ÉVALUATION IMDb
6,3/10
113 k
MA NOTE
Dans un avenir proche, lorsque les organes artificiels pourront être achetés à crédit, un homme se bat pour payer un coeur qu'il a acheté. Il doit donc s'enfuir avant que l'organe vital ne s... Tout lireDans un avenir proche, lorsque les organes artificiels pourront être achetés à crédit, un homme se bat pour payer un coeur qu'il a acheté. Il doit donc s'enfuir avant que l'organe vital ne soit repris.Dans un avenir proche, lorsque les organes artificiels pourront être achetés à crédit, un homme se bat pour payer un coeur qu'il a acheté. Il doit donc s'enfuir avant que l'organe vital ne soit repris.
- Prix
- 2 nominations au total
Avis en vedette
It's is the near future, Jake and Remy are repossession men for body organs. After a repo' goes wrong Remy's heart is replaces and he finds himself on the run before his heart is repossessed.
It's a high concept idea with a twist at the end. The gory repo scenes are cringe worthy and action scenes backed with a pumping music score are amazing. The sets, location and effects are attention-grabbing. Miguel Sapochnik's directing admirable but its failing is the screenplay, Repo Men is a jarring mismatch of a film, it doesn't know what it wants to be, one minute a social commentary, the next minute a comedy, then an action, a serious thriller and so on. It just doesn't gel and as a result it's a let down.
Schreiber's Frank is menacing as one of "The Union" heads and there's a welcomed cameo appearance by John Leguizamo (Asbury). A lighter, healthier Forest Whitaker makes an impression in this odd toned movie, quirky lead and ever reliable Jude Law looks uncomfortable with the role Remy. Alice Braga's (Beth) performance is average and she isn't atheistically beautiful enough to convince the audience of Remy's infatuation with her.
Unfortunately, Repo Men tries to cater and appeal to a spectrum of movie goers and as a result fails to entertain or satisfy in any capacity or arena.
It's a high concept idea with a twist at the end. The gory repo scenes are cringe worthy and action scenes backed with a pumping music score are amazing. The sets, location and effects are attention-grabbing. Miguel Sapochnik's directing admirable but its failing is the screenplay, Repo Men is a jarring mismatch of a film, it doesn't know what it wants to be, one minute a social commentary, the next minute a comedy, then an action, a serious thriller and so on. It just doesn't gel and as a result it's a let down.
Schreiber's Frank is menacing as one of "The Union" heads and there's a welcomed cameo appearance by John Leguizamo (Asbury). A lighter, healthier Forest Whitaker makes an impression in this odd toned movie, quirky lead and ever reliable Jude Law looks uncomfortable with the role Remy. Alice Braga's (Beth) performance is average and she isn't atheistically beautiful enough to convince the audience of Remy's infatuation with her.
Unfortunately, Repo Men tries to cater and appeal to a spectrum of movie goers and as a result fails to entertain or satisfy in any capacity or arena.
When the economic crisis first hit, Clive Owen came out with The International, a film about an evil bank. With the health care crisis now in full swing, Jude Law has come out with Repo Men, a film about evil health care people. Repo Men is good, but seems to have come out a bit early because this seems like a perfect summer film.
I cannot remember a time when Jude Law was this much fun. Fresh off a turn as Watson in Guy Ritchie's superb Sherlock Holmes, Law plays Remy, who work for the The Union, a company that supplies artificial body parts. If you can't pay for them, The Union sends Remy and his best mate Jake (Forrest Whitaker) after you. They cut you open and take the parts back. Its a bloody good time for all.
Law is such a badass in this film. You would think a role like this would go to Jason Statham, but a renowned actor like Law, who really isn't used to being the badass, plays the part very well. With the amount of blood and violence and quick takes, you would think this flick was made by the Neveldine/Taylor duo. First time director Miguel Sapochnik does the film well, but you'd like to see what an experienced director could do with it.
While Repo Men falls short with some of its blood for the sake of blood scenes and some acting shortcomings (Forrest is good but has too little to do), it makes up for it with Law and its twist ending. Go catch Repo Men. You'll rip your heart out if you don't.
I cannot remember a time when Jude Law was this much fun. Fresh off a turn as Watson in Guy Ritchie's superb Sherlock Holmes, Law plays Remy, who work for the The Union, a company that supplies artificial body parts. If you can't pay for them, The Union sends Remy and his best mate Jake (Forrest Whitaker) after you. They cut you open and take the parts back. Its a bloody good time for all.
