Otto; or, Up with Dead People

"a political-porn-zombie movie" that was the promised genre. well, it was merely political, as the political character Medea did not seem so sincere, she was more like a person who tried to be Gothic or something, but she was OK, not bad. zombie? yes, Otto was a pretty zombie, lost his frightening reasons in the process of zombie evolution. porn? absolutely. the idea of being "disgusting" was very well organized and presented, to be honest -no offense, I believe that was the aim. I don't think that being straight is a reason for seeing it that way. more than half of the audience was gay and I did not see a joy expression at their faces, most of the people were irritated by the violent porn scenes. apart from the violently pornographic shots, Otto walks. walks. walks. this is not a spoiler, it's just only an idea of what you'll see. although a fervent movie addict, maybe I didn't get it. maybe we couldn't see the layers beneath Otto. but you didn't let us do, Bruce..

I can't wait to read other comments, I need to be enlightened or something, please write.

Canadian artist / pornographer Bruce LaBruce is known in underground circles for his transgressive and satirical no-budget contributions to Queer cinema. His films Raspberry Reich, Hustler White and Skin Flick, among others, endeavor to explore themes such as alienation, fascism, terrorism, persecution but are held together by Bruce's real "meat 'n' potatoes" - hardcore gay sex (and in one case, amputee sex).

Somewhere in the near future where zombies are the norm (particularly homosexual ones) and have somewhat evolved from mindless flesh-eaters into talking, rational-thinking corpses, Otto is rising from the grave. He doesn't remember anything about his past so he begins to wander the streets aimlessly, eating roadkill as he goes. Otto cant bring himself to kill & eat a human - he muses that maybe he was a vegetarian in his former life.

Otto is soon "discovered" by Medea Yarn, an avant-garde filmmaker. Medea is close to finishing her epic political-porno-zombie movie, Up with Dead People, and wants to begin on a docu-drama starring Otto. Medea's crew consists of her brother, Adolf and her lesbian partner Hella Bent, a silent screen siren who is always seen in scratchy black 'n' white.

Intermittently Otto has minor flashbacks to what he thinks was his life before he became one of the undead. When he eventually discovers his wallet in his back pocket, he finds in it little clues to who he once was, one being an ex-boyfriend's phone number. He arranges to meet up with this ex and through him learns some important details about his past.

"An original and inventive take on the zombie genre" Otto; or, Up with Dead People is a German/Canadian co-production predominantly shot in Germany with local actors. The majority of the dialogue in the film is presented as voice-over narration either by Otto or Medea, who we are introduced to, and who continues to address us via interview-type footage. The elements of satire are pretty blatant when it comes to Medea, the utterly pretentious filmmaker with her long indulgent diatribes against our capitalist, consumer-driven society. Then there's the queer-zombie bashing, Otto the mindless teen zombie (product of a consumerist society?) and the sense of disdain that the general public regard Otto with.

Sex 'n' gore-wise I didn't find the film too over-the-top; yes there are a few cocks and some gay sex but no XXX scenes. One of the more notable scenes is in Medea's film Up with Dead People where the lead zombie penetrates his partner's recently inflicted stomach wound. With regards to the typical gory zombie film though, I don't think Otto can really compete, there's very little grue, just the odd eating of roadkill.

One of the questions the film asks is - is Otto really a zombie? At the beginning it seems rather obvious that he is but as the film develops you discover that before he "died" he was committed to a psychiatric hospital after being diagnosed with schizophrenia and a severe eating disorder. Throughout the film people are constantly commenting that "he thinks he's a zombie" and wonder what is wrong with him.

Otto; or Up with Dead People is an original and inventive take on the zombie genre, although for some, the lack of typical genre staples may disappoint. Recommended for Bruce LaBruce fans and/or indiscriminate zombie film lovers.

Bruce LaBruce is (very weirdly) becoming one of my favorite indy film makers. WWaaaay back in the early nineties in film school we saw "no skin off my ass" and I dismissed it then as pretentious soft-core. I was glib and wrong. Ages ago my friends and I went to see "Hustler White" at a midnite showing and frankly we were at once titillated and impressed. Then when "Raspberry Reich" rolled out I was ALMOST convinced....That film struck a pitch-perfect chord between 60's revolutionary porn (I Am Curious Yellow) and modern satire. I just watched "Otto" and I am officially a fan. Through the use of explicit sex and graphic violence M. LaBruce is actually making a point! I'm impressed and pleasantly surprised. This is maybe a "zombie" movie...but more specifically a neat commentary on modern youth with a great sense of humor and a chilling overtone. If you're older and adventurous and want to get a sort of "summary" of the present youth-culture and this whole "zombie thing" this is a great film to watch. Underrated and sublime (after you get-over all the gay sex...if you have to get-over it at all)

b-grade gay zombie porn semi-mockumentary. repetitive, irritating sound design, jokes milked longer than they should. for some, there's not enough blood and guts. for others, there's not enough porn.

But all LaBruce's films are bad! that is his charm and the charm of no-budget Cult Films! if you expect more, you won't be alone. but if you expect perfection, then you're a fool. like all those people who complained after seeing Tomb Raider or the Super Mario Brothers Movie - what did you expect?

Otto is fun. it's certainly original. it's gay politics are obvious, but accurate. the jokes range from falling flat to funny to shocking. it's polarizing, memorable and thanks to Fritz (Marcel Schlutt), it's damn sexy to watch.

Otto needs to be watched at a film festival amongst the typical gay indie films that are more sincere than their film makers can give credit to. Only then will something like SkinFlick's 'monkey rape' and Hustler White 'Stumping' hit you with the full impact that it should

like SkinGang - can't wait for the full-porno version of Otto

Desperate to cast someone with real talent, a female director hires a young man who believes that he is actually a zombie to play a zombie in this offbeat blend of comedy and horror from cult director Bruce LaBruce. Constantly cutting back and forth between 'reality' and the film-within, 'Otto' is not the easiest film to get into, but it features a large amount of smart and witty dialogue, both as the title character contemplates the advantages of being dead and as the director rambles on about the importance that she perceives her film to have as "a political film" tied to LGBT issues with a "gay plague" that turns all of the zombies homosexual upon returning from the dead (!). This is a creative movie beyond just the film within though with silent movie footage used well and even a fitting animated sequence amid the madness. The film's best asset though is its ambiguity as to whether or not Otto is actually a zombie. When all is revealed, it is a pretty sad film too about how certain experiences can make one feel dead on the inside. It is an up and down ride, with certain sequences (the director screening all of her previous films; some of the love scenes) that drag on for far too long, but the film circles around a character to whom it is surprisingly easy to grow emotionally invested with considering that he wears a singular zombie expression throughout.