Un drame centré sur trois personnes - ouvrier américain, journaliste français et écolier londonien - qui sont touchées par la mort de différentes manières.Un drame centré sur trois personnes - ouvrier américain, journaliste français et écolier londonien - qui sont touchées par la mort de différentes manières.Un drame centré sur trois personnes - ouvrier américain, journaliste français et écolier londonien - qui sont touchées par la mort de différentes manières.
- Nommé pour 1 oscar
- 4 victoires et 15 nominations au total
- Island Hotel Clerk
- (as Cyndi Mayo Davis)
Avis en vedette
Three people in different parts of the world deal with death in their own way... a boy loses his brother, a woman nearly drowns, and a man burdened by his psychic ability he calls more curse than gift... we follow these burned characters as they stumble with what they understand, and what they cannot deny...
The movie will slip by many, those only looking for the mundane, action-packed, roller-coaster ride, but for those looking for a visceral, meaningful, timeless gem, look no further, for you will find it here.
What an amazing world we live in. There is so much in the five miles between my house and the theater where I saw the movie that I could never experience it all. Moments arrive and disappear and the the people shift, move, appear and disappear.
I think most of us need some kind of assurance that it all goes on forever, that our open windows aren't just blacked over and sealed at death.
Clint Eastwood has made a quiet, reflective, thoughtful film on this condition, this need for forever. It's not a flashy paranormal probe of ghosts and goblins, spirits and such.
Taking three central lives we see our need for a hereafter from a French woman who has experienced something before being revived, from a twin boy who has lost his brother and from a lonely man who seems able to capture something from beyond this life. Or perhaps he just captures something from those who come to him.
Cecile De France is stunning as a television reporter who touches her own death and returns. Frankie (or is it George) McLaren is good as the young boy. And Matt Damon's restrained performance is a revelation.
Eastwood has the assured hand that allows long segments in French with English subtitles and a juncture with two disasters and such a touchy-feely subject, and yet it works. Quietly. Thoughtfully.
He also has the good sense to let us draw our own conclusions.
As for Matt Damon, this is a masterpiece. There are so many depths and subtleties to this role and Mr Damon gets it all. George Lonegan is a creepy haunted loner with poor social skills, not in spite of but *because* he's a big hearted person who cares too much. And Damon *gets* that, and shows it, you can see it in every frame of the movie, even when he's not moving a muscle. I know this movie won't be for everyone but this performance is one of the greats, a real tour de force of subtlety.
Lastly, the writing, the story is something not seen often enough these days, a thoughtful movie about a complex and emotive subject that doesn't treat the audience like idiots. There are a lot of questions unanswered here, and that's alright, there should be. This movie isn't about answers or some kind of payoff, it's about guiding the viewer through the story's of three people with very interesting perspectives so that we can all feel our way though it together. I love that the writers trust us to do that and don't try to force feed us a "message" or a moral.
A great thoughtful film about a difficult subject that will leave you feeling good, as long as you're not expecting to be spoon fed.
The subplot about the kid is particularly heart wrenching. I find the story gripping. Just as expected, Clint Eastwood delivers yet another thought provoking and emotional film again.
Le saviez-vous
- AnecdotesThis movie was pulled from theaters in Japan after the devastating earthquake and tsunami that hit in March 2011.
- GaffesAfter George speaks to the hotel receptionist where Marie is staying, the receptionist resumes typing; however, nothing moves or changes on her computer monitor, which is in full view to the audience.
- Citations
George Lonegan: I'm sorry, I'm losing him now. He's... he's leaving. He wants to leave.
Marcus: No, Jase. Don't go. You can't.
[starts crying]
Marcus: Don't leave me. I don't wanna be here without you. Please, Jase, don't go. I miss you.
George Lonegan: Okay, he came back. He's here. He says if you're worried about being on your own, don't be. You're not. Because he is you and you are him. One cell. One person. Always.
- Générique farfeluThe mid 80s-late 90s Warner Bros. shield is used (in black and white) at the beginning of the movie and at the end of the credits. The same Warner Bros. Shield is used alongside the Amblin logo, also in black-and-white.
- ConnexionsFeatured in The Rotten Tomatoes Show: The Town/I'm Still Here/Easy A (2010)
- Bandes originalesPiano Concerto #2
Written by Sergei Rachmaninoff
Meilleurs choix
- How long is Hereafter?Propulsé par Alexa
Détails
Box-office
- Budget
- 50 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 32 746 941 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 220 322 $ US
- 17 oct. 2010
- Brut – à l'échelle mondiale
- 106 956 330 $ US
- Durée2 heures 9 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1