Les griffes de la nuit

With remakes being inevitable, I'd prefer that they be based on flawed originals. The new Clash of the Titans, in concept tried to do this. This is my stance on remakes. The trouble is that Hollywood green lights remakes of popular, good, movies because of their justifiable built-in fan bases. The 1984 A Nightmare on Elm Street was a refreshing, novel, approach to the slasher subgenre film. I can understand why Platinum Dunes would have was well-known music video director Samuel Bayer helm its remake.

A Nightmare on Elm Street focuses on a group of teens that share haunting nightmares. When they go to sleep, they have demented dreams of a maniacal burn victim named Freddy Krueger (Jackie Earle Haley). Freddy chases the kids through his world and if he can get his knife-tipped glove on them, they die in the real world. The remaining teenagers are then tasked with insomnia as they search for the reason why Freddy wants them dead.

I'll start with the positives. From an acting and casting standpoint Jackie Earle Haley is the guy you want in this role. He has a haunting voice that he modulates with perfection, coming up with his own unique take on the notorious Mr. Krueger. When combining his talents with the usual high production values (for horror films) provided by Platinum Dunes, you get a workable formula. Unlike the other films, but like Platinum Dune's other remakes, there is an attempt at a Freddy Krueger origin story. It just so happens I like the way this part of the movie is told and having the cursed teens see it in their dreams is interesting.

With these elements working in the film's favor, there are many conflicts elsewhere. Notable among these are redundant dream sequences. The settings sometimes change but they almost all play the same way: teenagers walk through eerie environments followed by a Freddy attack. For a screenwriter to be so lacking in imagination is mind-boggling. Freddy's costume is easily recognizable, but the new burn victim look of his face is unappealing. Chances are a real life Freddy would look more like this than he did in the '80s, but The English Patient is not a frightening countenance.

What mars the first half of the film is an insistence on not developing characters. We assume these are high school kids, who mysteriously are devoid of personalities, and then they die. I understand the concept of an ensemble cast, but when main players take such a backseat that when they finally move to the front of the minivan we don't know them.

Despite a rocky start things do turn around, but our unfortunately thickheaded protagonists are slow to put things together. They should be going on about a week of sleep deprivation, but the new Nancy (Rooney Mara) seems only mildly annoyed. When Heather Langenkamp played Nancy, she was just as active but with more lines we had a better understanding of her frustration.

The biggest problem of all is that the 2010 A Nightmare on Elm Street is not scary. Scare tactics all center on sound effects and it gets old fast. Every time Freddy appears there is a scream of some kind that pierces the ears of the audience. No one is jumping at fright; maybe some will jump at the surprise. This is silly, outdated, and uncreative.

After Remake on Elm Street, Platinum Dunes is seemingly out of horror franchise fodder. Almost all of their remakes have been critically lambasted, but most of them managed to be profitable. I wouldn't jump to the conclusion that they plan to shell out as many sequels as the original franchises generated, but I'd prefer that action since it would keep them busy and off of more esteemed films.

When it was announced that Jackie Earle Haley would be taking on the role of Freddy in the new Elm Street franchise reboot, a collective sigh of relief went up from the fans of the originals. Haley's Rorshach was one of the few redeeming qualities in the abysmal "Watchmen" movie. When pictures of Freddy's new face were leaked, the excitement grew. This Freddy promised to drop the silly one liners and be a return to the frightening, sadistic killer from the first film.

Haley does what he can with what he's given, but even a game performance from him and Rooney Mara(Nancy) can't save this film from mediocrity. The male lead is played by Kyle Gallner. He could generously be called a poor man's Robert Pattinson. He does a serviceable job here but the weak writing and directing don't do him any favours.

Fans of the original will be disappointed by the brief treatment of Freddy's origins, and it's unlikely new viewers will understand what is going on or even care for that matter. My hopes of a scarier Freddy were dashed within the first few minutes. The film doesn't even try to build an atmosphere and Haley spouts the same tired one liners that the later films leaned on so heavily.

