Ajouter une intrigue dans votre langueTwo conspiracy-obsessed young men kidnap the high-powered CEO of a major company, convinced that she is an alien intent on destroying planet Earth.Two conspiracy-obsessed young men kidnap the high-powered CEO of a major company, convinced that she is an alien intent on destroying planet Earth.Two conspiracy-obsessed young men kidnap the high-powered CEO of a major company, convinced that she is an alien intent on destroying planet Earth.
- Réalisation
- Scénaristes
- Vedettes
- Prix
- 6 victoires et 82 nominations au total
Momma Cherri
- Tina
- (as Charita 'Momma Cherri' Jones)
Janlyn Bales
- Andromedan
- (as Janlyn Mallis Bales)
Sommaire
Reviewers say 'Bugonia' delves into conspiracy theories, corporate greed, and paranoia, featuring strong performances by Emma Stone and Jesse Plemons. The film is lauded for its dark humor, psychological tension, and distinctive visual style. However, some find the plot complex, the pacing sluggish, and the ending controversial. Its satirical approach to modern issues garners mixed reactions, with some praising its audacity and others deeming it pretentious or unengaging. While the acting is widely acclaimed, the script and direction remain contentious points.
Avis en vedette
Not for everyone, but definitely for me! To start, the acting was unbelievable from the three main characters. Emma Stone was amazing, and Jesse Plemons and the actor who plays his cousin are just outstanding. The hair and makeup were very creative - from bald on Emma, to HELP - PLEASE GET THIS MAN SOME SHAMPOO! The story was the fun part - who doesn't like twists, turns, ups, downs and inside outs??? This was just a fun movie that made me want to see it a couple more times, just like Poor Things. BRAVO!
Watching *Bugonia* felt strange in the best possible way. Lanthimos throws you into a world where nothing feels entirely normal - the rules are odd, people react in unpredictable ways, and yet something about all this chaos feels oddly familiar. You laugh, but there's always tension underneath it, like you're waiting for something to go wrong. The emotions hit harder than expected, even in moments that seem absurd on paper.
The story follows two conspiracy-obsessed men who kidnap Michele (played by Emma Stone), a corporate figure they believe is an alien trying to destroy Earth. It sounds ridiculous - and it is - but Lanthimos uses that absurdity to dig into paranoia, power, and the strange ways people cling to belief when faced with uncertainty.
Visually, the film looks beautiful and a bit unsettling. Shooting on 35mm gives it texture - the kind of imperfections, shadows, and lighting you don't get with digital. It makes the world feel alive, slightly out of sync, and that's exactly what this story needs. The camera work feels intentional without being flashy, every frame adding to the unease.
The tone is darkly funny but emotionally sharp. Lanthimos doesn't offer easy answers or explanations. He just builds tension through behavior - through silence, through glances, through moments that should be funny but end up being uncomfortable. Emma Stone stands out; she plays Michele with a mix of calm control and quiet menace that holds the film together.
It's one of those films that doesn't fully explain itself, and maybe that's the point. You either go along with its strange rhythm or you don't. For me, it worked - not because everything made sense, but because it felt honest in its chaos. Lanthimos doesn't tell you what to think, he just lets the madness unfold, and somehow, that's what makes it stick.
**Verdict:** 9/10 - not as tight as *The Favourite*, but easily Lanthimos's boldest and most unpredictable work since *The Lobster*.
.
The story follows two conspiracy-obsessed men who kidnap Michele (played by Emma Stone), a corporate figure they believe is an alien trying to destroy Earth. It sounds ridiculous - and it is - but Lanthimos uses that absurdity to dig into paranoia, power, and the strange ways people cling to belief when faced with uncertainty.
Visually, the film looks beautiful and a bit unsettling. Shooting on 35mm gives it texture - the kind of imperfections, shadows, and lighting you don't get with digital. It makes the world feel alive, slightly out of sync, and that's exactly what this story needs. The camera work feels intentional without being flashy, every frame adding to the unease.
The tone is darkly funny but emotionally sharp. Lanthimos doesn't offer easy answers or explanations. He just builds tension through behavior - through silence, through glances, through moments that should be funny but end up being uncomfortable. Emma Stone stands out; she plays Michele with a mix of calm control and quiet menace that holds the film together.
It's one of those films that doesn't fully explain itself, and maybe that's the point. You either go along with its strange rhythm or you don't. For me, it worked - not because everything made sense, but because it felt honest in its chaos. Lanthimos doesn't tell you what to think, he just lets the madness unfold, and somehow, that's what makes it stick.
**Verdict:** 9/10 - not as tight as *The Favourite*, but easily Lanthimos's boldest and most unpredictable work since *The Lobster*.
.
Plemons sinks into this role like wet cement.
If Heath Ledger's Joker was chaos on fire, Plemons is the silence that burns before the explosion. The yin to that yang. No makeup, no theatrics, just a man quietly losing his grip one inch at a time. You can't look away.