Law is such a badass in this film. You would think a role like this would go to Jason Statham, but a renowned actor like Law, who really isn't used to being the badass, plays the part very well. With the amount of blood and violence and quick takes, you would think this flick was made by the Neveldine/Taylor duo. First time director Miguel Sapochnik does the film well, but you'd like to see what an experienced director could do with it.
While Repo Men falls short with some of its blood for the sake of blood scenes and some acting shortcomings (Forrest is good but has too little to do), it makes up for it with Law and its twist ending. Go catch Repo Men. You'll rip your heart out if you don't.
Just a great old fashioned action/thriller that is not watered down for a PG-13 rating. Thought it held up quite well and Jude Law, Forest Whitaker and Liev Schreiber were having a blast playing these over the top characters. Seems like a lot of reviewers are taking it much to seriously. Watch it for the entertainment that it is and you will not be disappointed!
Well, if you have watched the musical "REPO", then you definitely want to sink your teeth in to "Repo Men", as they are right up the same alley. Of course, one being a musical and one being a movie, but still, they are basically about the same thing.
The story of "Repo Men" is straight forward and easy to follow. If you can't pay your bills on your implants, they will be reclaimed by The Union, and here comes the repo men into play. (Just like in the musical "REPO").
There is a steady stream of constant action and thrills throughout this movie, so you are never left bored. And the ending, well that I didn't see coming, that was a really nice touch! I am not spoiling it by saying how it ends, but trust me, it is nice.
The actors in the movie was quite nicely cast. Especially Whitaker and Law play very well opposite one another, they support each other well and the chemistry works quite good.
The effects throughout the movie was nice as well. Do not expect to see a myriad of CGI effects to dazzle even a blind guy! But this movie doesn't really need all that fancy CGI, it does very well with ordinary effects and gimmicks. The scenes and settings were nice, showing a somewhat bleak and lifeless future.
In overall, this is a rather nice movie, but in my opinion, it is not the type of movie that you will watch again once watched. It just doesn't have that quality to it. But still, it is one heck of a movie.
The story of "Repo Men" is straight forward and easy to follow. If you can't pay your bills on your implants, they will be reclaimed by The Union, and here comes the repo men into play. (Just like in the musical "REPO").
There is a steady stream of constant action and thrills throughout this movie, so you are never left bored. And the ending, well that I didn't see coming, that was a really nice touch! I am not spoiling it by saying how it ends, but trust me, it is nice.
The actors in the movie was quite nicely cast. Especially Whitaker and Law play very well opposite one another, they support each other well and the chemistry works quite good.
The effects throughout the movie was nice as well. Do not expect to see a myriad of CGI effects to dazzle even a blind guy! But this movie doesn't really need all that fancy CGI, it does very well with ordinary effects and gimmicks. The scenes and settings were nice, showing a somewhat bleak and lifeless future.
In overall, this is a rather nice movie, but in my opinion, it is not the type of movie that you will watch again once watched. It just doesn't have that quality to it. But still, it is one heck of a movie.
All in all, I found this movie quite a disappointment. I have a soft spot for sci-fi, and as several others have commented, Jude Law is a good reliable actor in sci-fi roles. But this movie seems awkwardly assembled, not quite thought-out, and a bit too proud of itself to be taken seriously. Throughout the film, at what seem to be important developmental points or even plot twists, there are one-liners tossed out with great sincerity, which in most cases either sound silly, pretentious, intellectually impoverished, or simply misplaced in this film. The first scene of the film, for instance, we are given a summarization of the 'Schroedinger's Cat' experiment, complete with some of the horrible logic underlying the film--- 'if something isn't definably dead or alive, then it must be both'. The fact that this statement shows a misunderstanding of both the scientific and philosophic merit of the experiment isn't the problem, because even incorrect junk science can be a good vehicle in a movie. The problem is that there's no reason to bring this up in the first place. the movie doesn't tackle whether things are dead or alive, whether being comprised of 'rented organs' is an crisis of existential definitions or what have you. The reference is just thrown in there to sound smart, to seem thoughtful, when the film is anything but. And this sort of pseudo intellectual posturing contaminates the movie.
