Une marche interminable à travers un territoire post-apocalyptique. Une mère pis son fils avancent coûte que coûte, fuyant des bandes violentes, cherchant un espoir, un refuge-mais à quel pr... Tout lireUne marche interminable à travers un territoire post-apocalyptique. Une mère pis son fils avancent coûte que coûte, fuyant des bandes violentes, cherchant un espoir, un refuge-mais à quel prix?Une marche interminable à travers un territoire post-apocalyptique. Une mère pis son fils avancent coûte que coûte, fuyant des bandes violentes, cherchant un espoir, un refuge-mais à quel prix?
- Réalisation
- Scénaristes
- Vedettes
- Prix
- 3 victoires et 14 nominations au total
Avis en vedette
I recently watched this movie, and to be honest, I'm struggling to understand the purpose behind it. From start to finish, it felt like the entire experience was built almost entirely around dialogue, yet those conversations rarely carried any real weight or depth. A film can absolutely thrive on dialogue alone when it's sharp, meaningful, or layered with subtext, but here it felt shallow, repetitive, and ultimately unconvincing.
The characters spend so much time talking, but what they're saying doesn't seem to move the story forward or reveal anything profound about who they are. Instead, it feels like words for the sake of words-long exchanges that might have been aiming for philosophical or emotional depth but fell flat. Without strong dialogue, the movie doesn't have much else to lean on, because there isn't really a compelling plot, standout visuals, or a strong atmosphere to carry the gaps.
Movies built around minimal action and heavy dialogue can be powerful when done well, but this one left me unmoved. It's not that I expect explosions or constant action, but I do expect substance. Unfortunately, this movie just didn't deliver, and I walked away more frustrated than entertained.
The characters spend so much time talking, but what they're saying doesn't seem to move the story forward or reveal anything profound about who they are. Instead, it feels like words for the sake of words-long exchanges that might have been aiming for philosophical or emotional depth but fell flat. Without strong dialogue, the movie doesn't have much else to lean on, because there isn't really a compelling plot, standout visuals, or a strong atmosphere to carry the gaps.
Movies built around minimal action and heavy dialogue can be powerful when done well, but this one left me unmoved. It's not that I expect explosions or constant action, but I do expect substance. Unfortunately, this movie just didn't deliver, and I walked away more frustrated than entertained.
If you film a much loved book, say Lord of the Rings for this example, and, at the council of Elrond, Gandalf says "Oh, you want to take the ring to Gondor Boromir? OK then", fans of the book are going to be disappointed. And that's how I feel right now. Unlike LOTR, The Long Walk does not have a great deal of action in the traditional sense, so why remove what important moments there are: an adolescent who's never had sex risking everything for a kiss? The barbaric nature of huge crowds gathered to cheer on boys about to die? Or to gamble what small funds they have on who will survive? Why remove all the things that made a novel so special and decide your scriptwriter knows best?
The ending is changed and not convincing and while I can imagine Hollywood require more resolution than the original text, I don't think this was the way to go personally.
Apart from the changes, I thought most of the cast did well but were a bit too well fed and healthy for the supposed economic misery this US faced.
The ending is changed and not convincing and while I can imagine Hollywood require more resolution than the original text, I don't think this was the way to go personally.
Apart from the changes, I thought most of the cast did well but were a bit too well fed and healthy for the supposed economic misery this US faced.
The idea itself works - no surprise, it's Stephen King, he knows how to build a premise. At first the movie even feels like it might pull it off: the suspense starts to grow, you feel the tension creeping in. But then it just... stalls. Instead of escalating, everything flattens, and by the halfway mark you can already predict how it's going to end. And it ends exactly that way. No surprise, no punch.
The characters don't help either. They're too sketchy, like placeholders rather than people. The movie tries to layer in some social commentary, but it's done through such obvious, stereotypical figures that it feels more forced than insightful. On top of that, the drama is laid on way too thick. Every "emotional" moment is broadcasted with neon signs: "Look! Here comes the sad part. Time to cry." It's manipulative rather than moving.
In the end, it's a good story wasted by a weak execution. The tension fizzles, the characters are cardboard, and the emotional beats feel staged. 5/10.
The characters don't help either. They're too sketchy, like placeholders rather than people. The movie tries to layer in some social commentary, but it's done through such obvious, stereotypical figures that it feels more forced than insightful. On top of that, the drama is laid on way too thick. Every "emotional" moment is broadcasted with neon signs: "Look! Here comes the sad part. Time to cry." It's manipulative rather than moving.
