La saga Gucci

I was a little bit afraid of diving into this movie as it has an extensive running time of 154 minutes, which is a lot for a biographical drama, but I was pleasantly surprised by how immensely intriguing the story was.

The best part of the movie for me was its visual appeal. "House of Gucci" has something breathtaking in practically every frame and just for that it deserves a watch.

Greetings again from the darkness. I've never purchased or owned anything Gucci, but that didn't prevent me from enjoying the heck out of Ridley Scott's film that brings the longest, most expensive and dangerous real life episode of 'Family Feud' to the big screen. It's co-written by Becky Johnston and Roberto Bentivegna, and is based on the 2001 book, "House of Gucci: A Sensational Story of Murder, Madness, Glamour, and Greed" by Sara Gay Forden. Brace yourself for a (mostly) true wild ride, and for what is likely to be one of the year's most divisive films - plenty of love and hate (just like the actual story).

What happens when a brand is so closely associated with a family name? The arguments begin on who 'deserves' to be a Gucci, who is a 'real' Gucci, and who should make the decisions that impact the Gucci family and business wealth and reputation. During the extended run time (2 hours, 37 minutes), we see many of the iconic Gucci items: the Flora scarf, the moccasins, the bamboo bag, and the watches. And though high fashion is always present, director Scott has delivered a spectacle of romance, family riffs, extravagance, greed, power, betrayal, revenge, and crime.

Lady Gaga (Oscar winner, A STAR IS BORN, 2018) stars as Patrizia, the newest Gucci. Hers is not blind ambition, but rather calculated and laser-focused. That she implodes a dysfunctional family is only a portion of the story. After marrying Maurizio Gucci (Adam Driver), Patrizia immediately begins manipulating her husband into reconciling with his family and taking on an active role in a business for which he previously had little interest. This is simply step two (the first was marriage) in her grand scheme to control the business and the money. Maurizio's father Rodolfo (Oscar winner Jeremy Irons, REVERSAL OF FORTUNE, 1990) is ailing, so it's Uncle Aldo (Oscar winner Al Pacino, SCENT OF A WOMAN, 1992) to whom Patrizia directs her attention. She plays it like a chess match - only this is more entertaining to watch unfold.

Also in the picture is Paolo Gucci (a truly unrecognizable Jared Leto, Oscar winner, DALLAS BUYERS CLUB), Aldo's son, and a family outcast. Paolo is a wildly creative individual who tends to his pet pigeons and tries desperately to find his place in the family. Jack Huston plays Dominico De Sole, Rodolfo's consigliere and the family attorney. Each of the characters is given their time in the spotlight, including a terrific breakfast scene with Pacino and Irons. Of course this is mostly Patrizia's story, so it's Lady Gaga's performance that will attract much of the attention and commentary. I found her mesmerizing and twisted fun to watch as she proceeded with backstabbing and trickery. Driver's quietly intense approach makes the perfect contrast to hers.

If you are familiar with the story, you know that Maurizio does eventually run the company, and he also tires of Patrizia's family-crushing antics ... which send him back into the arms of Paola Franchi (Camile Cottin, STILLWATER, 2021). This turns the campy and juicy melodrama factor up to 11 (on the Spinal Tap scale). Patrizia's frequent trips to fortune teller and TV psychic Pina Auriemma (Salma Hayek) cause a massive tonal shift in the film, leading to the well-documented conclusion. If all this isn't strange enough, Ms. Hayek is the real-life spouse of the CEO of Gucci's present-day parent company, Kering. Reeve Carney ("Penny Dreadful") has a small, yet vital role as up-and-coming fashion designer Tom Ford.

In this movie, it's easy to describe some performances as hammy or over-the-top, but that's likely to only hold as a first reaction. Leto's characterization of Paolo sticks out so much from the others ... but he was known as eccentric, and at best, was patronized by the family. It seems highly likely that his personality and approach stood in stark contrast to the old-school style of his father Aldo, or the more staid personalities of his Uncle Rodolfo and cousin Maurizio. Lady Gaga as Patrizia is cunning and shrewd in her calculated approach to re-structure the family and the business. She plays whatever games she must to get where she wants to be. I found her first half performance to be truly outstanding. Pacino is the actor who has trademarked hammy performances over the years, yet here, he fully grasps his role and character, and is a delight to watch.

Much of this is documented by history, though the Gucci family claims not all is or was how it seems. Whether the boost in counterfeiting/knock-offs went down in the 70's and 80's as it's portrayed here, might be an area worth researching, but this is much less a case study in business principles as it is one in family dynamics. I'll certainly understand those who argue against the story structure here, but the entertainment value proved to be enough for me. As the Gucci tagline goes, "Quality is remembered long after price is forgotten", but the backstabbing and disloyalty is never forgotten - despite providing great theater (and fashion).

Opens in theaters on November 24, 2021.

