Pirates des Caraïbes: La fontaine de jouvence
Jack Sparrow et Barbossa se lancent dans une quête pour trouver la fontaine de jeunesse insaisissable, seulement pour découvrir que Blackbeard (Barbe Noire) et sa fille la recherchent aussi.Jack Sparrow et Barbossa se lancent dans une quête pour trouver la fontaine de jeunesse insaisissable, seulement pour découvrir que Blackbeard (Barbe Noire) et sa fille la recherchent aussi.Jack Sparrow et Barbossa se lancent dans une quête pour trouver la fontaine de jeunesse insaisissable, seulement pour découvrir que Blackbeard (Barbe Noire) et sa fille la recherchent aussi.
- Prix
- 3 victoires et 31 nominations au total
- Gibbs
- (as Kevin R. McNally)
- The Spaniard
- (as Oscar Jaenada)
Avis en vedette
This is something entirely different. Sure, it has busy sequences and characters from the same universe. But now we have something story- centric. Images are pasted onto the story rather than the other way around.
There's even an excess of story and excess within story with the excess being a character itself.
There are at least three love stories, one of them tender and conventional, all of them centered on Catalonian women.
There is something of an overarching battle between Christianity and the supernatural. The extreme irony is that the Spaniards are the token of the faith. In actual life, they were the ones who invented the notions of supernatural evil, the first continental faith-based genocide and New World slavery.
There is a nice little revenge story that references Moby Dick. And at the end two Peter Pan like affirmations of the (pirate's) life of adventure.
I liked it. I liked the gush and mix of narrative. I liked the appropriation of Almodovarian values. But I have to say that no one knew how to leverage Penelope the way Pedro can. She is not inventive like Johnny and Geoffrey. She is a vessel, a vulnerable vessel that can be filled with female assets. But she has to gather that from the environment. Making her into something even Geena Davis and her lover could not do is a sacrilege.
My apprehension comes from the experience of the previous films, which I complained were too long and so overwritten as to become convoluted. That's not good for what should be a simple pirate movie. Having left behind many of the familiar characters (Orlando Bloom, Kiera Knightly and Jonathan Price are absent this time), the movie is free to find new characters and a new arena to play in. With that, this is a kind of trimmed down POTC movie.
The movie finds the ever-plucky sea-going rascal Jack Sparrow (Johnny Depp) once again in trouble with the King's court and about to be executed. That is, until one of his crew produces a map to the fabled Fountain of Youth, rumored to have been found 200 years before by the Spanish explorer Juan Ponce de León. Jack makes a spectacular escape and the race is on race to find the fountain, which is headed off first by the Spanish fleet and then by the British fleet. Trailing them are Jack and his nemesis Captain Barbossa (Oscar-winner Geoffrey Rush), who is a privateer under the orders of King George II (Richard Griffiths). Then there is Angelica (Oscar winner Penelope Cruz), who is first mate on the ship captained by Blackbeard (Ian McShane) - whose beard is actually gray, but never mind.
The plot to get to the fountain of youth is probably more complicated than it needs to be. Getting to the fountain is easy enough, but then we learn that it is not a simple matter of taking a dip and becoming younger, no. First, Jack learns, you must first get two goblets belonging to Ponce de León, then you have to mix it with the tears of a mermaid, then (I think I have this right), one person has to drink from one cup to become younger and then another person has to drink from the other and they will die. Something along those lines. As I said, it is more complicated than it needs to be.
The plot, as in the previous installments, is somewhat superfluous. There really isn't a need to get to the fountain of youth. There probably wasn't any need for mermaids that can suck your blood, nor, all that stuff about voodoo and shrinking massive ships until you can fit them into bottles. Yet, what I have learned about this series is that the plot really doesn't matter. These films are constructed more as a series of set pieces rather than a narrative plot. I appreciated the mermaids but, this being a Disney film, the all-out boob-fest that should have ensued sadly never materializes.
What keeps this series popular is quality control. Johnny Depp maintains the same swagger and slurry charm that he had in the previous films. He keeps from taking the film too seriously but avoids the temptation to make fun of the character. The first film got him his first Oscar nomination, and justifiably so. Eight years, and three sequels later, Depp maintains the fun spirit of the character and doesn't allow it to grow routine. Neither does Geoffrey Rush, in his third go-around as Captain Barbossa, which he plays with an evil wink and a pirate accent that he practically chews on. Penelope Cruz gives a nice performance here and proves - to me at least - that she should have been the female protagonist of the series all along instead of Kiera Knightly. Yet, I was surprisingly underwhelmed by Ian McShane's performance as Blackbeard. McShane is a wonderful actor but somehow Blackbeard seems subdued. He is pure evil, right down to the buckles on his boots but the character doesn't leap out with the lip-smacking vileness that I had hoped. The movie pins the character down as if they are introducing him to be in a future movie.
"Pirates of the Caribbean: On Stranger Tides" is probably the best of the series since the first one. That is thanks to a leaner script and, mercifully, a shorter running time (it is actually an hour shorter than the last one). I could complain about it all day long, but I would rather confess that I was more entertained by this film than I was by the previous two.
Disney has found a gold mine with this series. Convoluted as these movies are, they do have an audience and I am glad to see anything that gets movie fans excited. Yet, there is a feeling that this series may be wrapping up. Johnny Depp has said that he is growing tired of playing Jack Sparrow (although it does not come out in his performance) and that may bring about an end to this "Pirates" series. With that, I started thinking that maybe Disney would do well to move on to something else, maybe Treasure Island, Captain Blood, The Sea Hawk, Moby Dick. Maybe the same fun-loving spirit that made this series so popular could be given to those classics as well.
Le saviez-vous
- AnecdotesWhile filming in London in October 2010, Johnny Depp received a letter from a local nine-year old schoolgirl, telling him her classmates needed help to "mutiny" against her teachers. He turned up with almost no warning at the school in full Captain Jack Sparrow outfit, but advised against mutiny.
- Gaffes(at around 27 mins) Jack and Angelica jump into the Thames to escape King George's soldiers, and are shown swimming in clear water. The River Thames of the 1740s was a slurry of waste and a fall into the water could - and often did - kill.
- Citations
Jack Sparrow: You know the feeling you get when standing in a high place, the sudden urge to jump...
[looks over the cliff, as if considering jumping, then comes back to reality]
Jack Sparrow: I don't have it.
- Générique farfeluThere is a scene at the end of the closing credits: Angelica acquires Jack Sparrow's voodoo doll.
- Autres versionsThere are three versions available. Runtimes are "2h 17m (137 min), 2h 16m (136 min) (United States)" and "2h 17m (137 min) (Argentina)".
- ConnexionsFeatured in The Tonight Show with Jay Leno: Episode #19.138 (2011)
- Bandes originalesTripping up the Stairs
Traditional
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Pirates of the Caribbean: On Stranger Tides
- Lieux de tournage
- Kilauea Falls, Kilauea, Kaua'i, Hawaï, États-Unis(on location)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 250 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 241 071 802 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 90 151 958 $ US
- 22 mai 2011
- Brut – à l'échelle mondiale
- 1 046 721 266 $ US
- Durée2 heures 17 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1