Un groupe d'amis subit un accident de bateau et se réfugie dans une croisière à la dérive en haute mer, mais se rend vite compte qu'ils sont mieux lotis sur le yacht retourné.Un groupe d'amis subit un accident de bateau et se réfugie dans une croisière à la dérive en haute mer, mais se rend vite compte qu'ils sont mieux lotis sur le yacht retourné.Un groupe d'amis subit un accident de bateau et se réfugie dans une croisière à la dérive en haute mer, mais se rend vite compte qu'ils sont mieux lotis sur le yacht retourné.
- Prix
- 1 victoire et 5 nominations au total
Avis en vedette
TRIANGLE is a story about regret, remorse, and second chances.
Jess (Melissa George) is on a sailing trip with friends when they encounter a freak storm that overturns their yacht. Jess and company happen upon what appears to be a derelict ship, adrift in the ocean.
Once aboard, it's not long before a murderous frenzy unfolds. This is repeated from various angles and points of view. Sound bizarre? It is! It's also riveting to watch, as pieces of the puzzle fall into place. If you've ever done something that you wish you could undo, fix, or erase completely, then this movie will hit a nerve. Ms. George is the center and circumference of the film. Watch her every move!
A wonderful brain-twister, this!...
Jess (Melissa George) is on a sailing trip with friends when they encounter a freak storm that overturns their yacht. Jess and company happen upon what appears to be a derelict ship, adrift in the ocean.
Once aboard, it's not long before a murderous frenzy unfolds. This is repeated from various angles and points of view. Sound bizarre? It is! It's also riveting to watch, as pieces of the puzzle fall into place. If you've ever done something that you wish you could undo, fix, or erase completely, then this movie will hit a nerve. Ms. George is the center and circumference of the film. Watch her every move!
A wonderful brain-twister, this!...
A small boat capsizes in the see and the people aboard must go to a large ship for help. But this ship is empty, with the exception of a lone killer acting out of unexplained motives... and then the plot goes from mundane to bizarre.
This film is written and directed by Christopher Smith, who made a few waves with his 2006 film "Severance". I think this is really going to be his break-out project, so long as enough people catch it. The plot is intelligent and tight, the directing is masterful, and the cast is kept in line.
Melissa George has been praised for this film, and I think that's fair. She has up until now been very second fiddle, and despite good performances in films like "Amityville Horror", never really got her due. This film is it -- she is front and center for the entire running time, showing her most anguished character possible.
There are few problem with this film. It does run a bit long, but not so long that it's unbearable... the first twenty minutes are bland, but it picks up after that. The biggest problem, which is unfortunate, is that this film was released after "Timecrimes"... and there are some similarities, even if minor, and critics will jump on this. But, if anything, this made me enjoy the film more rather than less, because it was like reliving the mindbend that "Timecrimes" gave me.
I completely endorse this film, and strongly recommend it to any horror or suspense fan. You may enjoy the subtle references to "The Shining", or simply the interesting and deep plot. And, at least as I write this (August 2010), the film is an instant play on Netflix, so you do not have to go out of your way to find it.
This film is written and directed by Christopher Smith, who made a few waves with his 2006 film "Severance". I think this is really going to be his break-out project, so long as enough people catch it. The plot is intelligent and tight, the directing is masterful, and the cast is kept in line.
Melissa George has been praised for this film, and I think that's fair. She has up until now been very second fiddle, and despite good performances in films like "Amityville Horror", never really got her due. This film is it -- she is front and center for the entire running time, showing her most anguished character possible.
There are few problem with this film. It does run a bit long, but not so long that it's unbearable... the first twenty minutes are bland, but it picks up after that. The biggest problem, which is unfortunate, is that this film was released after "Timecrimes"... and there are some similarities, even if minor, and critics will jump on this. But, if anything, this made me enjoy the film more rather than less, because it was like reliving the mindbend that "Timecrimes" gave me.
I completely endorse this film, and strongly recommend it to any horror or suspense fan. You may enjoy the subtle references to "The Shining", or simply the interesting and deep plot. And, at least as I write this (August 2010), the film is an instant play on Netflix, so you do not have to go out of your way to find it.
A sudden electrical storm hits a group of young friends out on a yacht for the day, capsizing it and leaving them drifting. When the large cruise ship Aeolus passes by, they are rescued and climb aboard only to find that the ship is deserted. They wander around the ship feeling more uneasy as they go, until someone wearing a sack and carrying a shotgun starts trying to kill them all.