As I'm on holiday at the moment in Portugal, this was seen as "Casa de Gucci". But the soundtrack was English with Portuguese subtitles. At least, I *think* it was English!

Positives:

• Other than the bare outlines, it's a story I knew nothing about, so it made for interesting viewing. And who doesn't want to see some escapist high-fashion, flashy cars and Italian high-living on the big screen?

• Adam Driver delivers another stonking performance. He delivers the best of the accents on show and is a delight to watch whenever he's on screen. His performance is deliciously subtle and under-played. A model for acting lessons.

• Al Pacino, in full-on Pacino mode, is also great as Maurizio's uncle: owner of the other half of the empire.

Negatives:

• The accents! Where do I begin? I felt a desperate need mid-film to order a Cornetto and go compare my car insurance online. While Driver and Pacino tend to rein it in, most of the rest of the cast assume accents approaching a bad parody of Italians. Jared Leto and Gaga are particularly guilty.

• I appreciate that the part of the "idiot" Paolo Gucci was meant to be comedic, but Jared Leto seems to almost be in a different film entirely. There's 'over-the-top' and 'waaaaay over-the-top'.

• I've seen some other reviews praising Lady Gaga... saying that it proves her performance in "A Star is Born" wasn't just a "flash in the pan". Personally, I didn't feel it. I appreciate that the character of Patrizia is a larger-than-life one. But, although she did have some impressive scenes, for most of her performance I felt like she was obviously acting, and sometimes over-acting. The accent didn't help.

• The film has a banging set of tunes, no argument. But for a sprawling drama told over a few decades (the film is nearly 160 minutes long!), music should be used to anchor the movie as to which year you are currently in. Donna Summer "I Feel Love": so it must be 1977. But the movie doesn't consistently follow that rule. It's the early 70's, but suddenly George Michael's "Faith" blares out. #Unsettling.

• This may be my lack of concentration, but there seems to be an assertion in the film (presumably completely false) that Aldo Gucci was supporting/producing knockoff Gucci products for the mass-market: a "lucrative product line" that was later canned by Maurizio. I was personally confused by this bit of the story.

Summary Thoughts on "House of Gucci": This was not the <2* bust that I thought it might be from early word I saw from other reviews. The fact that it turns out to be a 158 minute film surprised me, since it felt long... but not that long. So that's a good thing. And it has its moments for sure. But this is not a movie that I will be in a hurry to revisit, since the accents and some of the performances (Jared Leto - take one step forwards) are not ones that I thought worthy of the potential that the movie had. For me, Ridley, I'll take "The Last Duel" any day.

(For the full graphical review, check out #onemannsmovies online. Thanks.)

House of Gucci is probably the most stylish film of 2021, it looked awesome, this was beautifully made, the quality of production and direction is phenomenal. It isn't just style over substance though, it's well made, generally well acted, it tells a fascinating and twisted story.

The main issue about this film for me, was the pacing, it was somewhat uneven, at times it felt frustratingly slow, fortunately it did pick up at its conclusion. The running time was overlong, what is it with films in 2021? Why the need for everything to be almost three hours? Is there some deal for cost per minute at cinemas? Ninety minute films work too.

If you ever think your family has problems, just watch this, and you'll see what family problems really are. Scandal, betrayal and murder, it's a rags to riches story with a twist.

The acting, for the most part I thought it was great, Jeremy Irons was the standout for me, as he so often is, but Lady Gaga was awesome as Patrizia, she did a great job. Adam Driver on the other hand, I'm not sure why, but I felt as though he was a little uninterested, perhaps a little bored?

6/10.

A film so out of its mind that it is operating entirely on impulses, House of Gucci makes for a wild, inconsistent & unabashedly over-the-top biographical crime drama that chronicles the downfall of the Gucci family dynasty without any intent or interest and is surprisingly fuelled by absolutely unhinged performances, each functioning on a separate wavelength and pointed in a different direction.

Directed by Ridley Scott, this tonal nightmare plays out like an (un)intentional parody of the Oscar-bait biopics and is far from the quality of work we expect from the filmmaker at helm. All its elements are at odds with each other, thus resulting in a film so bonkers & unpredictable in its approach & execution that it actually piques the curiosity in a way that's not just unusual or unexpected but also nonsensical.

However, a story treatment this uneven & erratic can only carry on for a while before the appeal goes away and this one goes on for 157 long minutes, all of which is tediously paced. The characters themselves are mere caricatures and the ensemble cast is given the license to render them as such. But none of the actors are ever on the same level or looking for any kind of harmony even when sharing screen together.

Overall, House of Gucci is inarguably the "so bad it's good" film of the year. Laced with irony, drowning in decadence and incongruous in each n every aspect, this overlong & overbearing train-wreck suffers from issues of its own makings and despite boasting an A-list ensemble, it doesn't utilise a shred of their talents. Inadvertently hilarious & downright mediocre, Ridley Scott's latest is what happens when the entire cast n crew is left unsupervised & goes amok.