Raajneeti

To say that the film has influence from Francis Ford Coppola's Godfather is not without merit. After all, it has references such as the bloody bed scene (without involving a horse head), deaths of similar characters, and of course, the story of the rise of the youngest, most promising child of the household, here played by Ranbir Kapoor, into the bitter orchestrator of his political party's campaign for the Chief Ministership, complete with an overpowering vendetta of revenge and honour. Ranbir's Samar Pratap role is perhaps the juiciest of the lot here, given his transformation into someone cold and calculated, who will not hesitate to give up his emotions in order to manipulate others into doing his bidding, all moves played out like a chess game in order to advance his cause.

And the other persona in the film given a transformation at that level, is Katrina Kaif's Indu, an impetuous girl deeply in love with Samar, who also has to give up feelings more as a matter of instruction by her industrialist father, who sees donations to political campaigns and marriages as a sealing of alliances for favours and benefits, highlighting the clout that campaign donators wield over the politicians they support. Katrina's role is something you'll notice right away, as she disappears into a mature woman taking on seasoned politicians riding on her wave of sympathy, and in a way resembles through her demeanour, very much like Sonia Gandhi. A pity though that this interesting turn only takes place in the last act, having to disappear very much in the middle of the film.

Which is probably why it was reported that one of the stars felt disappointed with the film being billed as a Kapoor-Kaif starrer, with posters having these the two characters taking centerstage. But who can blame the marketers, as they had starred in the highly successful and popular Ajab Prem Ki Ghazab Kahani in 2009, and most certainly the filmmakers will want to tap on that same crowd to come into and experience a thematically heavier film. What more, these are the two characters that experience change, much unlike the others who play seasoned politicians who are entrenched into the way they work and operate, leaving room for schemes to enter through the blind side, in a game of threats and counterthreats that you can easily see looming, to gain the upper hand leading to ballots being cast.

Prakash Jha crafts a web of character relationships that you'll need to mind-map as the film moves along, introducing key characters and influencers in this family dynasty politics, where the early generation of alliance between brothers, break out into a power struggle for party leadership amongst the next generation between cousins. It's very much dirty business, and Jha, a one time politician, provides plenty for the audience as he goes into sub plots and elements involving corruption across ranks, the ineptness of the police force, tactics in getting mass support, and how through the greasing of the right palms, one gets ballots by the village-load. And if all else fails, there's always the nod toward the enforcer type to flex some muscles, and political assassinations too fall into fair play. It's an extremely dirty business, and it's somehow a sneak peek into how Indian politics get played.

The ensemble cast shouldn't be overlooked as well, with Arjun Rampal's Prithviraj the hot- headed brother of Samar who on one hand is being propelled to lead his breakaway party and yet having a character that's less than noble, and Manoj Bajpai is excellent as Veerendra Pratap who's constantly finding himself not in the driver's seat of events, and have to rely on heavy muscle to keep the competition away. The villains here seem more sympathetic as they cannot find viable solutions to their predicament, and have to boil everything down to violence. Nana Patekar's Brij Gopal also shined as the unfailing mentor who has experience to count on in his repertoire of tricks up his sleeve, and has a key role to play in the falling out of the established dynasty.

I suppose a film like this cannot possibly be made here until our state of industry and politics mature to a stage where filmmakers can tell a story without the innate fear of harassment, though Jha did get requests by the censors to tone down some scenes and change some dialogues, which was complied with. The film turned out as an average epic much to my disappointment as I expected a lot, but it did have moments which stood out from the usual cookie cutter. It's not great, but it did enough to share a glimpse into the shady world of politics and the less than angelic politicians who struggle with each other for the vote of the populace.

Even if you do not know before going into the movie, it is evident in the first few minutes that the film draws heavily from the epic of Mahabharata. From the basic plot to the characters. Your palms will get sweaty a few times if you can relate to it.

Ranbir Kapoor is our modern day Arjun & Krishna woven into one. All characters in the movie have shades of gray and Ranbir is no exception. He is a strategist who is not afraid to go the bloody mile. Being a young actor in a multi starer can be tricky, but Ranbir does emerge on top, thereby setting the pace for more serious & deeper roles in the future. Nana Patekar is so subtle & understated that he takes the film forward effortlessly. No yelling, just shrewd smiles. Ajay Devgn proves yet again that he is past the stage where he needs screen time to justify his role. He easily enters into the skin of the modern day Karna, letting Manoj Bajpai as Duryodhan take center stage. And Bajpai, justifies every minute of his presence on screen. Arjun Rampal has his moments in the sun. Katrina impresses mainly through her improved Hindi. This is definitely not the role that she was hoping would get her a national award.

Subtlety is not a mark of Prakash Jha's cinema. From Gangajal to Apaharan to Raajneeti, all are in your face dramas. Raajneeti, if I may say, would be his most commercial outing in some time. We have very mainstream actors, a grand scale in the sheer number of crowds, bloody violence, cars going up in flames & people killing each other left, right & center.

