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Boulevard de Londres

Titre original : London Boulevard
  • 2010
  • 13+
  • 1h 43m
ÉVALUATION IMDb
6,2/10
51 k
MA NOTE
Colin Farrell and Keira Knightley in Boulevard de Londres (2010)
The story of a man newly released from prison who falls in love with a reclusive young movie star and finds himself in a duel with a vicious gangster.
Liretrailer2 min 15 s
3 vidéos
99+ photos
CrimeDrama

Un ancien captif qui a une bonne rénommée veut améliorer sa vie. Il essaie travailler comme un homme à toute faire pour une actrice rétiré. Malheureusement, ça ne plait pas le seigneur du cr... Tout lireUn ancien captif qui a une bonne rénommée veut améliorer sa vie. Il essaie travailler comme un homme à toute faire pour une actrice rétiré. Malheureusement, ça ne plait pas le seigneur du crime clandestin de Londres.Un ancien captif qui a une bonne rénommée veut améliorer sa vie. Il essaie travailler comme un homme à toute faire pour une actrice rétiré. Malheureusement, ça ne plait pas le seigneur du crime clandestin de Londres.

  • Director
    • William Monahan
  • Writers
    • William Monahan
    • Ken Bruen
  • Stars
    • Colin Farrell
    • Keira Knightley
    • Ray Winstone
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    6,2/10
    51 k
    MA NOTE
    • Director
      • William Monahan
    • Writers
      • William Monahan
      • Ken Bruen
    • Stars
      • Colin Farrell
      • Keira Knightley
      • Ray Winstone
    • 133Commentaires d'utilisateurs
    • 124Commentaires de critiques
    • 52Métascore
  • Voir l’information sur la production à IMDbPro
    • Prix
      • 1 nomination au total

    Vidéos3

    U.S. Version
    Trailer 2:15
    U.S. Version
    London Boulevard
    Trailer 2:04
    London Boulevard
    London Boulevard
    Trailer 2:04
    London Boulevard
    "Mitchel Meets Charlotte"
    Clip 1:26
    "Mitchel Meets Charlotte"

    Photos188

    Voir l’affiche
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    Rôles principaux58

    Modifier
    Colin Farrell
    Colin Farrell
    • Mitchel
    Keira Knightley
    Keira Knightley
    • Charlotte
    Ray Winstone
    Ray Winstone
    • Gant
    David Thewlis
    David Thewlis
    • Jordan
    Anna Friel
    Anna Friel
    • Briony
    Ben Chaplin
    Ben Chaplin
    • Billy Norton
    Eddie Marsan
    Eddie Marsan
    • DI Bailey
    Sanjeev Bhaskar
    Sanjeev Bhaskar
    • Dr. Raju
    Stephen Graham
    Stephen Graham
    • Danny
    Ophelia Lovibond
    Ophelia Lovibond
    • Penny
    Jamie Campbell Bower
    Jamie Campbell Bower
    • Whiteboy
    Velibor Topic
    Velibor Topic
    • Storbor
    Lee Boardman
    Lee Boardman
    • Lee
    Alan Williams
    Alan Williams
    • Joe
    Jonathan Cullen
    • Anthony Trent
    Robert Willox
    • Ravaged Guard
    Tony Way
    Tony Way
    • Lone Paparazzo
    Tim Plester
    Tim Plester
    • Paparazzo One
    • Director
      • William Monahan
    • Writers
      • William Monahan
      • Ken Bruen
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs133

    6,251.2K
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    Avis en vedette

    7clint-taylor

    Entertaining Crime Drama

    London Boulevard had many flaws but in the end I think it comes out with more good than bad. The actors give strong performances especially Winston and Farrell, and the plot definitely keeps you interested. This is a crime movie about gangsters, and doesn't offer much more than another story about the intertwining and complications of a certain group of gangsters.

    I think some downfalls would be that some of the scenes tended to jump around and not flow into the next as smoothly but even this was not an issue much of the time. It had a strong sense of style which also made up for some weak moments in the plot, specifically around the middle of the film it looses momentum. If you like crime movies than this would surely entertain you on a Friday night but I wouldn't add it to your list of your top ten crime movies of all time.
    5Jaime-b

    Entertaining if you can look past some of the poor writing & clichés

    This film was brimming with potential, an adept cast, some stylish directing & gritty yet beautiful set locations. However some of the story & the actions taken by its characters were implausible, & most of its ideas didn't develop effectively on screen.