Even as the original series aged, one could always rely on the excellent special effects and make-up work to carry the films. The highlight of each film was the creativity of the different "Dream Worlds" that Freddy would take his victims to. Each dream world was unique because it reflected the thoughts of the character Freddy was trying to kill. This new iteration strips away any of that creativity and takes place almost entirely in one location (I'll avoid spoilers, but if you've seen any other film in the series you can easily guess where). The makeup work that looked promising in production stills doesn't hold up well on screen, failing to be as frightening or iconic as the original. The effects aren't great, it would be easy to beat the dead horse of 'computer graphics' being inferior but I think the real problem here is directorial. Samuel Bayer simply can't hold a candle to Wes Craven.

If you want to disregard my comparisons to the original films and simply take this one for what it is, a brainless slasher flick, it still fails. None of the 'kills' show any creativity at all and audiences already fed on a steady diet of graphic violence won't find anything all that shocking or disturbing here. It's just boring.

Adding to that is an over reliance on cheap scares. This film is this the cinematic equivalent of someone shouting "boo!" in your face every ten minutes. This technique becomes annoying almost instantly and becomes increasingly more annoying because it is used in every single scene. It's like the director realized he didn't know how to direct a scary movie and instead of quitting and finding a new job, he decided to edit in sudden loud noises and hope no one would notice.

By the end the audience I saw it with could hardly hold back their titters of laughter and I don't mean that in a good way. This is one franchise that had some potential for rebirth, but I will be amazed if this one makes it to part 2.

Let me start off by saying i thought this movie was decent. But I expected a lot more.

We all know the story of Freddy Krueger. How he got burnt etc. In this one it's the same, but it's the change of Freddy's character that really lost my interest. Jackie Earle Haley is about as best as you can get at playing Freddy Krueger. No one will ever beat Robert Englund. He's just Freddy Krueger! I don't really need to explain the plot, you all know the plot, BUT, let me explain the changes. In the old Nightmare On Elm Street, Freddy Krueger would always mess with people before he killed them. In this one he just kills them and doesn't mess around. Nothing humorous to say, nothing, just kills them. In the original he was a psychopathic killer who hurts children. In this one he's just a pedophile. Loves to screw all the women and girls. To me, that put me off. All this put me off. So Freddy's character changed a lot, but did it work? Not for me. Didn't work for me.

All the acting was decent and there's some gory scenes, all in all, not the remake I was expecting and had hoped for. Everything about it is decent, but nothing great. 5/10

Yes, we all know that Wes Craven's original is far more superior than this. That doesn't come as a surprise to anyone. And as much as I enjoy the Elm Street series, a few of the sequels did cross the line into way-too-cheesy territory, and lost the horror charm. "Freddy's Dead" will always remain one of the absolute worst sequels of all time to me, it really is unwatchable. This movie isn't great, but it isn't a 1/10 either. I'd place it about around the same level of quality as say, The Texas Chainsaw Massacre remake. I enjoyed it, and I liked Jackie Earl Haley's portrayal of Krueger, despite Englund forever reigning superior.

We all need to learn that nothing is truly sacred in Hollywood, so we might as well just embrace these remakes and hope that, every now and then, one of them will turn out ok and be able to hold itself up to the original on its own terms. A Nightmare on Elm Street comes incredibly close to standing out from the original film, but for every leap forward, it takes a few steps backwards until it's straddling the line between the two and not really committing fully to anything original.

The story is, more or less, the same with a group of teenagers experiencing horrific nightmares involving a burnt man with a glove of knives who is slicing and dicing them. In both films, it's revealed that this man was someone their parents murdered in a fit of vigilante justice after he'd been let free for molesting their children. The new film adds a twist questioning if Freddy was actually guilty or innocent.

The new Nightmare has a much bigger budget than the original film, so it's odd that the effects work isn't nearly as impressive as the original film. A bit of Freddy's makeup seems computer generated and a few of the other effects resemble a cheap 90's video game. The cast is fairly strong with Katie Cassidy, Kyle Gallner, and Thomas Dekker standing out as three of the terrified teens. Rooney Mara is the weak link among the them as Nancy. She's made the choice to play the character as moody and depressive, which makes her hard to root for and dull to watch.

As Freddy, Jackie Earle Haley can only do so much to step out from the shadow of Robert Englund, but he does a good job and brings a different, more pervy energy to the character which adds a little threat that his silly makeup job keeps threatening to take away.