The whole film's pace feels quite forced, as well. Jude Law seems underutilized. One can't help but wonder if he got drunk for the majority of the shooting for this film. When his wife leaves him, there's almost no emotion in the scene. When twenty minutes later our hero has decided to dedicate his eternal love to a street girl he finds attractive, there's really no chemistry whatsoever--- but apparently the movie insists that there be a love interest, and so it's just thrown in there, pointlessly. Because even in this day and age, it's apparently impossible to propose a hero character without a token damsel in distress.
Then there's the kind of gratuitous and uncomfortable 'surgical sex' scene. It's apparent that whoever choreographed it thought they were being clever, but the whole thing just seems like an attempt to force some sort of correlation between sex and surgical procedures that really just felt misplaced, and kind of heavy-handed. Granted, it has a purpose within the plot, but it's basically a slice of experimental film amid a sci-fi action flick, and like a lot of experiments, it fails.
There are some positive points to the film. While Jude Law's acting is a disappointment, Forrest Whittaker delivers a solid role. The action scenes are quite good, and while the overbearing presence of music makes some of it feel like a weird music video, it's nonetheless well-choreographed fighting and slashing. Some of the sets are good, although a fair number of sets and sequences seem blatant rip-offs of 'Brazil' (to say nothing of the ending)...
A pretty mindless flick. It's better than watching dust settle on your screen. A prettily-packaged emptiness.
The whole film's pace feels quite forced, as well. Jude Law seems underutilized. One can't help but wonder if he got drunk for the majority of the shooting for this film. When his wife leaves him, there's almost no emotion in the scene. When twenty minutes later our hero has decided to dedicate his eternal love to a street girl he finds attractive, there's really no chemistry whatsoever--- but apparently the movie insists that there be a love interest, and so it's just thrown in there, pointlessly. Because even in this day and age, it's apparently impossible to propose a hero character without a token damsel in distress.
Then there's the kind of gratuitous and uncomfortable 'surgical sex' scene. It's apparent that whoever choreographed it thought they were being clever, but the whole thing just seems like an attempt to force some sort of correlation between sex and surgical procedures that really just felt misplaced, and kind of heavy-handed. Granted, it has a purpose within the plot, but it's basically a slice of experimental film amid a sci-fi action flick, and like a lot of experiments, it fails.
There are some positive points to the film. While Jude Law's acting is a disappointment, Forrest Whittaker delivers a solid role. The action scenes are quite good, and while the overbearing presence of music makes some of it feel like a weird music video, it's nonetheless well-choreographed fighting and slashing. Some of the sets are good, although a fair number of sets and sequences seem blatant rip-offs of 'Brazil' (to say nothing of the ending)...
A pretty mindless flick. It's better than watching dust settle on your screen. A prettily-packaged emptiness.
Le saviez-vous
- AnecdotesMoments before the filming of the Chinatown scene a crew member was approached by a local Chinese person who pointed out to him that all the neon signs with Chinese characters were upside down. A frantic rigging crew proceeded to flip all the signs while the shooting crew shot in the direction of the newly flipped signs.
- GaffesWhen Jake and Remy fight in the derelict apartment and Remy wins, he is wearing street clothes. But when, at the end of the film, he is shown on the stretcher attached to the Neural Network machine after, in reality, losing this fight with Jake, he is wearing the combat clothing that he wore in the Union headquarters building, which was when he was in a dream state.
- Générique farfeluAn advertisement screen for The Union appears at the end of the closing credits.
- Autres versionsThe Unrated version released on home video contains ~10 minutes of additional/alternative footage.
- ConnexionsFeatured in The Rotten Tomatoes Show: Repo Men/The Bounty Hunter/The Runaways (2010)
- Bandes originalesSway (Mucho Mambo)
Written by Norman Gimbel, Pablo Beltrán Ruiz, Luis Demetrio (as Luis Demetrio Traconis Molina)
Performed by Rosemary Clooney featuring Dámaso Pérez Prado (as Perez Prado) and His Orchestra
Courtesy of The RCA Records Label
By Arrangement with Sony Music Enterprises
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Repo Men
- Lieux de tournage
- Lower Bay Station, Toronto, Ontario, Canada(subway station and subway train)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 32 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 13 794 835 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 6 126 170 $ US
- 21 mars 2010
- Brut – à l'échelle mondiale
- 18 409 891 $ US
- Durée
- 1h 51m(111 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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