Penny Dreadful: City of Angels

What the hell is this? That was my first reaction upon seeing the US version of "Penny Dreadful".

Aside from sharing the same name as the original it has little in common with it. Penny Dreadful was an encyclopedic trip into the world of monsters and the supernatural. A homage to a time of classic horror and Gothic writers like Stoker and Shelly.

What you get here, is yet another politicised drama with racial overtones, that I quickly found preachy, cliched and ultimately, tiresome.

The US has its own rich history of horror writing in the form of Poe and Lovecraft. These and other works could have been explored in an anthology but instead you get this tedious offering.

A missed opportunity, to say the least. 4/10.

If you came here looking for the grim, supernatural awesomeness of the original Penny Dreadful, then keep on moving. I don't know why this wasn't just sold as some 1950s gangster series. The cast is amazing, great visuals and acting, but there is almost nothing supernatural about this! Which was kind of the entire point of Penny Dreadful. Aside from some dramatic walk-ons in a gorgeous leather gown from Dormer, and some odd side characters she somehow also needs to play, the supernatural aspect is completely missing. There is SO much that could have been done with the story. Disappointed because I was a huge fan of the original PD!

This well-crafted series combines the Victorian penny dreadful storytelling tradition with Southern California's political, industrial, and culturally-rich history to create a unique horror-filled experience. The narratives spun here are decidedly American, and the connection to its British past may seem distant. But Magda's presence is a constant reminder of the relationship, and her presence becomes inextricably linked with Mexican-American traditions and folklore involving the spirit world.

As the murder investigation collides with the supernatural, it creates a clever forum that highlights the disturbing political attitudes and racial tensions of the time. But Magda's demonic exploitation of these social ills serves to magnify the weaknesses of a divided society. The fact that some of the dialogue sounds similar to contemporary rhetoric is equally as disturbing. It may not be as gothic as the original, but Penny Dreadful: City of Angels offers an entertaining and well-produced series that's worth tuning into.

The original Penny Dreadful was one of the greatest limited series ever written and produced. Why create a spin off when everyone just wants the old cast, scenery and macabre sound that made the show special. They should have continued where they left off.

Forget the Penny Dreadful title. This has nothing to do with Gothic Horror, London, or the bleak literary melancholia associated with the Penny Dreadful original 19th century publications.

This shows primary flaw is the naming. Consider it as "City of Angels" as a stand alone show by the same producers as Penny Dreadful, and it holds up.

An extensive list of interconnected characters makes for intricate plot lines and a palpable build of tension.

The casting is solid. Strong performances by Dormer, Bishe, Kinnear, and Lane cover the plot holes and occasionally disingenuous writing.

Take it as a an American period thriller and it holds up. As a Penny Dreadful title; it fails