Pariah

Such a shame this is so criminally under-seen. What frustrates me the most is this could have and should have been seen by more people. Focus Features really messed up the release of this one. If handled better I could have seen newcomer Adepero Oduye's acclaimed performance as Alike earning her an Academy Award nomination. She's wonderful in the lead role. Even comedy actress (and sister to the Wayans brothers) Kim Wayans may have scored a Supporting Actress nomination for her serious turn as Alike's misguided mother. She makes the transition from comedy to a serious role amazingly well (not unlike Mo'Nique's turn in Precious, though I prefer this less showy role to hers).

I highly recommend seeking this out. It's a great drama with a star-making performance by Adepero Oduye.

For me there is no denying it that this was simply being one great, little movie! I can see why some people love it but I can also see why some would hate it. That's the curse and blessing of an independent movie I guess; you'll either simply hate it or just love it!

For me this was being a very good and interesting watch, most likely due to its original concept. There are of course plenty of coming of age movies out there and also lots of movies about youngsters dealing with their sexuality, among many other issues. But as far as to my knowledge there never has been a coming of age movie, involving a lesbian character, set in the African-American community. It's weird to say, since it shouldn't be such a big deal. Nobody in the free-world should feel obligated to pretend to be someone that he or she just isn't and everybody has a right to be happy in his or her own way, no matter what your background or your sexual orientation is. And this movie of course deals with these issues and does it in a pretty realistic and effective way.

It's actually due to the movie its realistic feeling and look that it all works out so effectively. none of the situations or characters in this movie feel exaggerated in any way and the movie deliberate remains small and humble with its story, settings and characters. It never goes all out on anything and the movie luckily also doesn't feel pretentious at all, not even with its directing approach, which is the sort of approach that easily could had annoyed me.

The approach of this movie is a very fast pace, in which stuff happens, without having a 'normal' movie buildup to it (of course also mostly with hand-held camera-work involved). Some slower moments perhaps would had been nice, so things could sink in better and stuff could have a bigger impact as well but on the other hand this might had gone at the expense of the movie its realistic feeling. So I'm definitely contend with the approach this movie was taking, though I couldn't help but think that some things could had been better and could had made a bigger and more emotional impact. The movie as it is isn't being all that emotional and involving, at least not for me. Who knows, maybe there are age groups and persons out there who went through somewhat the same things and struggles as the movie its main character, who will get grabbed more by this movie and feel emotional involved with it, all the way through.

For me, this movie was still absolutely being one fine, little genre movie, despite that I still had some issues with it.

8/10

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This is a tough little movie. Admittedly, a lot of people will be put off by the subject matter. They may not have even chosen to watch it, like I almost did, because of the synopsis which calls this a film about a "teenager's desperate search for sexual expression". My first thought was, "haven't we seen this a million times before." But I gave it a chance and I'm quite glad that I did.

At the beginning of the film, I thought I might have made a mistake. The opening sequence of the movie, and especially the lyrics of the song that is playing, reminded me of those movies made for teenage boys that begin with some sex scene to get them to pay attention to the rest of the film. Had I directed it, I would have lured the viewer in more carefully. However, maybe the director wanted to confront the viewer up front. I think this, combined with the synopsis, was simply bad marketing.

Anyway, if you hang in there and stay with it, the film pays off in the end. This is not a film about lesbianism or the trials of urban black families. This is a film about everyone. It is a film about being different from those around you. It just happens that this difference is lesbianism and this setting is a black community. Two distinct aspects of individualism are focused on here. The first is on that which makes each person unique, while the second is on that which keeps each person self-absorbed. Everyone in this film wants appreciation, understanding, and attention, yet, they are unable to see these needs in others.

The acting is superb. I could find no shortcomings in any of the actors. The relationships were believable, the characters, sympathetic, the storyline, strong. So, overlook the synopsis and the opening scenes and you will not be disappointed in this film. You may even wonder why it didn't receive more awards than it did.

-- www.Ramascreen.com --

I don't think it's fair to say that PARIAH is this year's Precious, but I don't blame those who try to make the comparison. PARIAH does have themes about staying strong in the face of adversity, but just like Brokeback Mountain and Albert Nobbs, this film is also about being true to oneself and about acceptance. PARIAH is a bold, courageous feature debut by writer/director Dee Rees and a noteworthy performance by lead actress Adepero Oduye…

This obviously is not the first film to champion LGTB but what makes it intriguing, at least in my book, is that it's probably one of the few I've seen, to convey LGTB story by way of urban black neighborhood. Writer/director Dee Rees is not afraid to push the conflicts, to emphasize how hard it is to come out and how frustrating it is for a lesbian to get used to the fact that she may never be allowed to come home to the family she loves. Is your sexual orientation something to look down on or to be proud of? That particular identity conflict is at the heart of PARIAH, the word itself means outcast or despised. It's a very well written script with dialogues and story arc that are riveting. The film has effective humor and its serious tone is at the right dose.

Actress Adepero Oduye's performance is one that deserves attention, it should not be ignored. As Alike, she's quiet and you can also tell when she's confused and scared before she finally gets to be certain and undeterred. Kim Wayans (one of the Wayans siblings) also gives an equally impressive performance. Because I still remember her back in her comedic days but now seeing her unleash her dramatic chops is quite an upgrade. Kim represents every parent who unfortunately considers their gay children dead and Kim plays that role down pat. And just like Brokeback Mountain and Albert Nobbs, PARIAH also presented the challenges of falling in love with someone who wouldn't want to or is too scared to take the chance in fear of what society may think of them. With a dysfunctional family disguised in conservatism and old fashioned values, the film gives the lead character Alike even more reason to break away and choose her self.

-- www.Ramascreen.com --

Pariah (2011)

*** 1/2 (out of 4)

A 17-year-old Brooklyn teenager (Adepero Oduye) must try and deal with her changing sexual feelings as well as deal with her parents (Charles Parnell, Kim Wayans) who can't fully see that she's beginning to have lesbian feelings for another local teen. I'm sure PARIAH was someone inspired by PRECIOUS, another film dealing with a black teen trying to come to terms with their own lifestyle as well as the troubled relationship with a parent. This film here comes from director Dee Rees and she does an incredibly strong job bringing it to the screen. While the film isn't quite as powerful as PRECIOUS there's no question that it's extremely raw and almost feels like a documentary because of how fresh and frank it is. I thought a lot of the success falls into the lap of Oduye who does a remarkable job as the teenager. Again, she doesn't come off as a professional actress but instead she just comes across so real. The frankness of her situation is perfectly handled by the actress and I really thought she did a great job at showing the troubled feelings of this character. Wayans is also very powerful as the mother who wants her daughter to be "good" or whatever good is to her eyes. Parnell easily steals the film as the father in a very memorable role and performance. At just 84-minutes the film doesn't overstay its welcome and for the most part it never comes off the tracks. It's not a pretty film to watch as I'm sure the subject matter will turn some off but those who decide to watch it will be rewarded with some great performances and direction.