an effort to have a wide range of contemporary music and it adds a lot. Also as mentioned previously there are some stunning visuals.
I am mindful there's a lot of controversy about this series. I acknowledge that but as I said, I think of this as entertainment. There's enough horror in life right now (mass shootings, Ukraine, inflation, etc) to let this series disrupt my existence further.
So, it's entertaining enough. I don't have any problem recommending it and if you find yourself not enjoying it, you can always skip it.
And if you haven't seen Sid & Nancy, look for it.
PS I did watch all the episodes. Nothing I saw really changes what I already wrote. The conclusion does leave you feeling sort of empty... I don't know if I should have expected anything different. It is Steve's story and thus the title is "Pistol" and not "Pistols", although the last two episodes have much to do about Sid.
John Lydon is angry with Danny Boyle and the show's existence, so it is doing something right! The story is intoxicating, some of it true, some of it Apocryphal and some of it whole cloth fabricated.
It is well cast with a young ensemble blending unknowns with some more established actors. The raw anti-establishment energy shines through and there is some good chemistry albeit some of it brilliantly contrarian and negative.
The soundtrack is superb, naturally a lot is Pistols, but there is a liberal scattering of other classic music from the era. Costume and location are up to scratch and some of the dialogue is exceptional, with many memorable lines.
Stranger than fiction, nonetheless enjoyable, engaging and entertaining, though it is difficult to disentangle nostalgia from the show itself.
It is well cast with a young ensemble blending unknowns with some more established actors. The raw anti-establishment energy shines through and there is some good chemistry albeit some of it brilliantly contrarian and negative.
The soundtrack is superb, naturally a lot is Pistols, but there is a liberal scattering of other classic music from the era. Costume and location are up to scratch and some of the dialogue is exceptional, with many memorable lines.
Stranger than fiction, nonetheless enjoyable, engaging and entertaining, though it is difficult to disentangle nostalgia from the show itself.
Le saviez-vous
- AnecdotesThe concert and rehearsal scenes were recorded live, without overdubs and the actors portraying the band and Chrissie Hynde sang and played their instruments in almost all their scenes. As none of them actually played their designated instrument they had to learn before production began.
- ConnexionsReferenced in TV Junk Podcast: Episode 5: Pistol (2022)
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