His scenes of him 'brainwashing' his cousin exudes a natural darkness I cannot recall ever seeing on screen before.
If Heath Ledger's Joker was chaos on fire, Plemons is the silence that burns before the explosion. The yin to that yang. No makeup, no theatrics, just a man quietly losing his grip one inch at a time. You can't look away.
His scenes of him 'brainwashing' his cousin exudes a natural darkness I cannot recall ever seeing on screen before.
The film turned out no worse than the Korean version, which is already impressive on its own.
Emma Stone and Jesse Plemons once again deliver outstanding performances.
What we get is a sharp satire that makes you wonder: maybe conspiracy believers are simply broken by the real world? Maybe that's why they retreat into fantasies, searching for secrets that don't actually exist, just to justify their own problems?
The ending raises a question: can we ever be as organized as bees? Or are we destined to remain fragmented and harm one another? Does a perfect version of humanity even exist?
Lanthimos once again does not disappoint.
Emma Stone and Jesse Plemons once again deliver outstanding performances.
What we get is a sharp satire that makes you wonder: maybe conspiracy believers are simply broken by the real world? Maybe that's why they retreat into fantasies, searching for secrets that don't actually exist, just to justify their own problems?
The ending raises a question: can we ever be as organized as bees? Or are we destined to remain fragmented and harm one another? Does a perfect version of humanity even exist?
Lanthimos once again does not disappoint.
Bugonia is a classic Yorgos Lanthimos movie as it examines the darkest parts of human nature in a characteristically darkly comedic fashion but it also offers something different when it operates as a tense thriller. It's a neatly structured film that only gets better once things properly escalate in a genuinely shocking way and it reaches a satisfying conclusion. This is another recent release which really feels of the moment.
Jesse Plemons is amazing by being fully committed to the naivety of his character which makes him equally threatening and gullible. Emma Stone is effortlessly confident and funny as she slowly begins to control the situation, continuing her winning collaboration with Yorgos in a way that shows her full potential once again. It's the constantly shifting power play between these two that keeps it so investing and unpredictable.
Director Yorgos Lanthimos delivers one of his strongest films to date where the trademark surrealism feels more appropriate thanks to the premise whilst working with some of his most consistent collaborators behind the camera. Robbie Ryan's cinematography knows how to make each scene look beautiful and surreal at the same time, complimented by Jerskin Fendrix's suitably paranoid score ensuring everything feels ominous when needed.
Jesse Plemons is amazing by being fully committed to the naivety of his character which makes him equally threatening and gullible. Emma Stone is effortlessly confident and funny as she slowly begins to control the situation, continuing her winning collaboration with Yorgos in a way that shows her full potential once again. It's the constantly shifting power play between these two that keeps it so investing and unpredictable.
Director Yorgos Lanthimos delivers one of his strongest films to date where the trademark surrealism feels more appropriate thanks to the premise whilst working with some of his most consistent collaborators behind the camera. Robbie Ryan's cinematography knows how to make each scene look beautiful and surreal at the same time, complimented by Jerskin Fendrix's suitably paranoid score ensuring everything feels ominous when needed.
The Movies of Yorgos Lanthimos
Le saviez-vous
- AnecdotesAidan Delbis, who had never acted professionally before, was cast as Don after Yorgos Lanthimos decided to find a non-professional neurodivergent actor to provide a different dynamic alongside Emma Stone and Jesse Plemons.
- GaffesWhen Teddy mispronounces "shibboleth," Michelle mocks him for using poor grammar. But grammar is the set of rules for how a language is structured (e.g. order of words in a sentence, inflection of words etc.), a mispronunciation is not a grammatical error.
- Générique farfeluThe Focus Features, Element Pictures and CJ ENM production companies are mentioned at the start of the film in cursive font without their production logos.
- Bandes originalesGood Luck, Babe
Performed by Chappell Roan
Written by Dan Nigro (as Daniel Leonard Nigro), Chappell Roan (as Kayleigh Rose Amstutz) and Justin Tranter
Courtesy of Island Records
Under license from Universal Music Operations Limited
Published by Sony Music Publishing and Old Mine Cut Publishing pub designee (BMI)
Meilleurs choix
Connectez-vous pour évaluer et surveiller les recommandations personnalisées
The Year in Posters
The Year in Posters
From Hurry Up Tomorrow to Highest 2 Lowest, take a look back at some of our favorite posters of 2025.
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Bugonia
- Lieux de tournage
- Sarakiniko Beach, Milos Island, Grèce(beach in the end)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – États-Unis et Canada
- 17 692 390 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 709 848 $ US
- 26 oct. 2025
- Brut – à l'échelle mondiale
- 40 293 453 $ US
- Durée
- 1h 58m(118 min)
- Couleur
- Mixage
- Rapport de forme
- 1.50 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant






