Laurel Canyon

This really is essential and must-see if you have any interest in the popular music that was created in the mid-60's - mid-70's in Southern California, specifically, the artists who lived in the Laurel Canyon area. I'm not an expert in this, but I am pretty knowledgeable about it, so it's always a treat when I learn about things for the first time that I didn't already know. A mild criticism of this movie was that it spent precious time on Little Feat, which was noted in the documentary itself that they were not a very popular or well-known group. The movie also reminded me of how great Linda Ronstadt was before she made the puzzling decision to start singing songs from the Big Band Era.

If you like this movie, I would also recommend 2008's, "The Wrecking Crew" about the unknown session musicians of that era who were responsible for helping to make many of the classic songs that came out of that time.

Finally, please note that this great documentary should not be confused with "Echo in the Canyon," Jakob Dylan's self-indulgent documentary that ostensibly was also about the Laurel Canyon era, but instead was mostly just him and his buddies doing covers of classic songs made famous by the original artists.

In the years this documentary covers, I went from 15 to 25. I listened to these songs on the radio, bought the albums, and went to the concerts. It was a time of explosive creativity in pop music of all kinds, from England to Motown to Nashville to San Francisco and L. A., and Laurel Canyon was the epicenter of everything happening in L. A. As the documentary shows, the singer/songwriters and bands all found their way to a close knit community, where they fed each other's creative juices, and made a lot of memorable music. Clearly it was quite a project, as there are interviews from many years past with artists long dead. It was great to see one of my favorite bands, Love, get a fair amount of attention, but I don't see how the band Spirit got no mention at all. They did some of the most creative music of the time, and their guitarist, Randy California, invented various devices that are now incorporated into every electric guitar made. The band's chief composer, Jay Ferguson, is still doing tv and movie scores today. Highly recommended, especially for those of you unaware of what went on in that place at that time.

With a majority of today's pop\rock music either created inside a game show, or lost in streaming obscurity Laural Canyon shines a light on what could be possible again. Obviously the record business is not the same, and the modality of sharing new music has radically changed. However, LC teaches us the music that changed us came from a group of people who were first and foremost community minded. The concept of a ' music scene' cannot be lost on the viewer. What that music offers the listener, the enthusiast is an energy. It seems to me it's difficult if not impossible for a lasting music scene filled with energy and life to exist inside one's and zero's alone. If you love music and want to share how it was created out of thin air (and how it could happen again), show this to your teenager. Before it fades away into the dust of 'old stuff'.

This three hour epix Documentary does a pretty solid job of covering the story of the famed Hollywood Hills enclave's music scene from the mid-60s to the mid-70s. The California Sound as it later became known as.

In this Doc's telling the beginnings of the Laurel Canyon scene flowed through The Byrds and The Buffalo Springfield into the super-group Crosby, Stills, Nash & Young. The tribal leader seemed to be David Crosby, who not only was a member of all three bands, but, also helped nurture singer-songwriters like Joni Mitchell and Jackson Browne (the sad irony being, as Crosby says in the Doc about him, REMEMBER MY NAME, is that none of the artists he ever played with will even speak to him now). As the scene grew, so did the number of musicians who drifted through including The Doors, Love and The Eagles.

Still photographers Henry Diltz and Nurit Wilde are here to share their vast vaults of pictures they snapped along with the stories that went with them. Director Alison Ellwood and her team also cobbled together a good array of film clips to illustrate, along with healthy doses of the actual music (licensing rights permitting, I assume). I'll leave it to those with a more encyclopedic knowledge to argue over which artists got enough/not enough coverage here or over which bands and singers were overlooked. My only quibble is that Ellwood occasionally lets her interviewees dictate where her focus goes. It's not important to archive each and every band member's comings and goings, and others who never even lived in the Canyon seem to have just attended a party or two. It's all interesting stuff, but, unless you are doing a Ken Burns style 15 hour series, the focus should have stayed on the scene proper. Still, overall, LAUREL CANYON is quite good (and a heck of an improvement over last year's cliquish ECHO IN THE CANYON).

Amazing doc, loved the way it flowed, loved the way the narration was done with audio as opposed to having someone In the interview chair which definitely made it more romantic in my opinion. Yes a lot we have heard before but we have never heard it before in such a wonderfully mystical way. Loved it.