Shutter Island

There is one line of dialogue, right at the end of Shutter Island before the credits roll, that elevates the emotion of the film and makes it much more powerful. For those of you, like me, who read and enjoyed the novel before seeing the film and felt that the trailers and advertisements for this film were leading you to believe there wouldn't be any narrative surprises in store, think again! Scorsese's film features that one brief piece of dialogue at the films conclusion that results in an entirely different perception of the final act. The rest of the film, however, is very faithful to Dennis Lehane's already great story.

Shutter Island represents exactly what one should hope for when seeing a novel being interpreted to film. While it certainly does the source material justice, it also adds small changes that make for a distinctive experience. Even if you've read the novel multiple times, you'll feel like you're reading the book for the first time again while watching. Scorsese perfectly recreates the menacing atmosphere of the island on film. Every location is foreboding and drenched with hints of unseen danger in dark corners. The lighthouse, the caves, the civil war fort housing "the most dangerous patients," and the island itself--every locale seems large yet claustrophobic and isolated at the same time.

I often experience claustrophobia myself and there are certain films that really capitalize on that personal fear and make it more relevant and eerie to me. Neil Marshall's The Descent was one such picture, and this is another. An confined island is a terrific horror location and it comes with its own type of fear. The utter desperation to escape from a persistent and confined nightmare is something Teddy (Dicaprio) is receiving in high doses, and so does the audience.

As with Scorsese and DiCaprio's previous collaborations, this is a movie that must be seen. Here they explore the horror/thriller genre with gravitas, with no small part played by Laeta Kalogridis in supplying the screenplay. While most modern pictures of its kind lack character or any real sense of suspense, Shutter Island doesn't go for cheap gags. I concur with Ebert when he says one of the key elements to this film is that it releases its tension through suspense instead of mindless action sequences. That's not to knock a well-deserved frenetic scene of violence every once in awhile--it works to the advantage of some films like Evil Dead II and Planet Terror--but had Teddy and Chuck gone running and gunning through the facility's faculty, the mood this movie keeps in check so well would have been lost.

However, that mood isn't sacrificed and "spooky" is punched up to full force. A considerable amount of that spooky is generated by a "best of" collection of actors that have mastered the art of creepy: Ben Kingsley, Jackie Earle Haley, Ted Levine, and Max Von Sydow just to name a few. Had Tom Noonan been thrown in the cast as well, my "Top Five People I Would Not Want to Be Left in the Dark with, Especially in a Room with No Doors or Windows" list would have been completely exhausted. On that note, is it just me or has Sydow mysteriously not aged since The Exorcist? Was there a secret pact made between Lucifer and Father Merrin? Whether he sold his soul or not, he's quite ominous in every single scene he is present in. All of this great talent in front of the camera doesn't mean anything though if you don't have a faithful orchestrator behind it. Luckily you have Scorsese leading the lens and he points the movie in the right direction, even if this isn't among his very best works. His style works amazingly with suspense laden projects and at times he even seems to channel Hitchcock and Kubrick, though there's always something distinctively Scorsese about the presentation. I found the editing in the opening scene, with Chuck and Teddy approaching Shutter Island, to be very odd and frantic, though I think the audience will know why Scorsese displayed the scene the way he did after completing the film.

With a body of work so impressive, Shutter Island is among captivating company. The good news is that Shutter Island carves out a place of its own in his resume. While no Goodfellas or Raging Bull or Taxi Driver, I have no problem placing Shutter side by side The Last Temptation of Christ and Bringing Out the Dead. The cinematography is bright and gorgeous. Scorsese doesn't rely on the over-grainy, ugly presentation that most modern horror or suspense-riddled thrillers rely on. He uses lush, bright color during daytime and dream sequences to flush out a distinct feeling of terror.

