Une jeune femme hérite du Book of Dark Whispers de sa mère pour découvrir 10 contes inquiétants. Avec Andrea Demetriades, Asher Keddie et Anthony LaPaglia, cette anthologie vous est présenté... Tout lireUne jeune femme hérite du Book of Dark Whispers de sa mère pour découvrir 10 contes inquiétants. Avec Andrea Demetriades, Asher Keddie et Anthony LaPaglia, cette anthologie vous est présentée par 11 réalisatrices de toute l'Australie.Une jeune femme hérite du Book of Dark Whispers de sa mère pour découvrir 10 contes inquiétants. Avec Andrea Demetriades, Asher Keddie et Anthony LaPaglia, cette anthologie vous est présentée par 11 réalisatrices de toute l'Australie.
Bree Bain
- Angela - segment The Intruder
- (as Bree Desborough)
Brian Bin Saabin
- Uncle 1 - segment Storytime
- (as Brian Bin Saaban)
Avis en vedette
It's better than Danzig's horror anthology, that's for sure. Would recommend if you're into this sort of thing as about half are good. One was particularly clever.
Not sure what's going on with the extreme negativity here (well actually it's pretty obvious if you read between the lines, or some cases, just read the lines themselves). This is a decent bunch of indie shorts with a good wraparound story that works as well as it has to in holding the segments together.
From the get-go it's clear this is not something like Creepshow, which was made with one holistic vision, or even like the VHS anthologies, which were intended to run together. Most of the segments in this anthology seem to have been made at different times, with different aims, and as such they generally all have a different voice, a different style. So it's less an anthology and more like a presentation of short films that can loosely be lumped together as dark fiction with a twist.
As that, it's very successful at showcasing these disparate film makers, who all show promise in one way or another. They're all names to keep an eye on, for sure.
If you expect this to be polished Hollywood stuff you're looking in the wrong place. This is pretty raw, but it's full of honest, authentic, creatively told stories. Nothing more, nothing less.
Personal highlights: the twists of The Man who Caught a Mermaid, the atmosphere of Storytime, the concepts of Grillz, the tone of Little Sharehouse of Horrors, and the overall vision and uniqueness of White Song.
People need to stop calling things "bad" just because it's not what they want it to be.
From the get-go it's clear this is not something like Creepshow, which was made with one holistic vision, or even like the VHS anthologies, which were intended to run together. Most of the segments in this anthology seem to have been made at different times, with different aims, and as such they generally all have a different voice, a different style. So it's less an anthology and more like a presentation of short films that can loosely be lumped together as dark fiction with a twist.
As that, it's very successful at showcasing these disparate film makers, who all show promise in one way or another. They're all names to keep an eye on, for sure.
If you expect this to be polished Hollywood stuff you're looking in the wrong place. This is pretty raw, but it's full of honest, authentic, creatively told stories. Nothing more, nothing less.
Personal highlights: the twists of The Man who Caught a Mermaid, the atmosphere of Storytime, the concepts of Grillz, the tone of Little Sharehouse of Horrors, and the overall vision and uniqueness of White Song.
People need to stop calling things "bad" just because it's not what they want it to be.
This is a low budget independent film, with its obvious constraints that come from that, which should be taken into consideration before watching it. However, if you pass that, you will find that its heart is in the right place. I really enjoyed it, because it presented something novel, different visions of the many fears and troubles that women face daily. There were tragic and funny stories, and all the spectrum in between, different ways to narrate the varied experiences of women told through women's perspective. There are subtleties and sensitivities that might appear "boring" to some (I suspect men), but if you enjoy these type of style, you will love it.
*My favourite was the last one and the one that involved plants.
I hope there will be a volume 2, so we can see more of the work of female directors.
*My favourite was the last one and the one that involved plants.
I hope there will be a volume 2, so we can see more of the work of female directors.
There are some great chapters in this dark, occasionally funny horror anthology including one with Anthony LaPaglia and Ed Speleers, a stop-motion animation and one about a man who has caught a mermaid (maybe...). Lovely to see so many short genre tales from talented female creatives.
This is a collection of stories that instead of showcasing what female directors are capable of in the genre of horror merely showcases the pretentiousness of those female directors that took part in this snore-fest of below mediocre, beige, bland and ultimately meaningless collection of occurences (Calling them stories would be giving them too much credit).
Each occurence is written, directed and acted with all the skill and understanding of adolescent poetry, the sort of poetry that at the age of 13 you thought was so deep and meaningful, the sort of codswallop that as you reach adulthood you realise it was just a load of meaningless shallow twaddle and merely a source of embarrasment that you could ever have been that naive.
It absolutely astounds me that anybody could categorise this as "Horror", even in these days of safe spaces and snowflakes and generally weak and pathetic people it is hard to believe that anybody could find any of these segments the least bit scary let alone deserving of the label horror.
Best that the directors stick to directing rom-coms and leave horror to those that know what horror should be.
Each occurence is written, directed and acted with all the skill and understanding of adolescent poetry, the sort of poetry that at the age of 13 you thought was so deep and meaningful, the sort of codswallop that as you reach adulthood you realise it was just a load of meaningless shallow twaddle and merely a source of embarrasment that you could ever have been that naive.
It absolutely astounds me that anybody could categorise this as "Horror", even in these days of safe spaces and snowflakes and generally weak and pathetic people it is hard to believe that anybody could find any of these segments the least bit scary let alone deserving of the label horror.
Best that the directors stick to directing rom-coms and leave horror to those that know what horror should be.
Le saviez-vous
- ConnexionsFeatures Storytime (2005)
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Lieux de tournage
- Brisbane, Queensland, Australie(segment "White Song")
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h 39m(99 min)
- Couleur
- Rapport de forme
- 1.78 : 1
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