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[Rec]

  • 2007
  • 18A
  • 1h 18m
ÉVALUATION IMDb
7,4/10
209 k
MA NOTE
POPULARITÉ
1 947
45
[Rec] (2007)
Trailer for this real-time horror film
Liretrailer1 min 52 s
1 vidéo
68 photos
HorreurMystèreThrillerHorreur corporelleHorreur en images retrouvéesHorreur surnaturelleHorreur zombie

Une journaliste de télévision et son caméraman suivent des pompiers dans un obscur immeuble et se retrouvent rapidement pris au piège à l'intérieur avec quelque chose de terrifiant.Une journaliste de télévision et son caméraman suivent des pompiers dans un obscur immeuble et se retrouvent rapidement pris au piège à l'intérieur avec quelque chose de terrifiant.Une journaliste de télévision et son caméraman suivent des pompiers dans un obscur immeuble et se retrouvent rapidement pris au piège à l'intérieur avec quelque chose de terrifiant.

  • Directors
    • Jaume Balagueró
    • Paco Plaza
  • Writers
    • Jaume Balagueró
    • Luiso Berdejo
    • Paco Plaza
  • Stars
    • Manuela Velasco
    • Ferran Terraza
    • Jorge-Yamam Serrano
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    7,4/10
    209 k
    MA NOTE
    POPULARITÉ
    1 947
    45
    • Directors
      • Jaume Balagueró
      • Paco Plaza
    • Writers
      • Jaume Balagueró
      • Luiso Berdejo
      • Paco Plaza
    • Stars
      • Manuela Velasco
      • Ferran Terraza
      • Jorge-Yamam Serrano
    • 566Commentaires d'utilisateurs
    • 168Commentaires de critiques
    • 71Métascore
  • Voir l’information sur la production à IMDbPro
    • Prix
      • 16 victoires et 12 nominations au total

    Vidéos1

    [Rec]
    Trailer 1:52
    [Rec]

    Photos68

    Voir l’affiche
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    + 62
    Voir l’affiche

    Rôles principaux24

    Modifier
    Manuela Velasco
    Manuela Velasco
    • Ángela
    Ferran Terraza
    • Manu
    Jorge-Yamam Serrano
    Jorge-Yamam Serrano
    • Policía joven
    Pablo Rosso
    Pablo Rosso
    • Pablo
    David Vert
    David Vert
    • Álex
    Vicente Gil
    Vicente Gil
    • Policía Adulto
    Martha Carbonell
    • Sra. Izquierdo
    Carlos Vicente
    Carlos Vicente
    • Guillem
    María Teresa Ortega
    • Abuela
    • (as Mª Teresa Ortega)
    Manuel Bronchud
    • Abuelo
    Akemi Goto
    • Japonesa
    Kao Chenmin
    Kao Chenmin
    • Japonés
    • (as Kao Chen-Min)
    Maria Lanau
    Maria Lanau
    • Madre histérica
    Claudia Silva
    Claudia Silva
    • Jennifer
    Carlos Lasarte
    Carlos Lasarte
    • César
    Javier Botet
    Javier Botet
    • Niña Medeiros
    Ben Temple
    Ben Temple
    • Leandro
    Ana Isabel Velásquez
    • Chica colombiana
    • Directors
      • Jaume Balagueró
      • Paco Plaza
    • Writers
      • Jaume Balagueró
      • Luiso Berdejo
      • Paco Plaza
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs566

    7,4208.9K
    1
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    10

    Avis en vedette

    9danielmatrix

    Do you want some nightmares?

    This is truly a superb horror movie. I loved this movie so much I had to leave a comment. It has been a long time since I jumped off my seat a few times (way too many). It has some of the scariest scenes I have ever seen (you'll know what I'm talking about). The way it's filmed helps us to live this "nightmare" as it was for real, as if it was a news article. The "suspension of disbelief" works unlike some other titles I have seen. I'm a big horror movie fan and I must tell you: you have to see this. I'm overwhelmed, I'm frightened, I'm suspicious, I can't even sleep... It really scared me big time. There's one particular scene (you'll know, believe me) that I do not recommend for those who are easily impressionable. Go see it. One of the best horror movies I have ever seen.
    6sakatsu

    Original plot but pretty lead actress is irritating

    Movie started of well for me but got me irritated from mid till the end due to the lead actress overacting. As scared as she's suppose to portray, she didn't have to keep yelling throughout the whole movie. Although some of the other actors did over-do their roles in some scenes, they weren't as irritating. Some of the setup was obviously done to lead viewers for some scary moments but it seemed contrived & amateur making me feel as if i was an idiot audience. Won't go into details to spoil the movie for you. If the final third of the movie was as well thought-out as the rest of the movie, i would have given it an 8. for the most part, it serves as a good flick for horror genre viewers.
    10luke-346

    A re-introduction to the term "horror".