Shutter Island isn't just a pretty face, its also got a great story to boot and this is why I've been anticipating the film for so long. As mentioned earlier, I've been exposed and digested the source material myself before seeing the movie. I was worried the trailers for the film were giving away too much through their spots on television and on the silver screen, but Scorsese has added enough to the film for the story to feel fresh even for those "in the know." You are transferred in the films paranoia and phobia once the camera pans through the mental facilities open doors. Lehane is one of the luckiest authors on the planet to have his work adapted to the big screen by talents such as Eastwood and Scorsese, but his work is brilliant and deserving of such treatment.

At the risk of spoiling plot points for potential viewers who have not read the book, I'll leave a Related Recommendations section concealed in "Spoiler" tags. Discussing this story at any length can be quite revealing.

There's an island where unstable people go, are they prisoners or patients, we just don't know, some kept in cages, some are free, surrounded by a fierce sea, but the doctors have a plan, a manifesto. Two Marshalls make the trip, investigate, when an inmate disappears from the estate, vanishing, into thin air, no one knows quite how or where, then a storm arrives, events then bifurcate.

Wonderful performances all round in a tale that may leave more questions than answers at the end as it twists and turns, writhes and squirms, revealing an iceberg of a story that has a lot more going on beneath the surface than you originally anticipated.

Visually beautiful, wonderfully acted, and relentlessly gripping, Shutter Island is a brilliantly unrestrained psychological thriller that keeps its audience riveted throughout its entire duration.

I originally saw this film when it came out but couldn't remember it well enough to give it a rating or write a review, so a rewatch was in order. I viewed the film through the lens of already knowing the plot twist, which made it a whole different experience. The ending will be remembered throughout film history as one that showed just how viciously a well written script can flip an audience over. This really is a film you should see twice.

It is one of the best movies made by director Martin Scorsese. It is perhaps the best movie starring Leonardo DiCaprio. Honestly speaking, it is one of the greatest films of the decade. DiCaprio featured in two movies in 2010, the other one being "Inception". Both were excellent. To this day, they are some of the best cinematic experience I have ever had. That being said, I found "Shutter Island" to be much more superior, as "Inception" feels a little bit of a mumbo jumbo many times.

Good. "Shutter Island" is simply a masterpiece. The beginning of the movie suggests a very basic plot of a detective story, possibly a thriller. As the movie progresses, the plot becomes bigger and bigger with more and more complexity added to it. The way this happens is incredible. The pacing is really good. That is what makes the movie so interesting. And, even though the movie gets more complex, it is not difficult to keep up with the major plot points. And, the final twist is one of the best plot twists I have ever seen. I did not expect it at all. And, like the main character portrayed by DiCaprio, we are not ready to believe what is being told until a lot of reveals finally convince us. There are a lot of many things that might seem to be pointless before the final twist which are totally relevant with the story that is actually being told. The character of Edward Daniels is superbly written. We get to know where the character is coming from and we can get behind the character - yet another excellent thing about this movie. There are some dream sequences that seems like a filler, but is a major indication to the reveal. There are quite many "illusions" which feel very real, but carry no real meaning in the end. There are many additional things which may seem like a diversion from the story being told, but are actually enhancing it. Some dialogues between the main character and an imprisoned character get a very different interpretation after it's all set and done. So much of a complex story, yet no giant inconsistencies at all. It's just superbly written and directed and acted. It's totally different from "Memento" (2000) but still, has a lot of similarities. We get into the main character's head and we just get his interpretations, different types though. Towards the end, we don't want to step fully outside his head, but when we finally do, it's mind blowing. The ending moments were conceived by many to be confusing. But, if you keep up with the entire story, it's meaning is quite obvious. The movie is dark and psychologically engrossing. Yet it does have a short lived and very brief happy moment with the tiny plotline involving Dr. Cawley's motives. That's all I can say without getting into complete spoilers. Leonardo DiCaprio, Mark Ruffalo and Ben Kingsly have given some of the great performances till date. I don't have anything that bugged me. So no mixed or bad aspects of the film.

Conclusion. On the whole, for me, it's the movie of the decade. The decade is almost over, and still I have not got any movie in the league of "Shutter Island". It's a very engaging and thrilling movie. It's one of those films I consider to be an all time great.

Rating. Score : absolute 10/10 Grade : A+