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IMDbPro

May December

  • 2023
  • 14A
  • 1h 57m
ÉVALUATION IMDb
6,7/10
70 k
MA NOTE
POPULARITÉ
2 054
1 423
Julianne Moore and Natalie Portman in May December (2023)
Twenty years after their notorious tabloid romance gripped the nation, a married couple buckles under the pressure when an actress arrives to do research for a film about their past.
Liretrailer2 min 28 s
4 vidéos
99+ photos
Dark ComedyPsychological DramaDrama

Le couple marié qui, vingt ans après leur fameuse histoire d'amour, a fait les choux gras des tabloïds, cède à la pression lorsqu'une actrice vient faire des recherches pour un film sur leur... Tout lireLe couple marié qui, vingt ans après leur fameuse histoire d'amour, a fait les choux gras des tabloïds, cède à la pression lorsqu'une actrice vient faire des recherches pour un film sur leur passé.Le couple marié qui, vingt ans après leur fameuse histoire d'amour, a fait les choux gras des tabloïds, cède à la pression lorsqu'une actrice vient faire des recherches pour un film sur leur passé.

  • Director
    • Todd Haynes
  • Writers
    • Samy Burch
    • Alex Mechanik
  • Stars
    • Natalie Portman
    • Chris Tenzis
    • Charles Melton
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    6,7/10
    70 k
    MA NOTE
    POPULARITÉ
    2 054
    1 423
    • Director
      • Todd Haynes
    • Writers
      • Samy Burch
      • Alex Mechanik
    • Stars
      • Natalie Portman
      • Chris Tenzis
      • Charles Melton
    • 325Commentaires d'utilisateurs
    • 253Commentaires de critiques
    • 86Métascore
  • Voir l’information sur la production à IMDbPro
    • Nommé pour 1 oscar
      • 44 victoires et 183 nominations au total

    Vidéos4

    Official Trailer
    Trailer 2:28
    Official Trailer
    Official Social Tease
    Trailer 0:34
    Official Social Tease
    Official Social Tease
    Trailer 0:34
    Official Social Tease
    IMDb Celebrates ReFrame Films That Champion Gender Equity on Set
    Interview 2:01
    IMDb Celebrates ReFrame Films That Champion Gender Equity on Set
    NYFF 2023: Todd Haynes on 'May December'
    Video 25:27
    NYFF 2023: Todd Haynes on 'May December'

    Photos195

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    + 189
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    Rôles principaux64

    Modifier
    Natalie Portman
    Natalie Portman
    • Elizabeth
    Chris Tenzis
    Chris Tenzis
    • Aaron
    • (voice)
    Charles Melton
    Charles Melton
    • Joe Yoo
    Julianne Moore
    Julianne Moore
    • Gracie
    Andrea Frankle
    Andrea Frankle
    • Rhonda
    Gabriel Barbosa
    Gabriel Barbosa
    • Charlie Atherton-Yoo
    • (as Gabriel Chung)
    Mikenzie Taylor
    Mikenzie Taylor
    • Molly
    Jocelyn Shelfo
    Jocelyn Shelfo
    • Sofia
    Elizabeth Yu
    Elizabeth Yu
    • Mary Atherton-Yoo
    Mike Lopez
    • Ben
    Joan Reilly
    Joan Reilly
    • Lydia
    D.W. Moffett
    D.W. Moffett
    • Tom Atherton
    Charles Green
    Charles Green
    • Mr. Henderson
    Christopher Nguyen
    • Tyler Ko
    Adam Woods
    • Benny Kim…
    Lawrence Arancio
    Lawrence Arancio
    • Morris Sperber
    Cory Michael Smith
    Cory Michael Smith
    • Georgie
    Kelvin Han Yee
    Kelvin Han Yee
    • Joe Sr.
    • Director
      • Todd Haynes
    • Writers
      • Samy Burch
      • Alex Mechanik
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs325

    6,769.9K
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    Avis en vedette

    5PennyReviews

    Not Good Enough

    '' May December '' is a drama about an actress who is about to portray the story of a sex offender, and so she starts spending time with her in order to prepare for her movie.

