I watched without knowing too much about the director and lead actor, Babor Lelefan alias Clément Bérut, and I was expecting an average film like the French cinema does so much. Well, I must admit, I took quite a slap in the face. The last time it happened to me was probably in front of Nolan's The Prestige.
Babor, while pretending to make a poor quality parody of French cinema, actually gives here a masterful lesson in creativity and absurd humor by delivering a very rhythmical film. Sometimes terrifying, sometimes moving, always surprising, this film will not leave you neutral, that's for sure.