Even for its 3 hour run time, some scenes & sequences do seem rushed in a bit. Nasserudin Shah has as much a presence in the film as he has on the posters. He is not in the film if you are five minutes late to the movie. All our political men are ultra virile & the females- ultra fertile. There is also a needless club song. Then, there are car bombs & a climactic gun battle that is a bit over the top just like all Prakash Jha films. It could have been kept tighter & more believable.

But that said, the film is a gripping tale with very intensely executed pieces and careful attention to detail. The basic premise remains that of the Mahabharata, but the film is not limited to that. It is fast paced and there is seldom a loose moment. It is not Jha's best work, not even close. But I am tempted to rate it highly for the power packed performances & the gripping screenplay.

I say 3.5 on 5

First of all let me clear it out, I personally hate politics and am a novice in it but after watching this movie I concluded few things:

1) All politicians are murderers.

2) People switch their present or future life partners with others in order to gain votes or money to gain votes.

3) Police is just like dice for politicians. They throw and spin them against each other for their own benefits.

4) There is no term like family or sibling in politics. Anyone can turn against anyone or may be kill each other just for greed of votes.

5) Public is a complete moron; people vote for that person who gives them a cunning speech and not to that person who genuinely wants good for them.

6) There are no human beings in politics, just a bunch of 'escaped-from-hell' devils fighting against each other to attain powers not for using for benefit of public but for personal greediness.

I am not sure whether the things I concluded are correct but you will sense trueness in them once you watch this movie. Prakash Jha( Mrityudand, GangaJal and Apaharan), famous for making movies on serious topics and getting success for every film, fails this time. All his previous movies worked because he stuck to the main story till the end and the lead actor did justice with his role. But, in Raajneeti he did a different thing, he assembled a huge star cast with every actor having a potential of pulling of any movie well and a strong topic: politics, which was great but he didn't give preference to MAIN story this time which went wrong.

Raajneeti is supposedly based on the epic Mahabharata in which brothers went for a long brutal war against each other because of their personal differences. Thus, with so many characters in the movie it was impossible for any director to present two stories simultaneously: Politics and a family war. Prakash Jha had so much scope of showing the inside story of the dirty politics going on in the country, people would have been satisfied with that but we all know there very few politicians who come from the same family or may be there is no one. So, instead of showing the movie on politics Prakash Jha ended up making a movie in which a group of brothers play conspiracies against each other to become the group leader.

I am not indicating that Raajneeti was a complete failure. It made huge impacts many times. The positives were fine performances by the actors. Ranbir Kapoor, Manoj Bajpai, Katrina Kaif and Arjun Rampal deserve special accolades for their performances. Naseeruddin Shah had nothing to do in the movie. Ajay Devgn too had little scope in comparison to others but he did his job well. Nana Patekar was OK. Sarah Thomson was good.

As I told storyline would have been much better if Prakash Jha and Anjum Rajabali stuck only to the politics. Music by Wayne Sharpe went unnoticed except for the song Mora Piya which was played a few times in the background. Editing was poor, the movie could easily have been cut short by thirty minutes which didn't happen the movie so gave the audiences many chances of yawning and checking their watches.

To conclude I would say the difference lies in Prakash Jha's earlier successful movies and Raajneeti is that the previous movies were made with an intention of presenting the audiences with reality and Raajneeti was only made with intention of scoring big at the box office. The film had so many brilliant actors that Prakash Jha didn't do full justice with everyone, he wanted to include everything in his movie: romance, suspense, and some scenes which were completely unexpected and unwanted.

I know you will watch this film, so there is no point of saying anything on this but yeah this film has its moments which will remind you of old Prakash Jha. That's why I say he didn't go for politics, he went for polymorphism!

My Rating: 6/10

Thanks & Regards

Power. The quest for its supremacy has seen many a battle through centuries bringing chaos, destruction, bloodshed, grief and loss. India's greatest epic, The Mahabharat witnessed cruel forces stand for what they seemed as right, against their brothers who, aided by a master Strategist, outsmarted the great warriors. In the end, it never was about good or evil. It was about achieving victory… at any cost. Prakash Jha's audacious venture of Raajneeti treads this very path to re-incarnate the intricate battle for supremacy. An ensemble cast comprising of Nana Patekar, Ajay Devgan, Manoj Bajpai, Arjun Rampal, Ranbir Kapoor, Katrina Kaif, Naseeruddin Shah and an impressive lot of others play today's warriors in the great battlefield of Indian politics.

The back story of Kunti's 'first born', Karna leads us to the high stakes political game in the Pratap family after their supremo is hospitalized. The state is witnessing a transition in government and there is more than one challenger within the family itself. The battle lines have been drawn and clearly, the thirst for power has corrupted everyone involved. There is no good in this quest for victory. Aided by Karna, Duryodhan leads his charge against the Paandavs who are aided by the experienced strategist, Krishna. After the fall of Paandu, the united brothers of Yudhishtir and Arjun salvage their position with every move, lie and trick outside the book as Krishna guides them through the battlefield. This essence of The Mahabharat has been adroitly adapted to Raajneeti's political backdrop and all credit for its intricate development goes to writers Anjum Rajabali and Mr. Jha himself. The scale is elaborate, the cast ensemble and the plot engaging but the execution of it all with the thorough script, well paced screenplay, masterful direction and flawless performances make this a remarkable film.