    The movie has an intriguing story, and you get the feeling right from the start that there is something even more sinister about those characters that is about to rear its ugly head at any moment. However, that never happens. In fact, in the end, nothing happens. Things remain where they are, and the audiance, who knows that no one is who they appear to be, is left perplexed.

    However, the performances were strong from the two leads, Portman and Moore. But, other than that, the movie is a let down.
    8zack_gideon

    The Aftermath of a Crime(s)

    This movie is based on subtext and doesn't have an overt narrative that progresses like most films.

    This movie is about the about one of the worst crimes that exists - CSA (look it up). If you understand it's generational and also very difficult to comprehend this movie will hit you HARD.

    That being said, this is a very well done movie about adults who are really just children. They never healed from their traumas and what ensues is a vision of how life is when you ignore that stuff.

    I personally have dealt this this crap, and ignoring it is the easy way out...but leads to a unlived life. You have to put the bright lights on it which is what Natalie Portman's character does.

    The movie is for people that love film as art - not narrative. It is very well done. All the acting is based on nuanced subtext. The score and the cinematography are also very well done (I love slow zooms...sue me).

    Overall it's a great film if you can just absorb the artform of a well paced uncovering of the aftermath of a crime and what happens when you steal innocence. It's a truly remarkable movie that will impact people that understand this dynamic in life. 8/10.
    5brentsbulletinboard

    Disappointing

    In moviemaking, there's subtlety, and then there's subtlety carried too far. In the case of director Todd Haynes's latest, the filmmaker unfortunately indulges himself far too much in the latter. This story of an actress (Natalie Portman) who visits a middle-aged sex offender (Julianne Moore) to prepare for a role she's about to play in a movie about her subject's life never seems to find a footing to stick with and explore. The narrative examines many different aspects of the back story behind the lives of the characters to be portrayed in this pending production without ever really resolving any of them by the time the credits roll. This includes not only the protagonist's reasons for pursuing her once-underage husband (Charles Melton) - actions that got her jailed and made her fodder for countless tawdry tabloid cover stories - but also the nature of the actress's real motivations in conducting such an excessively intense in-depth study of her character. In the process, virtually everyone comes across as somewhat unsavory, and, considering that the truth is never clearly revealed about any of them, it begs the question, why should we care about any of this? The film depicts all of this so subtly that it goes beyond nuance, veering into the realm of enigmatic, thereby further reinforcing the notion of why any of us should care. Ironically, these underplayed elements are in stark contrast to some rather obvious (and terribly trite) symbolism, particularly in images related to themes of transition and transformation. The picture's inconsistent changes in tone don't help, either, vacillating between allegedly serious drama and a seemingly underdeveloped desire to break out as an exercise in full-fledged camp (which, by the way, probably would have made this a much better offering). The script's meandering flow and glacial pacing also don't help, leaving viewers scratching their heads more often than not as to where this story is headed. In the end, all of the foregoing is ultimately quite unfortunate, because there's definite potential in this project, but it's never adequately defined and fleshed out. Leads Moore and (especially) Portman turn in admirable efforts to make this material fly, but they simply don't have enough to work with to make that happen. While there appear to be allusions to themes like the difficulty involved in dealing with long-buried feelings and the fact that we may never be able to adequately grasp the truth behind them (either as outsiders looking in or as active participants in the midst of such dealings), the cryptic handling of those ideas undermines whatever meaningful messages or cinematic value they might have, making all of this seem like just such a big waste of time. Director Haynes has an impressive filmography behind him with such releases as "Poison" (1991), "Far From Heaven" (2002) and "Dark Waters" (2019), but, regrettably, "May December" certainly can't be counted as part of that list.
    7qdliusiwen

    The drama is within each characyed

    So much tension between each characters and lust and surprisingly, motherly love. I can see why some people would find this movie uneventful, but I think each character is a story in itself, showing you all the conflicting parts of it.

    Charles Melton (Joe) did a phenomenal job, playing someone who was a mature kid and a stunted adult, embodying both at the same time. Natalie Portman (Elizabeth) brings a narcissistic and condescending being into the spotlight. And Julienne (Gracie)!! The character was just so complex and conflicting, and sinister.