    Recently released gangster Colin Farrell meets a young female friend of reclusive celebrity actor Kiera Knightly & offers him a job protecting her from intrusive paparazzi. He shows up for work & What feels like a scene or two later they have (unconvincingly) fallen in love. parallel to this Farrels character is finding it hard to escape his past & is soon roped into a feud with gangster boss Ray Winstone. He is now faced with the dilemma of either returning to his previous nature or beginning a life of new found love in LA.

    All this is played out with some very stylish moments, such as the dialogue between Winstone & Farrel in the restaurant or the artistic but realistic way in which the environment is captured. All the acting is well done & Its accompanied by a great soundtrack, but a huge amount of the script feels rushed & underdeveloped. As a whole it is entertaining if not taken to seriously but may not appeal to any serious film enthusiast.

    I also felt that the ending of this film was brave but what I had seen prior to it lacked enough substance or attachment to make it stick & I think I would have been more satisfied with a conventional ending.
    6mattquigley1978

    Expected better

    I went into this film expecting a cool,tense,exciting Brit thriller. The trailer looked decent and the acting talent on show made me want to give it a go. Overall though it failed to deliver on the promising looking opening credits. It lacked any real tension or suspense, the story felt underdeveloped with too many subplots and a lot of it just fails to convince. Many parts of the film are just not believable enough.

    The acting is fairly strong and there are a couple of elegant visual touches;(Farrell in the car for example).In my opinion,the soundtrack is the best thing about the film. Serge Pizzorno from Kasabian had a hand in the music on this one and he has done a good job with a 60's/70's spaghetti western/French art-house vibe if you can imagine such a thing!

    Finally its worth noting that I asked my girlfriend to contribute her thoughts after seeing the film and she gave me a one word reply..........."sh*te"
    5bartireid

    Boulevard or Bust

    London Boulevard is a big screen adaptation of Ken Bruen's 2001 fictional crime novel of the same name and a directorial debut for William Monahan of Departed (2006) fame, for which he contributed the screen play in Martin Scorcese's seminal Oscar triumph. Monahan manages to assemble a pretty interesting cast for the job matching big name attractions notably Colin Farrell for the lead of Mitchell an ex-con trying to place his life on the straight and narrow who finds complications aplenty but centrally in the shape of Keira Knightley playing Charlotte, a reclusive actress in need of Mitchell's muscle in order to fend off pesky paparazzi, perform some odd jobs around her abode whilst also seeking comfort in his softer side when making use of Mitchell as a confidante.

    The strength of the piece is in the supporting cast who mainly transpire as conduits for Mitchells struggle with the temptations of a potential return to his old ways. Leading the second tier is Ray Winstone as crime lord Gant who genuinely creates an atmosphere of dread when on screen as he attempts to lure Farrell back to the dark-side. David Thewlis is equally adept as he plays Jordan a drug induced failed thespian who is Charlotte's business manager. There are also roles for Ben Chaplin as a blundering hood whilst Stephen Graham and Eddie Marsan are shamefully under used in their minor roles.

    As you might be thinking there is a lot a going on here and that's sort of where Monahan gets into trouble, the narrative is littered with plot-holes and semi developed ideas and characters such as Anna Friel who pops in and out the story as a Mitchell's troubled sister, this is largely a product of the derivative nature of the project. Monahan seems to be tipping his hat at the types of movie he himself has indulged, for example there is clear a sense of early Guy Ritchie in style of the visuals, soundtrack and occasional attempts at humour. The mood and tone owes more to Scorcese traits such as an angry gratuitous racism and overly proud glorification of the gangster life style. It's a rarity when a film could be said to be too short, but one way London Boulevard could have been improved is an extra 45 minutes or so to pay attention to its many details.

    The major task London Boulevard will have is proving it has any substance, it will be interesting to see if William Monahan will be encouraged to take this debut any further and perfect or enhance his directorial style with future work, if so this could be remembered more fondly as part of a bigger picture. If not it will fall through the cracks of irrelevance rather quickly.
    6the_rattlesnake25

    Going Straight is never as simple as it seems...

    You can guarantee if there's one area of the current employment sector which continually flouts the rules of a recession, it's the underworld London East End gangster. William Monahan's (screenplays for 'The Departed' and 'Body of Lies') directorial debut is an adaptation of Ken Bruen's 2001 novel 'London Boulevard' about a criminal who after being released from prison, attempts to go 'straight,' but despite his attempts, he can never truly escape his violent past. It's not a perfect film by any means, but capable direction, and solid performances from a primarily solid British and Irish cast, create a competent directorial debut for Monahan.

