Dans les rues sombres et froides de Montréal, un tueur en série sévit, laissant derrière lui une trace de violence et de désespoir. Les autorités sont démunies, incapables de cerner le profi... Tout lireDans les rues sombres et froides de Montréal, un tueur en série sévit, laissant derrière lui une trace de violence et de désespoir. Les autorités sont démunies, incapables de cerner le profil de cet individu insaisissable et meurtrier.Dans les rues sombres et froides de Montréal, un tueur en série sévit, laissant derrière lui une trace de violence et de désespoir. Les autorités sont démunies, incapables de cerner le profil de cet individu insaisissable et meurtrier.
- Director
- Writers
- Stars
- Prix
- 2 victoires et 41 nominations au total
- FedEx Clerk
- (as Lia Michelle Lockhart Perez)
- Taxi Dispatcher
- (as Rafael Arturo Duverge Ortiz)
- United Ticket Agent
- (as Genesis Cristal Estevez Jimenez)
Avis en vedette
After a twenty minute introduction, something finally happens, and you're left with a film that's beautifully shot, well acted, with a somewhat interesting story.
The trouble is, if this film were a song, it would be something by The Smiths, there's definitely a fan base, but for some of us, it's all just too slow, too dull, and ultimately a depressing affair.
The voiceovers become a little irritating after an hour or so, and that constant first person narration slows the film down to a snail's pace.
Neo noir style, nice to look at, and I did like Michael Fassbinder's performance, but ultimately I couldn't stop myself from yawning for the full two hours.
5/10.
David Fincher's directing is as crisp and precise as always. The cinematography is great and the film looks incredible. It's technically sound and visually stunning with its cold contrasted shots. Fassbender is as brilliant as always and commands the scenes.
BUT, my brain cannot seem to accept the simplicity of the story. I expected something completely different from this and i really believe that the synopsis provided is misleading. It does not feel like there are any stakes in this film nor character development and under no point is there serious danger. We get a brief (cliche) incident to get us started and then it is monotone the rest of the way, much like the protagonist. Maybe there's a hidden, beautiful parallel to that, i dont know.
I feel like i need to watch this again with a different mindset because it's not what i expected or what was advertised.
Despite my complaints, i liked this movie. I just wish the story and action sequences had been expanded a lot more. It's worth a watch, just not the watch you're expecting.
It's not that the movie is bad, everything looks good, I didn't mind the approach to the story, the fact that it is a monologue from the main character and you navigate the story he tells is all right - it's well acted and directed which is what kept me interested but other than that is average at best... The dialogue seems a bit forced, while trying to convey these pseudo life lessons it feels like I am looking at quotes on Facebook and the plot couldn't be more basic...
Overall it's an okay movie, its style and production are great and Fassbender delivers as expected, but it's not enough to make it memorable or compelling.
It seems after all these years Netflix keeps its formula of enlisting a famous actor for a an average movie to keep their subscriptions going.
7/10.
Le saviez-vous
- AnecdotesThe graphic novel "The Killer" (written by Alexis Nolent, illustrated by Luc Jacamon) has been a passion project for David Fincher for nearly 20 years.
- GaffesThe pistol the Killer uses to shoot his victims does not have a suppressor attached, it is a muzzle brake, which would not silence the gunshots.
- Citations
The Killer: Of those who like to put their faith in mankind's inherent goodness, I have to ask- based on what, exactly?
- Bandes originalesWell I Wonder
Written by Morrissey (as Steven Morrissey) and Johnny Marr
Performed by The Smiths
Courtesy of Warner Music U.K. Ltd.
By arrangement with Warner Music Group Film & TV Licensing
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- El asesino
- Lieux de tournage
- The Waterfront Reataurant, St Charles, Illinois, États-Unis(Where the killer dines with the hired hitwoman)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – à l'échelle mondiale
- 755 534 $ US
- Durée1 heure 58 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1