In the end, it's a good story wasted by a weak execution. The tension fizzles, the characters are cardboard, and the emotional beats feel staged. 5/10.
I'll start by saying I haven't read Stephen King's book, but the concept of a dystopian death march with one winner and no finish line sounded pretty intriguing.
Turns out, it's just... walking. For almost two hours. Straight.
I didn't know exactly what to expect, but I guess I should've known better - watching people walk (and talk, and occasionally fall over) probably can't carry an entire movie. The film kind of flatlines early on and just keeps dragging its feet, literally. Nothing major really happens - it's just endless walking with bits of dialogue sprinkled in, and none of it feels impactful enough to justify the runtime.
It's like watching a horror movie without horror, or a war movie without war - just the awkward middle bits where everyone's sweaty and miserable. The concept had potential, but it feels like it forgot to actually go anywhere (ironically).
Most of the characters are forgettable or painfully stereotypical: the cocky one, the quiet one, the emotional one, the guy who clearly won't make it past the halfway point, and a few randoms who seem to exist just to fill the quota of "people who can die later". Some are purposely annoying, some are just... there. And while I get that the point is supposed to be bleak and psychological, it ends up feeling weirdly hollow.
The film tries to say something deep about humanity, sacrifice, survival, or whatever, but it never quite lands. In the end, it's just a story about a short-lived friendship that won't last, told through the world's longest, most uneventful walk.
I wouldn't say it's bad-bad.. it's just frustratingly dull. It's one of those films where you keep waiting for something to happen... and then the credits roll.
In essence, The Long Walk is a long watch.
Turns out, it's just... walking. For almost two hours. Straight.
I didn't know exactly what to expect, but I guess I should've known better - watching people walk (and talk, and occasionally fall over) probably can't carry an entire movie. The film kind of flatlines early on and just keeps dragging its feet, literally. Nothing major really happens - it's just endless walking with bits of dialogue sprinkled in, and none of it feels impactful enough to justify the runtime.
It's like watching a horror movie without horror, or a war movie without war - just the awkward middle bits where everyone's sweaty and miserable. The concept had potential, but it feels like it forgot to actually go anywhere (ironically).
Most of the characters are forgettable or painfully stereotypical: the cocky one, the quiet one, the emotional one, the guy who clearly won't make it past the halfway point, and a few randoms who seem to exist just to fill the quota of "people who can die later". Some are purposely annoying, some are just... there. And while I get that the point is supposed to be bleak and psychological, it ends up feeling weirdly hollow.
The film tries to say something deep about humanity, sacrifice, survival, or whatever, but it never quite lands. In the end, it's just a story about a short-lived friendship that won't last, told through the world's longest, most uneventful walk.
I wouldn't say it's bad-bad.. it's just frustratingly dull. It's one of those films where you keep waiting for something to happen... and then the credits roll.
In essence, The Long Walk is a long watch.
Wow, let me start by saying I didn't have a clue what I was walking into other than Stephen King being attached to this project. This movie is brutal, which is a shocking way to describe a movie that I thought is one of the best I have seen in a long time. My stomach was twisting and my leg developed a nervous twitch the deeper into the film I got. By the last quarter of the film, I had tears in my eyes and could hardly keep it together. So you are probably wondering, why? Well this movie cuts right to the heart of why any of us choose to get up each morning and walk around all day, even when life is throwing everything bad at us. It's because it's what you do when you are alive, you walk, and you walk because you have purpose. And we walk in spite of the fact we all know that one day we won't be able to walk anymore because our time will be up. Some decide when to quit their walk, some have their bodies or minds decide for them, and many continue their walk because of those they love picking them up and helping them move forward. And some just walk because that's all they know to do, survive. I won't say anymore, other than watch this film and prepare yourself for a hard but necessary watch. Bravo to all those involved with this film and story.
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Blocage sonore
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Le saviez-vous
- AnecdotesIn the book, the walkers have to maintain a speed of 4 mph, but in the movie at the request of Stephen King, they changed it to 3 mph as he felt the original speed was unrealistic for the duration of the contest.
- GaffesPeter's large facial scar changes intensity throughout the film, even completely disappearing in some scenes.
- Citations
Hank Olson #46: I DID IT ALL WRONG!
- ConnexionsFeatured in The Big Thing: THE LONG WALK (2025) | NON-SPOILER REVIEW! (2025)
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- How long is The Long Walk?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- The Long Walk
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 20 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 35 163 573 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 11 703 621 $ US
- 14 sept. 2025
- Brut – à l'échelle mondiale
- 62 871 590 $ US
- Durée
- 1h 48m(108 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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