Ô violente nuit

And there's nothing wrong with that.

When Violent Night is good, it's really good. It isn't always nearly as entertaining as it could be, but it definitely capitalises on its goofy premise in all the right ways at various points.

The violence is blunt and rudimentary, but there's something strikingly effective about it. Each hit is loud and visceral, and many of the actual deaths are a lot more creative than I was expecting them to be, even if the violence leads me up to each death is pretty by-the-numbers.

I was pleasantly surprised with the small but satisfying character arcs that the script weaves into the simple story. Santa is given a cynical outlook on humanity and himself to overcome, the family has tension to work out, and the mythology of Santa's backstory is actually given a twist to make his capacity for violence make sense in this movie.

There's nothing particularly groundbreaking about any of this, but it's all crafted with care and it's investing enough that I could easily see myself watching this in subsequent years.

Its aforementioned strengths help it largely overcome its weak supporting actors, dialogue that's sometimes so corny it's cringey, and its few too many scenes of characters sitting and talking.

This movie is a beautiful mixture of Die Hard, Home Alone, Thor... It also contains several cliches from other movies. Not a problem. Yes, it's predictable, but it is kind of different of what we usually recieve on Christmas, and I personally appreciate different movies.

First, action, gore and scenarios are great. Also the main cast. I think almost everyone here does a great job. I really enjoyed music used here too. Great choices.

Second, the script is predictable but at the same time, it keeps you entertained from beginning till the end. Raw action mixed with some goofy scenes.

So, overall if you want to watch a different brutal action Christmas thriller, this one is for you.

Isn't it fantastic when everything you love nicely comes together? Especially around Christmas! What I like to do most during the holiday period is watching at least one - preferably more - Christmas horror movies, but the two mainstream non-horror Christmas movies that I've seen the most (that everyone has seen the most, for that matter) are "Die Hard" and "Home Alone".

"Violent Night" may not be a genuine horror movie, but it's excessively violent for sure, and - moreover - it's a love letter to the two aforementioned cinematic Christmas landmarks! Tommy Wirkola, who brought us the refreshing "Dead Snow", goes mainstream with this thrill-ride of an actioner about Santa Clause - the real one - battling a small army of evil scoundrels and protecting a cute girl and her rotten wealthy family during a heist/home invasion. It's not very original, it's not particularly sophisticated, but it sure is a lot of fun.

Certain ideas and gimmicks in the script are genius, like Santa having a Viking background, the casting of Beverly D'Angelo as a loathsome hag of a matriarch, or the killing of thugs with Christmas attributes like candy canes or electric lights. Other parts are clichéd and/or sentimental (but mandatory), like the overlong "true meaning of Christmas" conversations, but that's just a minor default. The "John Wick" type of battle in the bar is déjà-vu but nonetheless exciting, especially because it's to the cheesy tones of Bryan Adams' "Christmas Time". There are other jolly great songs on the soundtrack, like from Slade and Burl Ives, and a great role for John Leguizamo as über-villain "Scrooge".

A wealthy family home is invaded by a group of criminals, their only hope is Santa Claus.

I think this film may surprise a few, I was pleasantly surprised, action packed, violent, quietly amusing, I have a feeling that for those of us that adore Die Hard, and embrace it as a Christmas movie, this is probably going to be up your Street. I'm not sure it's deserving of cult status, but don't ask me why, I have a feeling that in years to come, this may well develop something of a following.

The clue is in the title, Violent Night, and boy this film doesn't hold back, in terms of violence and manner of deaths, this film packs a real punch, you will see all sorts, people dismembered, shot, impaled, it really doesn't hold back.

If Santa did actually pop down for a visit, I can imagine him being this disillusioned, this irritated, with a genuinely low opinion of people, this is where the film scores in my opinion, the performance of David Harbour, who is genuinely very good.

Enjoyable music throughout, good special effects, plenty of action, Violent Night was a Christmas surprise.

7/10.

'Violent Night (2022)' is surprisingly earnest in its themes of Christmas magic and rekindling your Christmas spirit. What initially seems like a sardonic anti-Christmas movie soon reveals itself to be genuinely interested in spreading Yuletide cheer, although that's not to imply it doesn't also feature all the brutality, bad language and bodily fluids its concept promises. Merging 'Die Hard (1988)', 'Home Alone (1990', 'Bad Santa (2004)' and 'John Wick (2014)' (or, perhaps more accurately, some of its lesser imitators), the piece provides a stockingful of festive fun despite its undeniably derivative nature. David Harbour and John Leguizamo make up for the cast's general lack of charisma, as they're eminently watchable and sell even the silliest of dialogue. Though the piece is certainly self-aware, it's also really sincere and it establishes a strong sense of character for its central figure. In fact, Papa Noël actually has a relatively convincing character arc which prevents his inclusion from feeling as half-baked as it may initially seem. Although the flick sometimes comes closer to feeling like 'Paul Blart: Mall Cop (2009)' than 'Die Hard (1988)' (particularly when it comes to most elements not directly associated with Santa), it features plenty of well-choreographed and exciting set-pieces that revel in all the gory mayhem you could want. The action never rises to the level of something like 'John Wick (2014)', but it's better than a lot of similar American stuff and it continues the welcome post-'Wick' trend of having clean camera work that favours wider compositions. The movie is really fun when it gets going. It has a few issues here and there, and it's arguably a little too sappy for its own good, but it's an entertaining actioner with a strong central performance and several accomplished set-pieces.