Une chanson pour Marion

In his directorial debut Paul Andrew Williams gave us an impressive, gritty and bleak crime film, London to Brighton – a film shot in just 19 days on a budget of £19,000. In his latest work he goes on the complete other end of the spectrum to deliver us a heart-warming comedy-drama, Song for Marion. When looking at its exterior, most would easily jump to labeling it a sentimental film which it's one motive is to get you blubbering. It certainly succeeds in getting you to shed tears, but this is through the film's well developed relationships between the characters, especially that of Marion (Vanessa Redgrave) and Arthur (Terence Stamp). Marion is terminally ill and is cared for by her grumpy husband, Arthur – he reluctantly helps fulfil her wishes to attend local OAP choir sessions headed by a young music teacher, Elizabeth (Gemma Arterton). But of course as Marion's health begins to fade, Arthur finds himself becoming more and more desperate about the inevitable prospect of being alone without his beloved wife. This prompts him to become more involved in the choir's sessions, which builds up to the group's entry into a national choir competition – a beat very much in the vein of the 1996 film, Brassed Off.

The on-screen chemistry between Redgrave and Stamp is heart-wrenching; it's hard to fight back those tears as the two comfort one another during Marion's final months. But it's when Arthur finally confesses to Marion that he's scared about being without her that I finally let the tears subside – it's just beautiful stuff. Redgrave's singing performance of True Colours and Stamp's final belting delivery of Goodnight My Darling will also leave you and the theatre audience in a quiver of snivels. But on the side there is very funny and touching moments with the choir themselves which mix in well to not make you an emotional wreck for the majority of the film. Christopher Eccleston is effective on the sidelines as Arthur and Marion's son who struggles to bond with his stone-walled father. I felt Eccleston was slightly underused, but nonetheless enjoyable in the scenes he had; meanwhile Arterton is sweet and caring as Elizabeth, who tries hard to break down Arthur's cold exterior in order to get him involved with the choir.

This is a splendid British picture – Paul Andrew Williams proves here that he can tackle pretty much any genre, and if you take a look at his other genre films, you'll see that the man certainly has the knack – He's done horror, crime and now a beautiful British comedy-drama. The performances are splendid, the comedic and teary moments are balanced perfectly – but ultimately what makes the film work is that it doesn't try to break you down into an emotional wreck, it merely presents its characters in situations; bonding, caring and helping one another through the tough times. This is the kind of British film we need more of – you'll be walking out of the cinema with a warm smile on your face.

Grumpy pensioner Arthur (Terence Stamp) honors his recently deceased wife (Vanessa Redgrave)'s passion for performing by joining the unconventional local choir to which she used to belong, a process that helps him build bridges with his estranged son, James (Chris Eccleston).

The director, Paul Andrew Williams, made a name for himself in darker territory -- the wildly successful horror comedy "The Cottage" and the gritty home invasion story of "Cherry Tree Lane". The latter is so nasty that it left me (a hardened horror fan) squirming in my seat because of its realistic approach to the subject matter.

With that background, Williams is just about the last person I would have expected to take on a heartwarming tale of curmudgeon and his wife's elderly singing troupe. And yet, he weaves everything together expertly. I smiled quite a bit (I rarely laugh). I was captivated. And what seemed like a pretty lame story from the plot was actually rather entertaining and the characters were people I could identify with.

Really, though, the core of this film that separates it from others is the group of old folks singing rock and hip-hop songs. Maybe the joke is not completely new (Betty White has been pushing the envelope for a decade) but how can you argue with crotchety old fogies thrusting to Salt N Pepa and Motorhead? Definitely worth checking out, and fairly appropriate for the whole family.

I am 16 years old and therefore someone who should typically prefer Pitch Perfect to a movie starring pensioners. And I loved Pitch Perfect. But Pitch Perfect only made me laugh. Not cry. I prefer movies that do both. And this film was one of those. One minute I was roaring with laughter and the next my mum rushed into the room wondering if I'd broken my ankle. This is probably the most fantastic movies of all time, and certainly the most underrated. A story about family, living life to the full and trying out something new -- life might just surprise you. I now feel so much better about life -- I know not to get anything for granted, particularly life, and even if people laugh at me, so what if they're laughing at me for doing something I enjoy? Great acting from Terence Stamp, Vanessa Redgrave, Christopher Eccleston and Gemma Arterton. Other members of cast portrayed convincing characters too.

So if you haven't seen this movie, I recommend you watch it now. If you're 45, ask a 12 year old and a 90 year old to watch it too...I'm sure it'll be smiles all round.

This film was the closing night gala of the Toronto International Film Festival. It seems most of those were forgotten in past years but I hope this one gets more attention.

The story is quite simple, a grumpy old man finds the love of his life dying from cancer. She is in a local choir, lead by a joyful young woman. But the man, Terrence Stamp, wants nothing to do with it. The film is somewhat stereotypical and he's the old man you'd expect to see, seemingly allergic to anything remotely close to happiness, unless it has to do with his wife. Even his own son doesn't seem to bring him joy. But as the film goes on, of course, he will find that there are things in life that make it worth living, and that accepting people in your life will make it worth all better.

I wish I could give this a 6.5. The movie isn't the greatest comedy of all time, but it's light and it's fun. The elderly people in the choir are cute but it seems they all happen to be really weird and want to dress up as rappers and sing about sex. Yes, you know how it ends. It could only end one way and you see it coming from the opening scenes.

The film could have been better, had it not been so typical. It could have been quite good, if the movie had explored the themes it barely grazed in the film, such as Stamp's relationship with his son. The film teaches you that it's never too late to make things right. But I'm thinking for some elements in this film it may have been.

The actors were good, I wish we'd seen more of Vanessa Redgrave but Terrence Stamp upheld the film from beginning to end and I thin it would have been a lot worse without him as the lead role. I guess he learnt to sing for the film and he was quite good, but if the movie hadn't stayed at the surface of the themes it explored, it might have made for a more touching ending.

Song for Marion won't blow you away by its originality. But if you can get past that, it can still make for an enjoyable film. Keep it for a rainy day and don't expect anything it doesn't promise.

I saw this show as a screening several months ago, but under the title "Song for Marion." At the time, I told several people about it and recommended it when it came out in wide release.

It reminded me of the 2007 documentary "Young@Heart," where an older group of people form a choir and sing rock and pop music.

This movie follows the lives of an elderly couple (Marion and Arthur played by Vanessa Redgrave and Terence Stamp), their son (Christopher Eccleston) and granddaughter, and the senior adults in a choir led by a young woman (Gemma Arterton), who encourages them to sing pop and rock favorites. At the beginning of the movie, Marion is already in the choir and attempts to get the loving, but sometimes curmudgeonly, Arthur to join.

While the plot was predictable, the characters still warm the heart. The songs selected were terrific, especially when you see the choir members reactions to some of them. It was fun to watch the characters' progression as time went on. Performances by all were amazing!