    The soundtrack and the framing of characters add so much to this story.
    7ferguson-6

    buried emotions bubble up

    Greetings again from the darkness. Contentedly, most us live our lives in a manner that would never be worthy of tabloid headlines. Not so for Gracie in this psychologically complex new film from expert director Todd Haynes (FAR FROM HEAVEN, 2002) and writers Samy Burch and Alex Mechanik. Early on, Haynes shows us those tabloids featuring Gracie's scandal following her seduction of 7th grader Joe in the stock room of the local pet store. She was 36 years old, and he was 13. Soon after, Gracie went to prison, where she bore their first child.

    The story picks up 24 years later as Gracie and Joe are married, and their second and third children, twins Mary (Elizabeth Yu) and Charlie (Gabriel Chung), are graduating high school and preparing to ship off to college. In other words, they are all living a fairly normal life. However, as a harsh reminder that their lives are not actually normal, Elizabeth (Oscar winner Natalie Portman) arrives at their Savannah home to research her role as Gracie in an upcoming indie film about the scandal.

    Oscar winner Julianne Moore plays Gracie, in her fourth collaboration with director Haynes. Charles Melton (THE SUN IS ALSO A STAR, 2019) plays Joe, who is now the same age as Elizabeth, as well as the kids from Gracie's first marriage. Elizabeth is polite and apologetic as she initially treads carefully in asking probing questions of the family and their friends. Her approach generates some awkward moments, and although Gracie seems to hold firmly to her did-nothing-wrong stance, it's Joe who begins to question things ... mimicking the slow development of the Monarch butterflies he breeds.

    Perhaps the film's best sequence occurs when actress Elizabeth shows up for a Q&A with Mary and Charlie's class. When the question gets a bit risqué, Elizabeth's answer borders on inappropriate, and is an honest depiction of the fine line between acting and reality. Back at the house, Elizabeth's questions raise previously unspoken doubts, as well as the ongoing impact of the scandal ... not the least of which are periodic postal deliveries of excrement denoting some of the public's view of a female predator.

    The similarities to the true-life story of Mary Kay Letourneau are inescapable, though a twist here is that Gracie and Joe's recollection of how things started are not necessarily in sync. Savannah is always a character unto itself, and the accompanying music is eerily spot on ... including the repurposing of Michel Legrand's score from THE GO-BETWEEN (1971). The three lead actors (Ms. Portman, Ms. Moore, Mr. Melton) are terrific, and director Haynes has delivered yet another complex movie that gives the appearance of simplicity due to how beautifully it's done.

    Opens in select theaters on November 17, 2023 and streams on Netflix beginning December 1, 2023.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Julianne Moore (Gracie) did not notice Natalie Portman (Elizabeth) was improvising by mimicking her mannerisms in some scenes until later into filming.
    • Gaffes
      Natalie Portman uses an inhaler several times and never once uses it correctly. She takes a puff, a short breath, then immediately starts talking. This would result in the medicine ending up in her mouth instead of in her lungs, where it's needed.
    • Citations

      Gracie: Insecure people are very dangerous, aren't they? I'm secure. Make sure you put that in there.

    • Connexions
      Featured in Amanda the Jedi Show: Never Trust the Standing Ovations | CANNES 2023 Indiana Jones, Killers of the Flower Moon (2023)
    • Bandes originales
      All Are One
      Written by Gwynneth Haynes

      Performed by Sophe Lux & The Mystic

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    FAQ18

    • How long is May December?Propulsé par Alexa

    Détails

    Modifier
    • Date de sortie
      • 1 décembre 2023 (Canada)
    • Pays d’origine
      • United States
    • Sites officiels
      • Netflix Site
      • Official Sky
    • Langue
      • English
    • Aussi connu sous le nom de
      • Secretos de un escándalo
    • Lieux de tournage
      • Savannah, Géorgie, États-Unis
    • sociétés de production
      • Gloria Sanchez Productions
      • Killer Films
      • MountainA
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 20 000 000 $ US (estimation)
    • Brut – à l'échelle mondiale
      • 5 270 202 $ US
    Voir les informations détaillées sur le box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 57 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 1.85 : 1

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