Contracorriente

" Undertow", gut-wrenching and quietly powerful Peruvian movie, brings back the faith in the power of story telling. This forgotten art seems to have passed by most of our contemporary film-makers. Luckily it didn't Javier Funtes-Leon. Small fishing village seemingly locked in time capsule. Grueling work, old-time believes, church on Sundays and communal meal after. Everybody knows everybody, or do they? Small towns, like little tribes, include all members of its community.Up to a point. As long as you play by their traditional rules, you'll be fine. But, just try to step out of the rhythm of the tribal tune, and they turn on you. Of course, this is a movie about a repression of gay people and the horrors they have to endure just because they are different. But, it is so much more. The indictment of empty traditions, false morals and greatest possible cheer for personal courage. This is the life we have, these are the cards we are dealt and play we must.With our head up high and damn the consequences, or hiding and trying to please all but yourself. Doesn't seems such a hard choice to me, or is it?

Profoundly moving. A fishing village that seems to come out of somebody's dream. A loving husband about to become a father and a forbidden love. Cristian Mercado in a beautifully drawn performance takes us into his own predicament with honesty and astonishing tenderness. The emotional details of his love for another man are nothing short of extraordinary. I saw the film a couple of day ago at The Latino Film Festival of Los Angeles and Cristian Mercado's face has been with me ever since. Born and bread in a deeply religious Peruvian community, he accepts his feelings but denies the truth of his own nature. Being a man of unshakable, even if unconscious, integrity he will be who he's suppose to be, with courage an kindness. I must confess, I wept. Glad to know it got an American distribution. It deserves to be seen. Congratulations.

I haven't seen such a touching gay movie since Brokeback Mountain. The movie contains so many issues, yet it could still cover them all and touch the deepest emotions in my heart. The depiction of each character is so profound that you can't help feeling the way they experienced.

Everyone is selfish when it comes to love, and so was Miguel. After he found the way how his wife and Santiago could coexist, he decided not to salvage the body and let Santiago rest in peace. He wanted Santiago to exist just for him, without the risk their relationship to be discovered. But not soon after the rumor of the painting ran wild in the village, his ideal pattern of coexistence vanished! In substitution, here comes the suspicion along with the despite from the so-called innocent village. Miguel's wife is just an ordinary woman who couldn't accept the fact that her husband was screwing other man, but the courage and tolerance she maintained is quite extraordinary. Love is the only way to get through this kind of grief. It's true for Miguel for that the loss of his lover and the courage to admit the rumor. On the other hand, it's also true for Miguel's wife who had to raise her child under this circumstance, not to mention the pressure and gossip she had to put up with.

Masculinity is always a main concept in gay movies. Therefore, Miguel had to struggle with his identification like most conservative gay did. In some way, Santiago is not just his lover, but also the desire of freedom which he had been longed for decades. When Miguel made up his mind to fulfill Santiago's last wish no matter what it costs, the determination and courage he showed really made me weep. No doubt that's the moment he found his own freedom and became a true macho!

Tragedy is when love no longer existed, so I would rather say this movie is about love and forgiveness. For those who has been struggled for their identification, this is a must see movie. Furthermore, for those who be the reason some have to struggle for anything, this is definitely a movie you can' t miss!

This movie gathers impetus as it goes along, so that by the end you are completely caught up in its complex and very moving depiction of the twists and turns of the human heart. The story exists on several levels--love story; political/religious commentary; ghost story. Filmed in a seaside village in Peru, the movie has beautiful cinematography, and the music soundtrack is also evocative of a culture far removed from city life. The three principal actors are superb, especially Cristian Mercado as the tormented husband/lover. The supporting players are also outstanding, each contributing to the overall depiction of the townspeople observing the drama that unfolds. I won't give the plot away except to say that it exists on more than one level of reality. Highly recommended.

There are lots of things that are not told to us in the beginning or middle of this movie. We do not know who are the characters, where they came from or how they started their relationships. The truth is, we do not need to know that. What we need and by the end of the movie what we want to acknowledge is that this is a movie about love (or different types of love). A movie about grieve and it's most different ways of being expressed. A movie about people and about the way they struggle through their lives to hide what they really are and what or who they really role. This is a movie about loss and pain and also about joy and happiness. In the end, this a movie about being human.

The script is remarkable and it runs away from the clichés and the preconceived ideas you might take while you are walking in the projection room. But even more remarkable are the 3 main characters and the actors who portray them. Cristian Mercado delivers a masterclass in acting. By a comfortable mile, one of the best male acting performances of the year. What is most admirable is the way Mercado can express Miguel's painful grievance: the loss of his lover, the acceptance of what he really his and the loss of his beloved wife and son - there are no hysteric portraits of loss. What you get to see is a outstanding performance focused on the facial and physical expression. Also fantastic the the performance by the Mexican actress Tatiana Astengo.

Could this be one of the front runners for the Best Foreing Language movie of the year? No doubt about it.