    Mitchell (Colin Farrell) has just been released from Pentonville after a three year sentence for assault, when he exits the prison he is picked up by long-time partner in crime, and local enforcer, Billy (Ben Chaplin), who takes Mitchell to a party in his honour. Every East End drug dealing gangster is there to shake the hand of one of the most feared men in London, but all Mitchell wants is to get a job, and avoid being restricted to a sixteen by eight cell again. He manages to convince a beautiful, reclusive actress (Keira Knightly) and her pot-smoking-hippy-esquire-father-figure Jordan (David Thewlis) to hire him as a handyman around their paparazzi infested estate. But when the leading figure in the London underworld, Mr Gant (Ray Winstone) comes looking to place Mitchell high up in his crime organization, he must find a way to refuse the advances of such a dangerous man, while also protecting those closest to him.

    For the first ten-to-fifteen minutes of the film, Colin Farrell's forced middle-class cockney accent takes centre stage, but once he settles into the role, his performance takes limelight as a sociopathic criminal with somewhat of a heart. His brash use of violence, and utter respect and protection of friends, family and confidants, provides a conflict within Mitchell that he constantly battles throughout the film. The only thing he knows what to do is enforce, and if he was a true gangster he would "kill everyone and take everything they had," but at the same time, the last thing he wants in his life is to return to that desolate hole known as prison. Aside from Farrell, both David Thewlis and Ben Chaplin give great performances as the hippy, wannabe actor and scared, low-level gangster respectively. While Anne Friel also plays the thieving, stubborn, childish sister of Mitchell's very well. Yet while Ray Winstone never puts a foot wrong, his role as the Underworld Godfather has become rather predictable and uninteresting, especially since every other word out of his Landan mouth is either f**k or c**t (or a combination of both). Monahan really missed a trick, by failing to provide Winstone's character with any further depth.

    Also beside the main story as Mitchell battles his growing love for the reclusive actress and the life of a straight man alongside that of his violent past, and potential gangster future, is the sub-plot of Mitchell's old homeless friend Joe (Alan Williams) who is killed ruthlessly by a couple of youths and Mitchell's subsequent attempts to find out who is responsible. While it is an adequate underlying story to accompany the main narrative, neither Monahan's direction nor his screenplay seem to follow it to any decisive conclusion. It seems if anything, if this sub-plot is simply included to allow the subversion of the ending and provide a twist or surprise ending, which the film itself certainly does not need. 'London Boulevard' is a proficient first effort for Monahan, and while the film contains flaws, which you expect from a first-time director plying his trade, it is also an engaging gangster drama which is smartly written, and incredibly well-acted by many of the great British and Irish actors at the moment.

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    Histoire

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    Le saviez-vous

    Modifier
    • Anecdotes
      The Chinese words on the package are the title of "The Departed", which is written by William Monahan as well. Infernal Affairs (the movie The Departed was based on) was incorrectly called "a Japanese film" during the 79th Academy Awards; Jordan emphasizes "he got it from Hong Kong" here.
    • Gaffes
      When the former caretaker Lee arrives, the Tree air freshener in his van is yellow. When he hurries to leave, the air freshener in his van is now green.
    • Citations

      Jordan: It's a nice day if you like that sort of thing.

    • Connexions
      Referenced in RTL Film: Episode #9.12 (2011)
    • Bandes originales
      Heart Full of Soul
      Written by Graham Gouldman

      Performed by The Yardbirds

      Courtesy of Licensemusic.com ApS

      By arrangement with Nola Leon/Ace Music Services, LLC

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    FAQ19

    • How long is London Boulevard?Propulsé par Alexa

    Détails

    Modifier
    • Date de sortie
      • 15 mai 2023 (Canada)
    • Pays d’origine
      • United States
      • United Kingdom
    • Sites officiels
      • Official site
      • TVP VOD
    • Langue
      • English
    • Aussi connu sous le nom de
      • London Boulevard
    • Lieux de tournage
      • Holland Park, Londres, Angleterre, Royaume-Uni
    • sociétés de production
      • GK Films
      • Henceforth Pictures
      • Projection Pictures
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 25 000 000 $ US (estimation)
    • Brut – États-Unis et Canada
      • 16 075 $ US
    • Fin de semaine d'ouverture – États-Unis et Canada
      • 3 431 $ US
      • 13 nov. 2011
    • Brut – à l'échelle mondiale
      • 8 307 227 $ US
    Voir les informations détaillées sur le box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 43 minutes
    • Couleur
      • Color
    • Mixage
      • SDDS
      • DTS
      • Dolby Digital
    • Rapport de forme
      • 1.85 : 1

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