Retour sur la vie de l'astronaute Neil Armstrong et sur la mission spatiale légendaire qui l'amena à devenir le premier homme à marcher sur la lune le 20 juillet 1969.Retour sur la vie de l'astronaute Neil Armstrong et sur la mission spatiale légendaire qui l'amena à devenir le premier homme à marcher sur la lune le 20 juillet 1969.Retour sur la vie de l'astronaute Neil Armstrong et sur la mission spatiale légendaire qui l'amena à devenir le premier homme à marcher sur la lune le 20 juillet 1969.
- A remporté 1 oscar
- 32 victoires et 192 nominations au total
- Marilyn See
- (as Kris Swanberg)
Sommaire
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But then there is the story. We all know what happens. So it was just about the angle they approached it at. Unfortunately they picked the boring angle.
The struggle with grieving was irritating. The lack of substance in the characters was disappointing. The frame was non existent. The length too long. The outcome underwhelming. The ending an anti climatic relief.
I will remember this film for the dirty toilets, great acting and my repeated checking of my watch. If you want to learn a tiny bit then watch it. But it is sadly no masterpiece. Let down but the story telling...
Recommend? Yes. On a Sunday...
I've been a 'space-nut' and an aficionado of NASA and the space program since I was a kid in the 70's. I'm not sure how they could have made a movie about Neil Armstrong and the first moon landing more sobby-eyed or depressing. It managed to capture none of the majesty, grandeur, or scope of the undertaking- it was just a wet-blanket of constant angst.
The close ups were so close-up that they made you want to back right out of the theater, and were shot in a way to make them resemble shaky-handed home-video footage shot on a hand-held. The camera just refused to hold still for anything in this movie, and it was infuriating.
I'm sure, at least at a few points in his life, Neil Armstrong cracked a smile. You wouldn't think so from watching this. I know he shunned public attention, but I find it impossible to believe Neil Armstrong could possibly have been as lifeless and wooden as he was portrayed in this film. Foy's portrayal of his wife came across even colder and less joyful than her depiction of Queen Elizabeth.
Sorely disappointing. 6/10, and I feel that's being fairly generous.
This isn't sci-fi; this isn't fantasy. This isn't a family movie. This is the experience of being Neil Armstrong over the course of several years and several missions. I found it incredibly interesting.
If you don't have a big TV screen and surround sound then I recommend not watching the movie because the air/space missions in this movie are beautiful and need to be properly experience or they won't be appreciated.
Le saviez-vous
- AnecdotesMark Armstrong and Rick Armstrong said that this film contained the most accurate portrayal of their father Neil Armstrong and their mother Janet Armstrong.
- GaffesThe interiors of the various spacecraft are shown as slightly grubby, with the appearance of grime and fingerprints. Actual spacecraft are kept scrupulously clean to reduce the possibility of floating debris causing an equipment failure.
- Citations
Neil Armstrong: I don't know what space exploration will uncover, but I don't think it'll be exploration just for the sake of exploration. I think it'll be more the fact that it allows us to see things. That maybe we should have seen a long time ago. But just haven't been able to until now.
- Générique farfeluNear the end of the closing credits, the music is replaced by radio chatter from the mission.
- ConnexionsFeatured in Jimmy Kimmel Live!: Game Night: Ryan Gosling (2018)
- Bandes originalesI See the Moon
Written by Meredith Willson
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- First Man
- Lieux de tournage
- Cape Canaveral, Floride, États-Unis(Kennedy Space Center)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 59 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 44 936 545 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 16 006 065 $ US
- 14 oct. 2018
- Brut – à l'échelle mondiale
- 105 713 218 $ US
- Durée2 heures 21 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1