Le premier homme

'First Man' intrigued me from the get go. It was based on one of the most important and fascinating true stories and achievements there's ever been, and a very interesting man. It had talented actors such as Ryan Gosling and Claire Foy, both of whom have done a lot of fine work. And it was directed by Damien Chazelle, responsible for 'Whiplash' and 'La La Land' which for me were both among the best of their respective years.

Seeing 'First Man', there is a lot to admire and it was not a problem for me that it took a different approach and an unconventional way of executing a biopic. Can see why 'First Man' hasn't connected with others though, it is a polarising film where one can see both sides of like and dislike and part of me was a little disappointed. With so much going for it, one expects a great film but 'First Man' for me was only good and not as good as 'Whiplash' and 'La La Land'. Ranking it amongst other 2018 films seen, it's nowhere near among the worst it also falls short of being one of the best.

Starting with the not so good things, 'First Man' runs a little too long, something that would have been solved by trimming a few of the scenes that went on longer than they needed to. Which would have tightened some of the pacing, some of the film drags.

At times structurally it's disjointed, with some of the back and forth not always clear while aspects could have been delved into further. Do have to agree too sadly that the shakiness of the camera work was excessive at times, did feel queasiness on occasions. The ending felt anti-climactic.

However, on the most part 'First Man' is visually stunning. It's immaculately designed and there is a lot of atmosphere and elegance in the way it's shot, an effective claustrophobia in the more tense scenes being evoked. Not everybody has liked the music, personally found it very haunting and like with 'Whiplash' and 'La La Land' Chazelle's utilisation of it is masterly. Chazelle's unique directing style is all over the film.

The script is intelligent and thought-provoking and while the storytelling was not perfect mostly it did engross me and boasts some thrillingly tense moments (like one of my favourite opening scenes of the year), a subtle intimacy and emotional power. The human drama is affecting and the training and flight sequences tight and have a suitable tension and grandeur. The characters are not what one calls likeable but there is a realism to them and 'First Man' is very strongly acted. Ryan Gosling shows a remarkable ability of conveying a lot without having to say a lot in scenes while Claire Foy provides the film's emotional heft magnificently. There is a detachment in their chemistry but that worked considering the situation, coping with grief and loss does drive a wedge and push people away. The rest of the cast do well, with Corey Stoll surprisingly providing one of the more colourful performances.

Summing up, good but could have been better. Not a giant leap in film-making, not a small step either. 7/10 Bethany Cox

I now laugh when I reread some of the negative reviews - to summarize: it made me have motion sickness so I left, didn't develop the orher characters enough, too somber and brooding, didn't cover all of the events of Niel Armstrongs career, etc. Well, most of these individuals missed the point of the movie or don't understand this genre of storytelling. It is a first person account basically told through the eyes of the first person to walk on the moon. I found this refreshing and not your typical Hollywood approach of trying to fit too much, too thinly for such an epic sweeping story that covers decades and dozen of key figures. It could have been 3-3.5 hours long. Yes, it could have been a TV mini-series or two (or more) movies. I love that it was told through the eyes of one central figure. Told through the eyes of the man that all of the accumulated effort of thousands of people and billions of dollars spent to accomplish one goal before the Soviets and for humankind - having a human step foot on the moon for the first time. I cannot remember a cinematic experience that got me as close to experiencing what it was truly like to be there first hand, in the drivers seat if you will, or better put, insabely strapped into a coffin fixed atop a massive liquid fuel explosion. How any person would be brave enough to face this, be able to perform well while in the thick of it and want to do it again and again is beyond words (or sanity). With death and fear all around no wonder there was a dark cloud hanging over everyone. I am sure all of us have marvelled at what has been accomplished by the NASA space missions especially Apollo. The movie Apollo 13 was a very good story that I thought put me as close to being an Astronaut as i could get. I was wrong. So, go and see First Man. Go and let yourself become THE astronaut. THE first human that was there at the very top of a giant pyramid of people because many before had made the ultimate sacrifice to make possible one giant leap for mankind. i will never look at another manned space vehicle, past or present, or astronaut again the same way,

I love this film.

This isn't sci-fi; this isn't fantasy. This isn't a family movie. This is the experience of being Neil Armstrong over the course of several years and several missions. I found it incredibly interesting.

If you don't have a big TV screen and surround sound then I recommend not watching the movie because the air/space missions in this movie are beautiful and need to be properly experience or they won't be appreciated.

Very impactful, truly expressing the vulnerability, commitment, risk, and personal cost to those who braved the journey for humanity.

The opening scene will take your breath away. I don't think a single cell in my body flinched for a solid five minutes as I watched Neil Armstrong (Ryan Gosling) fight to keep his craft from floating away into space. The scene is spectacular visually and in every sense of filmmaking execution. It's also a bit misleading.

The rest of the movie, aside from the moon landing, is remarkably tame. It's quiet. There are virtually no loud outbursts or emotional speeches. This story is about people doing their jobs, completing their missions. Gosling understands this and plays to Armstrong's stoicism perfectly. He is often an understated actor, choosing to let his subtle facial movements and glints of the eyes do as much talking as what actually comes out of his mouth. Neil is much the same except even less outwardly expressive. He clearly comes from a generation that did not display emotion. They suffered in silence, which no doubt frustrated many family members, especially spouses.

Armstrong's wife Janet (Claire Foy) is a classic case of a spouse desperate to glimpse beyond his emotional shield. She restrains for the most part, but her building frustration is apparent throughout. When she finally does unleash her emotions, it's startling. Her outbursts stand out in such stark contrast to the silence that we see from the other characters. Foy is smart and measured with every choice she makes, and she never comes across as unhinged or overly supportive to a point of unbelievability. She's strong as a quiet devoted partner and strong when she senses the need to speak up. Look for her to add another award nomination to her resume come that time of year.

For as great as Gosling and Foy are, Damien Chazelle is the star of this movie, just like he has been the star of every one of his movies. I don't mean this as a bad thing. They guy is simply so skilled at what he does that his impact stands out among all the other standouts in his movies. He doesn't take the conventional approach to a space movie, which is to hammer viewers with showy visuals and action sequences. He's careful not to overdo it those areas, instead focusing on Armstrong's psyche and life outside the space shuttle. Chazelle crafts a personal, intimate film and shoots it in a creative way that uses a variety of framing choices so the closeups never feel stale.

This is a giant story told on a deliberately small scale. The choice to focus on Armstrong's objectively less captivating homelife rather than the moon mission is risky. Only the most talented of filmmakers, which Chazelle is, could pull it off. "First Man" is another showcase of Chazelle's mastery. He's one of the best directors currently working. The fact that this film may eventually be considered Chazelle's 6th or 7th best and is still this excellent, is a tribute to his talent.