The plot summary sounds simple enough not only do we know what genre territory we are in but we also know where it is all going to go and what it is going to do as it goes there. I actually sat braced for a slasher horror movie (not really my type of thing) and for the first thirty minutes things are quite scary, with the "sack killer" being creepy and threatening in the way all mysterious and creepy characters are in this type of villain (those who have seen the Orphanage will understand how creepy a static figure in a sack can be). On this ground the film works very well and the tension is palatable to the point where we can appreciate why Jess starts going crazy. The film then shifts the plot in a way that is very engaging and also very weird; it is best for me not to discuss it too much because it is all the better to try and keep up with it and then spend time afterwards thinking about it and talking about it.
It does have plot holes and it will not satisfy all viewers but I found that the open nature of it is all part of it and writer/director Smith does help us understand what is going on in the way he names the ship and also makes a point of having the story partially explained by the characters when they first board the ship and see its name. It doesn't totally make sense and some things are deliberately left unknown (or at least "uncertain") but it is a great ride that mostly delivers on the way to a very downbeat ending (although you'll know that is not really the case when you watch it).
It is driven forward by Smith's direction making everything claustrophobic and thrilling, even as it becomes more confusing. Melissa George is a massive part of it to though. Her performance is great throughout and she is convincingly disturbed, weird, disturbed and numb as the script requires – her madness is both understandable and alienating. The rest of the cast are not quite as good but this is not really a problem because George and the script are really all that matters.
Triangle is a film you will hear about from people who have seen it and, despite its flaws, it will have stuck in their mind. Hopefully they will not tell you too much about it because the twisty mind-funk is all part of it. It is flawed due to plot holes though but it is hard to really dislike the film for them – particularly when you realise that any problems you have with how the story ends are more to do with how/where the film starts.
The plot summary sounds simple enough not only do we know what genre territory we are in but we also know where it is all going to go and what it is going to do as it goes there. I actually sat braced for a slasher horror movie (not really my type of thing) and for the first thirty minutes things are quite scary, with the "sack killer" being creepy and threatening in the way all mysterious and creepy characters are in this type of villain (those who have seen the Orphanage will understand how creepy a static figure in a sack can be). On this ground the film works very well and the tension is palatable to the point where we can appreciate why Jess starts going crazy. The film then shifts the plot in a way that is very engaging and also very weird; it is best for me not to discuss it too much because it is all the better to try and keep up with it and then spend time afterwards thinking about it and talking about it.
It does have plot holes and it will not satisfy all viewers but I found that the open nature of it is all part of it and writer/director Smith does help us understand what is going on in the way he names the ship and also makes a point of having the story partially explained by the characters when they first board the ship and see its name. It doesn't totally make sense and some things are deliberately left unknown (or at least "uncertain") but it is a great ride that mostly delivers on the way to a very downbeat ending (although you'll know that is not really the case when you watch it).
It is driven forward by Smith's direction making everything claustrophobic and thrilling, even as it becomes more confusing. Melissa George is a massive part of it to though. Her performance is great throughout and she is convincingly disturbed, weird, disturbed and numb as the script requires – her madness is both understandable and alienating. The rest of the cast are not quite as good but this is not really a problem because George and the script are really all that matters.
Triangle is a film you will hear about from people who have seen it and, despite its flaws, it will have stuck in their mind. Hopefully they will not tell you too much about it because the twisty mind-funk is all part of it. It is flawed due to plot holes though but it is hard to really dislike the film for them – particularly when you realise that any problems you have with how the story ends are more to do with how/where the film starts.
This movie is really amazing. I recommend it a 100%. It plays with your mind from the very beginning until the very end. It just makes you think all the time and even when the credits roll you are left thinking and considering, and I mean that in the good way. Some movies leave you thinking "Why did that happen? It made no sense whatsoever.". Not this. However, in order to understand everything you must really pay attention to all the details, some lines, some specific shots and then I promise, it will all make sense. Of course, if you have someone to discuss it with after it is over, will make things a lot more interesting and engaging. I just want to say that this movie is not a horror and doesn't have any "jump" moments. It is a pure mystery and I am sure that any mystery fan would truly enjoy the experience.
I am not going to give away anything concerning the plot, because this will just spoil the pleasure from all the twists and turns this movie takes you through. This is my advice: Do not read anything about this movie or watch any trailers, before you actually see it. Believe me, it is going to be a lot more fun like this. The story is extremely engaging and the end is very satisfying. New elements are constantly added when you least expect them and the movie actually answers all the questions it asks, or at least provides you with enough clues to solve the puzzles yourself.
