Le bal des actrices

The boring example of the french movie star system. Stay away.

The pacing of the movie is uneven and sluggish, with long stretches of tedious dialogue and insignificant scenes that contribute nothing to the overall story. It feels as though the director attempted to create a contemplative atmosphere, but instead, it becomes an exercise in frustration as scenes drag on without purpose or substance. The lack of tension or narrative drive makes the film a tedious and tiresome viewing experience.

The plot of is equally lackluster, meandering aimlessly without a clear sense of direction or purpose. It attempts to delve into existential themes and the tortured artist trope but does so in a superficial and unengaging manner. The narrative feels disjointed and fails to provide any meaningful resolution or payoff, leaving viewers questioning the purpose of the entire film.

Sorry about all the stars who did accept to take part of it. It happens.

Are all actresses unstable, neurotic and slightly insane ? It seems that, at least, they all suffer from psychological break down from time to time and can easily be depressed and confused. Everyone plays his own role in this film, and you may identify some of them. This is the story : Maïwenn (Haute Tension) has decided to make a documentary showing actresses in their real life. You see her, making and filming relatively famous actresses, playing both a role in this film, and being themselves in the documentary.

So it is a film made of several layers, in this tradition of film of a film, coming from "La nuit américaine" by François Truffaut. The problem with this kind of story, is that it can be amusing mainly for the people knowing the actors of French cinema. I don't think it can be so much fun outside the French community. It could be interesting to see if Hollywood could remake it with American stars.

Anyway, Charlotte Rampling proves that she can still find a role after 60. But the most hilarious sketch is during a diner with Linh Dan Pham and her parents speaking in Vietnamese. Overall, I would say that my first bad feeling on this film was wrong. It may talk a lot, but it is not pretentious or boring. Congratulations to Maïwenn, both as actress, writer and director.