Ischeznuvshaya imperiya

This is the kind of film which captures the spirit of the age, which gives us an excellent cast playing characters who are all too real, in their world, over 35 years ago.

Everything that one could have heard about Leonid Brezhnev's Soviet Union can be found here. Compared to today, it was an era where life was simpler, yet offered far less opportunities than the West.

Despite the differences, by the end of this film, it is very easy to relate to the characters, especially Sergei Narbakov, the protagonist, and his friend, Stepan Molodtsov. Our humanity is a shared experience.

The outstanding performance by the Armenian actor, Armen Dzhigarkhanyan, must not be overlooked, either. Alternating between old wisdom and very dry humor, he stands out as Sergei's grandfather.

I have already recommended this film to friends who share with me an equal curiosity about the USSR, an acronym now consigned to history books.

We see few Russian films here in the U.S. and our familiarity with modern day Russian life is limited. Here we get a view of life in the Brezhnev 1970s. "Vanished Empire" reassures us that the Russians are just like everybody else, save for social conditioning and a scarcity of consumer goods. It's convincing characters are warm, animated and full of very familiar foibles. But it is charming how readily family and friends "do" for each other there,enthusiastically.

Yet this is a society so parched for Western-style consumer goods that a used Japanese radio can get a buddy out of police custody, a nice jacket plus gas money can induce a cab driver to take someone to the hinterlands and back.

Sergey, the focal character, is well and charmingly rendered by young Aleksandr Lyapin. Like a lot of 18 year old college boys he is impulsive and easily suggestible. His romance with girlfriend Lyuda is in full bloom but a call from his comrades can make him forget his commitments to the lady. More than once Sergey shows that loyalty to his buddies trumps faithfulness to his lover.

Sergey's inattention to those who love him and his hijinks in school are forgiven, up to a point, because of his youth and charm. But the carefree life and luck of a teenager cannot last. Life becomes serious and the due bill for self-centered presumptions is, inevitably, presented.

The women characters in this film are long suffering. Though not ill-treated physically, they are never valued above male comradeship. Their needs are not thought of, or not taken seriously. Lyuda's treatment by Sergey reminded me of the comment of an American exchange student who had boyfriends in the Soviet 1970s. Asked if she ever considered marrying any of them, she said "No." She said that, in Russia, "a woman might be loved but she will never be respected." Jim Smith

like many Russian films, Vanished Empire could be understand especially by the public from the East. for the small detail, for the life style , for the relations between characters, for a special form of poetry. in same measure, it is an universal story of a teenager. and the only ingredient who does difference by many other films about same theme is the atmosphere of Brezhnev era. the mixture of nostalgia and emotions, the adventures of a teenager and his desires, fragments of the universe of his family members, the way to discover his roots, the love story who seems be a misunderstood, the final dialogue and the beautiful performance of Aleksandr Lyapin - who not represents a surprise - are tools for define a time more than a biography. nothing new. only the flavor of a period . honest presented, realistic reproduced at the level of an age of searches. humor and crisis of an empire. and few scenes who are potential of gem.

Living in a country where Russian cinema is something foreign, not only in terms of language but also because the import of movies from all of Eastern Europe is quite poor, let me just begin by saying that this movie is a true gem discovered.

Advertised by some as a common love story, "The Vanished Empire" should be seen as much more. While love, or perhaps rather infantile teenage crushes is present throughout, director Karen Shakhnazarov tells the tale of a Russia torn between conservative party-political-values and new western influences featuring the tunes of Shocking Blue, Deep Purple and jeans that begs to deviate from otherwise more traditional clothing. All this started to penetrate a crowd of youths in the early 70's, it just, well, seemingly was a bit more difficult for protagonist Sergei with pals Kostya and Stepan than the contemporary American teen.

Both script, directing and cinematography holds a great deal of quality. Try to catch this! Don't let Timur Bekmambetov's "Night Watch" be the only Russian movie you've seen for the last four years - and the next four to come...

One more great film by Karen Shakhnazarov, this is a coming-of-age movie during times when Western cultural and consumption influences were overcoming Soviet attempt to block them (and repress smuggling of those products). Jeans and jackets, English rock n'roll, French cinema, all that attracted youth, instead of those classes on the history of the Communist Party or the anti-(USA)imperialism propaganda. The relationship of the three friends is also interesting, with their mix of cooperation and rivalry, besides womanizer and brawler typical behviour. That juvenile lack of responsibility and experimentation, in their case, merged with a deep change in Soviet society as a whole, brilliantly portrayed in the movie (including with a perfect period art direction). The ending demarcates the passage to adulthood, and the future could never be foreseen by those partying teenagers.