Melissa George gives probably her best performance up to date. She really helps a lot in making the movie what it is. She has a great potential in her as an actress and I hope this opens even more doors for her.
All I can say is, see this movie! You will not be disappointed and it will keep you guessing and guessing and then surely make you talk a lot about it. Don't you just love when that happens?
I am not going to give away anything concerning the plot, because this will just spoil the pleasure from all the twists and turns this movie takes you through. This is my advice: Do not read anything about this movie or watch any trailers, before you actually see it. Believe me, it is going to be a lot more fun like this. The story is extremely engaging and the end is very satisfying. New elements are constantly added when you least expect them and the movie actually answers all the questions it asks, or at least provides you with enough clues to solve the puzzles yourself.
Melissa George gives probably her best performance up to date. She really helps a lot in making the movie what it is. She has a great potential in her as an actress and I hope this opens even more doors for her.
All I can say is, see this movie! You will not be disappointed and it will keep you guessing and guessing and then surely make you talk a lot about it. Don't you just love when that happens?
"You're just having a bad dream. That's all baby. It's all it was. Bad dreams make you think you've seen things that you haven't."
Triangle is a very good movie about Melissa George's perfect legs, and how they...wait, let me try this again.
Triangle is actually an effective, intelligent, layered horror/thriller (starring Melissa George's perfect legs). I can't go into the story very much, as there's not much detail that can be given out with ruining it. I'll just say that a curiously detached young mother and a group of people go out sailing one gorgeous day, get caught in a storm, and find themselves shipwrecked. A massive approaching ocean liner appears to bring salvation, but once they're on-board, it seems strangely deserted. Soon people start dying, and the plot takes a sharp left turn that puts it at a cut above the typical slasher flick that Triangle seems to be at first glance.
I'll admit that I was a little underwhelmed by the movie at first, but it definitely gets much better as it goes along. I really have to give the movie credit for how clever and ambitious it attempts (and succeeds) to be. The best description of Triangle I can give without ruining anything is a combination of The Shining and Donnie Darko, with a really hot lead actress. It's mind-bending in just the right way. There were lots of different points that the story could have fallen apart and stopped making sense, but that never happened. By the end, there are no loose ends. And I'll add that the title is particularly meaningful.
If you're open-minded, attentive, and ready for something slightly different, chances are that you'll love this movie. I certainly enjoyed it.
Triangle is a very good movie about Melissa George's perfect legs, and how they...wait, let me try this again.
Triangle is actually an effective, intelligent, layered horror/thriller (starring Melissa George's perfect legs). I can't go into the story very much, as there's not much detail that can be given out with ruining it. I'll just say that a curiously detached young mother and a group of people go out sailing one gorgeous day, get caught in a storm, and find themselves shipwrecked. A massive approaching ocean liner appears to bring salvation, but once they're on-board, it seems strangely deserted. Soon people start dying, and the plot takes a sharp left turn that puts it at a cut above the typical slasher flick that Triangle seems to be at first glance.
I'll admit that I was a little underwhelmed by the movie at first, but it definitely gets much better as it goes along. I really have to give the movie credit for how clever and ambitious it attempts (and succeeds) to be. The best description of Triangle I can give without ruining anything is a combination of The Shining and Donnie Darko, with a really hot lead actress. It's mind-bending in just the right way. There were lots of different points that the story could have fallen apart and stopped making sense, but that never happened. By the end, there are no loose ends. And I'll add that the title is particularly meaningful.
If you're open-minded, attentive, and ready for something slightly different, chances are that you'll love this movie. I certainly enjoyed it.
Le saviez-vous
- AnecdotesThe film makes many oblique references to Shining: L'enfant lumière (1980). The number "237" crops up, which was the same number of the spooky hotel room Danny was forbidden to go into; there are also words written in blood seen in mirror image, a ballroom, an axe, and even a stack of papers with the same sentence written on them.
- GaffesIt is odd that Greg did not start the engines of his sailboat when he saw the storm approaching, or when he saw the massive wave about to hit his boat side-on.
- Générique farfeluAll the principal actors' names appear in triplicate following the three motif of the film.
- ConnexionsFeatured in The Making of Triangle (2010)
- Bandes originalesAnchors Aweigh
Written by Charles A. Zimmerman
Performed by Glenn Miller and His Orchestra (as Glenn Miller & his Orchestra)
Courtesy of AVID Entertainment
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Détails
Box-office
- Budget
- 12 000 000 $ US (estimation)
- Brut – à l'échelle mondiale
- 1 333 377 $ US
- Durée1 heure 39 minutes
- Couleur
- Rapport de forme
- 2.35 : 1
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