The Guernsey Literary and Potato Peel Pie Society

The story begins in London in 1946. Now that the war is over, Juliet Ashton is a best-selling author and she should be happy now that she's become engaged to a rich and handsome American soldier. But she seems a bit lost despite her success. One thing that piques her interest is a letter she's received from Guernsey (one of the Channel Islands off the coast of France). It's from a man who is looking for a book and who is part of the The Guernsey Literary and Potato Peel Society...a book club consisting of about a half dozen members. Instead of just sending the man the book, she decides to go to Guernsey and meet this book club. However, although they loved hosting her, there is some sort of secret about this group...a secret that Juliet is determined to find out for herself.

The biggest praise in this film probably goes to the director, as the story is simple but Mike Newell manages to make the most of it. Some lovely performances, great pacing and a lovely script all work together to tell a story that really hook you...and if you like romances, you're sure to enjoy this movie.

By the way, one of the best parts about story is its setting. Few Americans know anything about Guernsey and I enjoyed learning about the German occupation of the island during the war. Very interesting.

Watched this on Netflix, primarily for the great cast. A beautiful movie about love and courage. A great script and the acting is superb. This is a hidden gem. A must watch.

A lovely British comedy/Drama with a stellar cast.

This film has so much warmth and heart that it deserves all the positive ratings it earns here.

One of my dreams is to visit Guersnay and the other islands that the Brits call the Channel Islands. I am fascinated by the history, landscapes and stories of those who visited them. Now another reason has been added - watching the 2018 film 'The Guernsay Literary and Potato Pie Society' by Mike Newall. The director of the ultimate British film in the genre of 'good feeling' (I mean, of course, 'Four Weddings and a Funeral') manages to turn a war drama combined with a story about the power of the written word and reading into another film that belongs to this genre in which he is an expert. The result is one of those films that separates the opinions of critics from those of the majority of the public. This time my opinions go hand in hand with those of the general public. 'Guernsay' (allow me to abbreviate the name) is a movie that I liked, I was interested in, I was excited about, I felt good after viewing it. That was the goal, wasn't it?

We are dealing with two stories. The outer one has as its heroine Juliet Ashton, a London journalist and writer, who entertains with a group of Guernsey residents during World War II a correspondence related to their passion for reading. The emotional and intriguing story of the group of simple people who find moral support in their love of books in the only English territory under German occupation causes her to travel after the war to the British island, located much closer to the continent than England, to meet them personally. She will find not only a group of people who survived the hard times of the war in various ways, but also a mystery about the disappearance of one of the members of the club. Gradually a story of heroism and betrayal, impossible love and social prejudice is revealed to her. In addition, her existence will be disturbed, including her love life.

Critics of the film blame it for clichés in the plot (almost everything that happens is predictable) and for creating the image of an idealized nice and sweet England that did not exist and does not exist in reality. Even if I accept these flaws, they seem minor to me compared to the charm of each scene, the emotional intensity of the story, the depth and psychological diversity of the characters. Of course, much of the deep impression that this film made to me is due to the impression the performances of the actors made on me. I should list them all, but I'll just name Lily James, in the lead role, a character one can't help but fall in love with, and Tom Courtney, the rebellious young man from the 'kitchen sink' movies, the British equivalent and contemporary of the French New Wave, now at the age of great roles that conclude an impressive career. 'Guernsay' is a film that I recommend to all those who believe in the power of books, who love historical films and romantic stories, and who love England. In fact, is anybody else left out? Maybe just a few movie critics.

Saw 'The Guernsey Literary and Potato Peel Pie Society' as a fan of period drama, as someone who is trying to watch as many films of the year as possible and who likes a lot of the actors in the cast. It's great enough seeing such talent on their own, and even more of a delight to have so much talent together.

The idea for the story was also very interesting and it was nice to see a film based in a fairly under-explored period of wartime history. The title was not hugely appetising though. Seeing the film with my sister yesterday, found 'The Guernsey Literary and Potato Peel Pie Society' to be a pleasant and well done if falling short of great film. It is engrossing enough and should have enough to appeal to a reasonable sized audience, it may appeal more to older audiences but those who want to know more about this period of wartime history or want to gain some knowledge of it should get something out of it.

Not a perfect film by all means. Will admit to having a good idea of, well actually knowing, how 'The Guernsey Literary and Potato Peel Pie Society' was going to end well before it ended, with the love-related aspect of the story being telegraphed a little too early.

Didn't care for the character of Mark. Despite him serving some point to the story, with a crucial part of the plot being resolved with his involvement, he was rather one-dimensional and didn't have much personality or anything to make one endear to him (he also behaves like a jerk later on). Within the period, he seemed a little out of place. The same goes for how he is played. Matthew Goode's part was also on the underwritten side but he was much easier to like.

Pacing at times could have been tighter, some draggy spots here and there.

However, there is an awful lot to like about 'The Guernsey Literary and Potato Peel Pie Society'. The production values and cast are the biggest selling points. It's a beautifully shot film with very handsomely evocative production and costume design that does give one a real sense of period.

Even better are the cast, with Lily James a charming and very rootable lead and Michiel Huisman cutting a handsome presence. Their chemistry is warm and tender. Tom Courtenay is understated and amusing, having one of the film's best lines near the end, while Penelope Wilton as the most rounded supporting character is heart-wrenching. Jessica Brown Findley is also strong.

Mike Newell does solidly directing, not exceptional but he skilfully stops 'The Guernsey Literary and Potato Peel Pie Society' from being too frothy or too intense. The script is thought-provoking, with some tension and a lot of emotion. The end credits were a lovely touch. A good job is done showing what living in the period and before was like while not being too one-sided. There is genuine emotional power here, with a back-story and main conflict, centring around the consequences of significant loss, that provides a lot of poignancy and hope.

One does feel the love and friendship between the characters and there are some nice revelations along the way in solving this intriguing story where one hopes for a happy outcome to the mystery/mission dominating it. The music, when used, is neither intrusive or too low-key.

In summary, good, pleasant and engaging film that could have been even better. 7/10 Bethany Cox