    REC is a film that utilises the POV (Point of View) camera technique for the entirety of its duration. It is a technique in which the person behind the camera is a character that is integral to the plot, narrative and story of the film. In brief, REC is a horror film that begins with the crew of a TV show, called While You Sleep, making a documentary about firemen. As the film progresses the crew are lucky enough to accompany the fireman on a call out to a local apartment building.

    Undoubtedly and unsurprisingly REC will be measured by the film The Blair Witch Project, especially given its plot and the manner in which the film plays out. Comparatively REC is also a horror, low budget, sticks to a female lead and has an ending that is very similar. Although The Blair Witch Project was a ground breaking film, given its illustrious marketing campaign and widespread fooling of audiences, if the two are to be judged purely on their viewing merits then REC is by far the superior – if anything REC is the film that the Blair Witch should have been. It is the film that I wanted to see when I queued up in the rain, 10 years ago full of hype, anticipation and adolescent excitement.

    Despite REC being a better film than The Blair Witch Project some critics have attacked it for employing such a tired technique that has been used too much in recent films (i.e. Cloverfield and the forth coming Diary of The Dead). The method that has been employed in REC is, I believe, a method that is now firmly embedded in the medley of cinematic processes that a film-maker may chose to exert. It seems strange to me that once a new technique is discovered or employed and put to use regularly, people and critics complain – especially when it works. Granted, if we are subjected to a recent flurry of films all using similar methods then yes, it deserves further scrutiny and what usually surfaces is that greedy studios are exploiting market trends.

    The film is co-directed by Jaume Balaguero and Paco Plaza and they have clearly dipped into the bucket of clichés with REC, but in doing so they have created something that is both fresh and reinvigorating. It should be noted that clichés aren't always a bad thing and when put to good use can give the audience exactly what they came to see. It's true that the plot is minimal and there are loose ends, but then the vast majority of horror films often suffer from these traits, and sometimes purposefully, but with REC it doesn't make the film any less enjoyable. It is also evident from the plot and the methods employed that the film is very low budget, but this does not do it any harm, instead it complements the narrative and increases the films appeal.

    I believe the true quality of the film lies in its ability to cleverly use the history of the genre and the bare minimal of resources to its maximum potential and, unlike Cloverfield, there's little room to doubt the reasons for the cameraman to continue filming and this is (like Blair Witch) due to the fact it's his job. He is there to film a documentary and in true cameraman style his instincts take over. The acting on show here is also a lot better than Cloverfield and the people all look normal, some are even unattractive.

    To put it bluntly REC contains some of the most fear inducing and scariest scenes of recent times. It achieves a level of fear that's rarely experienced in cinema and if watching the film carefully it can be seen how. REC has been made by people that are incredibly familiar with the horror genre and fans will recognise the homage's and the inspirations used, from Evil Dead, to The Shining, to 28 Days later and many more. With such a wealth of horror-viewing-experience combined with inspired film-making they are able to draw upon some of the best moments in horror history.

    Towards the final reels the film plays like an amalgamation of ideas and inspirations. One of which is the influence of contemporary video gaming as some scenes allude to how certain computer games work (most notably first person shooters) and this is supported by the POV technique as we, the viewer, live the character of the cameraman much in the same way a gamer lives the character he/she is in control of. This notion is furthered by the different levels in the apartment building, the films use of rooms, the final scenes and several allegories to various computer games including Resident Evil, Alone in the Dark and Silent Hill.

