I Think We're Alone Now

This film is more important than ever, specially in the era we live nowadays filled with celebrity obsessions and stalkers. The documentary does a fantastic job with its limitations, but I wished it could spend some time talking to specialists about mental health.

Both these deluded nut cases should be locked up before they go off the edge.

I Think We're Alone Now is a documentary by Sean Donnelly about two mentally-disturbed individuals obsessed with '80s pop star Tiffany. This is one of the most interesting documentaries I have ever heard of. I almost bought it at Salzer's as soon as I read it because I was so intrigued, but it was like $28 for some weird reason and I only had $6. :( I finally got to see it and I was not let down. It was just as interesting as I thought it would be, possibly even more, in fact. I thought I was just going to witness the infatuation of one middle aged man, but I actually got to meet a 31 year-old hermaphrodite who saw Tiffany in a vision she had during a coma and now believes she's "the one." Damn. I could not look away from this movie. I was exhausted, but I never turned it off. It is completely fascinating. It's funny, but you feel bad for laughing because it's most likely at something weird that one of the stalkers says. I don't like laughing at them but their thoughts are so unbelievable. I never got the impression that Donnelly was making this film so that we could laugh at these people, it was never like that. I think the purpose of the film is more to show people who these stalkers are, to see their reasoning and understand their disease. I don't think they're sick monsters, they're just lonely.

My problem with it was that it didn't flow smoothly. It was a pretty choppy film. You'd be watching, and then randomly it would switch to the middle-aged man, then randomly back to Kelly, the hermaphrodite. It was all over the place bouncy, staccato. It was still enjoyable though.

It's a very emotional film. It's tragic to see these people, outcasts of average society, believe wholeheartedly that they can capture the heart of a celebrity. They have no doubt that if Tiffany just had a conversation with them, that they could convince her to marry them and live together. It's bizarre. It's so crazy to see these mental illnesses in action. I was flabbergasted by almost everything they said. They really live in a delusion, and it's really amazing to witness. Tiffany is actually in the film a lot too, and it's interesting to see how she handles them. She's very sweet.

I do recommend this film. It's a great watch, incredibly difficult to put your attention elsewhere as it plays on your screen. I may buy it someday, for an occasional re-watch to make me laugh and feel thankful for my sanity, but it's not a priority. It's only about an hour long so even if you don't like it, you won't feel too bad about the time spent with it. It was thoroughly enjoyable.

I watched this doco as part of the Melbourne International Film Fest. At first the doco was a surreal chuckle fest and the characters topped anything Christopher Guest could dream up. However as the film unraveled a sense of palpable disquiet settled over the audience when reality set in and we realized we were watching two sad and even scary individuals battling with life. this was no mockumentarty. i found my self questioning my laughter and even felt guilty at times when i found mirth in their misfortunes, so as a documentary it was successful in having one question assumptions and beliefs. I do think though there was an air of exploitation about the flick esp when the two stalkers meet. i also think tiffany is 1 very brave or 2 very stupid or 3 very desperate for fans to have these characters in her life. an interview with her would have been a boon. a wonderful collection of some true oddballs that make this world colorful and a little scary.

I THINK WE'RE ALONE NOW chronicles two over-obsessed Tiffany fans, who's sole purpose in life (or one of the top three life goals, according to one fan) is to marry the burnt-out pop singer.

I saw the film several days ago and I've already heard some criticism on the Slamdance grapevine. Several fellow filmmakers seem to think the documentary does less documenting and more exploiting of these two individuals. While I agree the film doesn't necessarily portray them in a positive light, I don't think they themselves portray themselves positively either--at least in the "normal" mainstream light.

Jeff Turner, a victim of Asperger syndrome, is a likable enough guy and I'd totally hang out with him because he's a vessel of knowledge. However, most of this knowledge is dedicated to his pseudo-relationship with Tiffany. He's taken great steps and read many books in an attempt to justify his idea that Tiffany loves him as much as he "loves" her. For example, Tiffany's appearance in Playboy was apparently a silent gesture of love for Jeff.

Towards the end of the documentary, we learn that he's begun a similar fascination with Alyssa Milano. He even thinks she's gone back in time in order to prevent his relationship with Tiffany! Jeff's innocuous attitude and gentle perspective on life really persuades the viewer to fall in love. He's kooky and fascinating and I really adore him and it's the opinion of this reviewer, that he's portrayed fairly and accurately.

Kelly McCormick, however, is really where I believe all the controversy lies. A hermaphrodite, Kelly already has to deal with a great deal of persecution already. She (I say "she" because Kelly's ultimate desire is to fully become a woman) too believes she's destined to be with Tiffany, but for a very different reason. After a bicycle accident that left her in a coma, she claims she had a vision of a woman who looked just like Tiffany (even though she'd never seen the pop star, nor heard of her) surrounded by a white light and all the other normal comatose visions people claim to have. This vision has thrown her into a tailspin of mental anguish and depression every day she's not with her love. At one point she really breaks down and while I did not feel it was appropriate to laugh as some did, it did disturb me a great deal.

A documentary, in order to stay true to its form, must be unbiased and objective about its subject(s). In this case, the documentarian, Sean Donnelly (this is his first feature film), does just that. He shows these people for who they are and they're more than happy to display themselves. Whether you like them or not, or feel sorry or pity for them, the fact of the matter remains: this documentary is a) true to its form and b) interesting.