Mirageman

I really really really enjoyed this movie. It carried an emotional & self effacing quality to it. From his love for his tragic brother to his meager attempts at heroic acts. This story tells a literally realistic way, in a comic book style of course, how one could be become a comic book vigilante. There were many levels & details to this film, his comical attempt to design his costume (with homage doodles) and the build up of the final design by his institutional brother's own nightmarish drawings that then ascend to the dream of a hero. I mean the intensity of it really worked for me. I fell for the feelings, the tragedy, the loss and hope.

And it was funny! He had to stop, pull of his mask, and wipe the fog off the lenses! Subtle but awesome! Realistic setup as opposed to over written contrived setup comedy, you know, the kind you laugh it because it makes sense, not because it was setup via caricatures and over acted 2ndary characters.

If not Tony Jaa, then gosh darn close! I could easily go from Tony to Marko and enjoy both thoroughly. And I'd take both over big Hollywood comic book heroes! Though I'd enjoy all just the same.

Here comes a new superhero movie from… Chile? Why not? This is not a typical superhero story. In fact 'super' is downright inaccurate while 'hero' just barely applies – at first.

Marko Zaror, a stuntman and reputed martial artist, stars as Maco, a quiet and respectful bouncer working at a local strip club. When not working, Maco is a fitness and workout nut. The seemingly gratuitous scenes showing Maco working out, charting calories, and taking amino acids seem like filler at first, but what the film is doing is introducing the character and showing his solitary life that contains little meaning outside of fitness and his institutionalized brother.

Maco's family was brutally attacked three years earlier. In the attack, the father and mother were murdered, the youngest brother beaten and sodomized, and Maco was beaten to near death. Since that time Maco has been training, working out, fanatically practicing martial arts for… something. Maco's brother is in a mental hospital due to the severe trauma of the murder and rape.

One night while jogging Maco stumbles across a robbery in progress outside of a suburban house. After instinctively disabling one bad guy, Maco hears screams coming from inside the house. Maco grabs the bad guy's mask and enters, surprising the bad guys and saving the day. One of the rescued victims is ambitions tabloid television reporter Carol V (María Elena Swett).

Carol V broadcasts a commentary piece the next night on her television show in which she calls the man that rescued her a "hero" without a Batmobile or cape. Maco is stunned by the reaction and the gears in his head start clicking. The gears become unstoppable when Maco visits his brother at the institution. For the first time since the attack, Maco's brother is responsive. It seems he was inspired by the report of the regular guy superhero. Maco then becomes convinced that he can stop the type of evil that happened to his parents, inspire his brother to get better, and perhaps earn the adoration of such public as Carol V.

"Mirageman" is a difficult and ultimately rewarding movie. In it's short 87 minute running time, "Mirageman" changes tone three different times. By far the most amusing scenes come early in Maco's career as Mirageman. Mirageman has to fight what would be the first real life challenge of any superhero: Practicality. Mirageman has to overcome cumbersome costume difficulties which include time required to change into the costume and where to stash his non-hero clothes. And of course transportation. Although Maco's "origin story" is similar to Bruce Wayne, Maco is no billionaire. His costume is pieced together from a sporting goods store and he owns no car. At first he takes the bus when battling villainy.

"Mirageman" also revels in the belly-bouncing glee of how a superhero must hold himself while walking around. "The Dark Knight" and "Spider-Man" never shows the viewer what it's like when the Caped Crusader or the Web-Slinger has to, say, simply walk up stairs or down a hallway. How would they act while doing the mundane? Marco deals with that as Mirageman. The extended sequences showing the costumed Mirageman 'creeping' in bright sunlight with his arms held to ready like an arcade game are both funny and uncomfortably awkward.

The second tone of "Mirageman" deals with the life of a hero after he's sorta figured it out. This includes the surprising public reaction to their very own superhero and the ways that a simple masked man trying to do good can be exploited and become something of which he never wished. Maco also has to deal with what fans he has and hopefully deal with that embarrassing transportation issue. Maybe a sidekick would be just the thing?

Maco goes through many transformations during the movie. I honestly can't remember more than one or two lines that Zaror has as Maco. Most of the character building is deftly conveyed using what the viewer already knows about 'superheros' and situational drama. Although he never says it, we feel Maco's pain, inadequacies, and sense of justice.

The third tone is set as Maco has to deal with these issues and the very real likelihood that, in order the make a real difference, he may have to risk it all.

The last act is brutal and realistic – a sharp contrast when compared to the relative camp of the opening act. One gets the feeling that this is what it would be like to take that mantel of responsibility.

Mirageman is left exploring a final question. Does he truly want to be a Hero?

from www.PopBunker.net @popbunker

So, you fancy a film which contains a lot of butt-kicking, off-beat humour and a gritty underlining theme? Whoa, wait, there also has to be plenty of satire.

Not after much, are you? Well fear not, because Mirageman delivers!!!

Ripped into by some, unknown to most, and establishing himself a solid fanbase with a select few, Marco Zaror was kick-arse long before the comic ever existed; he had the e-mails, the dodgy outfit, the bad haircut... But about the film:

Obsessed with being in a prime condition to defend himself after BLAH (generic vigilante background psychology), one night our soon-to-be hero jogs into the scene of a crime in progress and then it's all a blur: his training takes over, he KICKS BUTT! Yes, this is what he was training himself for all this time. Yet it's not clear to him until one of the women he rescued turns out to be a wannabe TV reporter who thanks him on the news at 11.

Okay, so now what's a boy to do if he wants to become the next Batman?

Going through a range of ridiculous kits and taking the bus to places where trouble may lurk, "Chile's national hero", as the HOT - now bona fide - TV reporter dubs him, finds his exploits methodically covered as she cashes in on her looks (I mentioned that she's HOT, right?) and his antics for a winning combination.

But for how long can a dude in a mask stay in the public eye? How much of an impact can one man beating up bag-snatchers make on society? It's at this point that the film takes it up a notch and we see that it has a whole other level of depth, as it effortlessly pivots from light-heartedness-to-something dark; from the downright hilarious-to-sheer brutality for a grand finalé.

So if you're looking for something a bit different, do yourself a massive favour and check out Mirageman; you may be disappointed but there's an 8/10 chance that you'll like it!

Zaror's last movie, Kiltro, and this one, are incredibly fun to watch; the best time I've ever have in the cinema was watching them. Mirageman, in any case, is not only fun (the comical depictions of "typical" Chilean stuff are great!), but the social and psychological part of it is moving. Zaror's character is lovable, you can't help to feel the rightness of his cause, in a much deeper way than other superheroes movies like Spiderman, cause he is real! The TV's abuse on Miragamen is also a good metaphor on how the Chilean media is. The only thing I hope is that they don't make a second part... Anyways, watching this movie is money well spent, super recommended :)

This is another very good pairing of Chile's Mark Zaror and Ernesto Díaz Espinoza in a martial arts action film. This film surrounds Zaror's attempt to become a vigilante after the murder of some family members. The film has real heart and some very good fight scenes. It is a great vehicle for Zaror to display his fighting skills. The training scenes are among the best you will see in any film. The film is low budget, and that shows in its cinematography and, especially, in its musical score. The acting is good. The script is original. Zaror is great, and in this one he does not take himself too seriously. It is no wonder he has become one of the most sought after so-stars for martial arts and action films, including John Wick 4.