    For a feature film it is incredibly short at only 75 minutes, in fact it is closer to the length of a TV documentary which is perhaps its aim. I cannot recommend this film enough and have even tried to construct my review in a way as to not give too much away; as it is a film that needs to seen. Watch it with the lights off, with a friend and in a small room. Enjoy.
    7paul_m_haakonsen

    Stalkingly creepy

    Wow! This movie is the sort of movie that picks you up by the neck and drops you right in the middle of the excitement - literally. The way the movie is shot with the camera is amazing. It is like you are there yourself, being a part of that horrible experience of being boxed inside a relatively small area and being stalked by crazed infected people.

    The infected were great, good make-up and effects, and brought a lot of excitement to the movie.

    The scenery and sets brought life to the movie. It was so dark and brooding, that it totally made the screen come alive with sense of dread and enclosing doom. It all came together for a good sense of claustrophobia and hopelessness.

    "Rec" had a good cast of actors. Everyone portrayed their roles well and made the characters stand out as believable and real people.

    This is one of the better horror/thriller movies in a while, and it have a fresh sense of dread to it, which helps spices up the genre. The bad thing about "Rec" is that Hollywood decided to tap into the success of the Spanish movie and Americanize it. Usually Hollywood remakes of non-American movies is crap and an insult to the original versions. But seeing past Hollywood's greed, "Rec" is a really good movie that anyone with a taste for horror (and zombie movies, despite these here not being typical zombies) should watch.

    This movie will keep you at the edge of the seats.
    9teresaband

    I was a wreck after watching this (ho ho)

    There's a lot of these shaky-cam movies around at the moment, and among your "Cloverfield"s and "Diary Of The Dead"s this low budget Spanish movie may seem like the underdog, but it's punching way above its weight.

    Filmed by a TV crew stumbling upon something very nasty happening in an apartment block, the movie is shot and acted brilliantly, the sense of unease gradually giving way to all out terror. While it's obviously derivative of movies like "The Last Broadcast" and "The Blair Witch Project" it manages to deliver in a way that those movies couldn't thanks to some brilliant set-pieces. It's not even out in the UK yet and Hollywood have already remade it (the inevitably inferior "Quarantine") but do yourself a favor and spend an evening in the dark with the original. You'll regret it, but in the best possible way. Terrific.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The actors were never given the script in its entirety so none of them knew of their character's fates, sometimes not until the day they were actually filming their scenes. This meant that the actors were - more often than not - stressed, nervous and apprehensive on the day of filming, ideal qualities for the film itself.
    • Gaffes
      Near the end when Angela and Pablo are listening to the recorder in the penthouse, Angela is obviously rewinding the tape. However, the second time when she rewinds the tape, the audio implies that it was fast-forwarded, as the recording is a diary describing events in chronological order. Watch the tape reel when she rewinds the tape. As it plays forward the reel turns more times than it was rewound. It is impossible for her to hear very much different dialogue without rewinding the tape much more than she does, and then it wouldn't make sense as the dialogue is chronological. In reality, she would be hearing the same spoken passage repeatedly.
    • Citations

      Álex: What's your show called?

      Ángela: While You're Asleep.

      Manu: While You're Asleep? Then who watches it?

      [laughs]

    • Générique farfelu
      There are no opening credits.
    • Connexions
      Edited into Cent une tueries de zombies (2012)
    • Bandes originales
      Vudú (Extended Version)
      Written and Performed by Carlos Ann

      Courtesy of Moviedisco

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    FAQ

    • How long is REC?
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    Détails

    Modifier
    • Date de sortie
      • 23 novembre 2007 (Spain)
    • Pays d’origine
      • Spain
    • Site officiel
      • Filmax
    • Langues
      • Spanish
      • Japanese
    • Aussi connu sous le nom de
      • [REC]
    • Lieux de tournage
      • Barcelone, Barcelone, Catalogne, Espagne(Rambla de Catalunya, 34 rodaje íntegro)
    • sociétés de production
      • Castelao Producciones
      • Filmax
      • Instituto de la Cinematografía y de las Artes Audiovisuales (ICAA)
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 1 500 000 € (estimation)
    • Brut – à l'échelle mondiale
      • 32 511 655 $ US
    Voir les informations détaillées sur le box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 18 minutes
    • Couleur
      • Color
    • Mixage
      • DTS
      • Dolby Digital
    • Rapport de forme
      • 1.85 : 1

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