Raajneeti is not for the faint hearted who solely indulge in slap-stick comedies, heart warming tragedies, mushy love stories or any vampire chronicles. This is real, wicked, unforgiving and ruthless politics. But Jha doesn't make a documentary with this cast. There is a bit of filmy drama with women being impregnated after just one encounter, love being compromised for the ultimate goal in battle and people being used as pawns on a big chess board. At the same time, Jha is unforgiving while he portrays the brutally of battle. There are car bombs, assassins, gruesome beatings, bloodshed and profanity suited to the film's environment. It rarely fails to surprise you with every new conniving plot and strategy and the convincing performances by the actors who certainly are portraying dual characters. One being those of the film Raajneeti and the other being the celluloid reincarnations of characters from The Mahabharat.

This is also a performance powerhouse. Naseeruddin Shah of course, excellent in his brief role, deserved more screen presence. Nana Patekar's simplicity in portraying the most important of characters is awe inspiring. He is indeed a mentor for the rest of them. It's been a long time since we watched Manoj Bajpai in a worthy role and what a laudable performance it was! His defining moment was his speech after Shakuni Mama's incident. Ajay Devgan being Jha's favorite man maintains his typical intensity in a solid act while Arjun Rampal delivers the most shocking performance which is also his finest yet. Watch him as he speaks to his brother on his cell phone with bloody hands and you will witness the intense actor in him. Sarah Kane in a brief role seemed quite seasoned already along with Nikhila Trikha (Kunti). Katrina Kaif has proved her worth with Raajneeti. Jha instilled confidence in Katrina's mediocre dialog delivery and nurtured her to reach her epitome in the public speech she makes in front of thousands. She now sheds the tag of the cute, beautiful new comer and surpasses many of her peers showing her versatility in just the past year. Speaking of which, the new force to be reckoned with is certainly Ranbir Kapoor. From being the lover boy, funny man, awakened man and salesman, he proves his mettle as the underdog who earns respect through actions. Whether he is playing chess on his BB or watching his game plan unfold on the screen or calming an infuriated, impulsive brother, Ranbir shows his composure and caliber while making his presence felt in the midst of accomplished senior artists.

The musical score also has an ensemble cast here. With Pritam, Aadesh Shrivastava, Shantanu Moitra and Wayne Sharpe, the music is brilliant. The pop-classical Ishq Barse, the melodious Bheegi Si Bhaagi Si, the uplifting theme song - Dhan dhan Dharti by Shankar and Wayne Sharpe and Aadesh Shrivastava & Shashi's outstanding Mora Piya are all excellent, even with their well remixed versions (Mora Piya 'trance' mix!). But Jha mercilessly edits the songs from the movie, only to keep a bare minimum when the screenplay could exhale.

Prakash Jha seemed to draw inspirations from The Mahabharat, 'The Godfather', 'Kalyug' as well as the 'Sarkars' and in his distinctive way, gave us an engaging, witty, hard hitting, intense drama that is a depiction of a democracy that works, but at a price. With real people, about 10,000 of them, Jha shot in locales that serve as the battlefield with superb cinematography by Sachin Krishn. His well researched and gripping script is the soul of this multi-starrer and his vision to bring the greatest epic to life just adds to the viewer's intrigue and awe element. One might even need repeated viewings in order to grasp some deeper dialogs. Minor dramatizations apart, Jha's work is commendable simply because very few have succeeded with the scale and grandeur of Raajneeti and while critics can dissect all they want, this IS the most definitive and convincing version of The Mahabharat and the ugly face of democracy.

• 8.889 on a scale of 1-10.

I didn't have high expectations from the movie, even then it failed to impress me. There were a lot of things happening very fast, seemed like it was over-packed with events and turns but surprise element was missing. Dialogues were average and seemed stupid in many scenes, like the conversation between Ajay Devgan and Ranbeer's mother, and the conversation between Katrina and Ranbeer in one of the last scenes where she announces her pregnancy.

Arjun Rampal was looking out of place, and wasn't carrying the aggression and rawness required for his character, he was too polished. Ranbir Kapoor acted good and carried the Micheal Corleone act well. Not to mention he had a lot of scope as his character was central, but again this was one of the flaws because it left very little for the rivalry between him and Ajay Devgan, who still made his presence felt in all the scenes and did justice to his role. Manoj Bajpei was also good but lacked sharpness needed for his character, if his character could just carried the confidence he showed up in Veer Zara. To summarize mostly all the characters were under developed. Katrina's transformation into a loving wife was so sudden that it looked awkward.

Katrina as a political leader waiving hands looked awkward because of the way the scenes were shot. Dialogues and character development is the basic flaw along with not so good editing, or the movie could have been very good.

That scene of Arjun Rampal after killing the police officer was executed well and had the necessary terror element, however there was so much of blood bath in the movie that it came and went like an ordinary scene.Nana Patekar was OK in his role.

I would rate 6 out of 10.