L'action se déroule plusieurs années après les événements relatés dans le film. Willow mène un groupe de héros inadaptés dans une dangereuse mission de sauvetage à travers un monde qui dépas... Tout lireL'action se déroule plusieurs années après les événements relatés dans le film. Willow mène un groupe de héros inadaptés dans une dangereuse mission de sauvetage à travers un monde qui dépasse leurs imaginations les plus folles.L'action se déroule plusieurs années après les événements relatés dans le film. Willow mène un groupe de héros inadaptés dans une dangereuse mission de sauvetage à travers un monde qui dépasse leurs imaginations les plus folles.
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- 2 victoires et 4 nominations au total
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Reviewers say 'Willow' elicits mixed reactions, with criticisms centered on its divergence from the original film's tone and style. Many find the modern humor and character development lacking, missing the charm and adventure of the original. However, some praise the series for its vibrant visuals, engaging action, and Warwick Davis's return as Willow. Positive reviews commend the blend of humor with adventure, world-building, and diverse character representation. Overall, 'Willow' is a divisive continuation, appealing to some while disappointing others.
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Willow (the movie) is a darling of a movie, great production, writing that works for the world building and has excellent performances throughout.
Willow (the series) forgets the foreshadowing of the movies and reduces it to a level of superficiality. The world does not feel textured or well built.
The dialogue is random at times and leaps to inject emotions that don't fit with the context of the conversation. They've ramshackled conflict between Sorsha and Willow that doesn't really need to exist or add value to the story.
Elora's reveal as a petulant teenager doesn't fit with the background of the character, not in the context in which we are first introduced to her.
So much about this is lacking it's as if the Director's and writers spent no time with the source material and tried to force the key facets of story telling upon characters and arcs where it doesn't fit.
Two episodes in and there's a density to the villains that doesn't provide any sense of clarity as to the villains main aims. In the movie Bavmorda had purpose, and intent, corrupted by dark powers in the pursuit of power. In the series, we lack this.
From a production standpoint, the world doesn't seem lived in. It seems purpose built to look pretty. Tir Asleen also seems to have moved from being inside of a crag in Wales to now resting on a hillside. Which I wouldn't mind so much if everything else married up.
The young cast also seem out of place but really, that's again because they don't feel like they're part of the world in which they inhabit. Their clothing is all laundry fresh, their skin is clean as though they've just emerged from the shower and each of them is bathed in perfect lighting for the duration.
It makes the production look cheap. There's jarring elements that pull you out of the world also, like the store bought, machine made clothing of Elora.
The aesthetic is different from the movie, less textured, less reality based and it shows. The throne room set piece is about the only exception. It feels in world. Also, the Nelwyn are Fraggles now... living underground.
There was so much opportunity with this show that just seems squandered because it was lead by someone who didn't understand the confines of the world it's about... and doesn't know how to write for characters in that world.
I hope that it improves... but for now, I'm just going say..."Forget all you know... or think you know," they've made something with the Willow name, but it is not Willow.
Willow (the series) forgets the foreshadowing of the movies and reduces it to a level of superficiality. The world does not feel textured or well built.
The dialogue is random at times and leaps to inject emotions that don't fit with the context of the conversation. They've ramshackled conflict between Sorsha and Willow that doesn't really need to exist or add value to the story.
Elora's reveal as a petulant teenager doesn't fit with the background of the character, not in the context in which we are first introduced to her.
So much about this is lacking it's as if the Director's and writers spent no time with the source material and tried to force the key facets of story telling upon characters and arcs where it doesn't fit.
Two episodes in and there's a density to the villains that doesn't provide any sense of clarity as to the villains main aims. In the movie Bavmorda had purpose, and intent, corrupted by dark powers in the pursuit of power. In the series, we lack this.
From a production standpoint, the world doesn't seem lived in. It seems purpose built to look pretty. Tir Asleen also seems to have moved from being inside of a crag in Wales to now resting on a hillside. Which I wouldn't mind so much if everything else married up.
The young cast also seem out of place but really, that's again because they don't feel like they're part of the world in which they inhabit. Their clothing is all laundry fresh, their skin is clean as though they've just emerged from the shower and each of them is bathed in perfect lighting for the duration.
It makes the production look cheap. There's jarring elements that pull you out of the world also, like the store bought, machine made clothing of Elora.
The aesthetic is different from the movie, less textured, less reality based and it shows. The throne room set piece is about the only exception. It feels in world. Also, the Nelwyn are Fraggles now... living underground.
There was so much opportunity with this show that just seems squandered because it was lead by someone who didn't understand the confines of the world it's about... and doesn't know how to write for characters in that world.
I hope that it improves... but for now, I'm just going say..."Forget all you know... or think you know," they've made something with the Willow name, but it is not Willow.
No Kilmer (for obvious reasons) and the cast is sorely missing a hero character. The one single thing this serie have going for it is Warwick, but the rest of the cast is so uninteresting, even he has a hard time saving this from becoming a 1 season flop. As of this writing, there has been 3 episodes released of the 8 in total. But I highly doubt the last few will make any difference to this review. If by some magical trickery, the next half of the season will burst into some sort of awesome storytwists or hugely entertaining action sequences, this review will be edited, and hopefully, the show will bloom into something worthy of watching.
I don't know if people were expecting a masterpiece or something but I found the series enjoyable. Is it cheesey? Yes, but so was the movie. Many of us Willow fans were kids when it came out. You have to watch the series with the eyes of the kid you were and think of this as a fun, family, fantasy series. The special effects aren't bad, better then the 80's for sure. Yes it's a little YA, but that's because they are trying to reach a new audience, a younger one, and I don't think there is anything wrong with that. Stop trying to take everything so seriously and just enjoy it for what it is. It's not supposed to be another Game of Thrones, which could work in it's favor considering the ending of that show.
It's become apparent that Disney feels some grotesque need to release content on their platform without any deeper thought about what & where to go with it. This is the feeling you get with Willow, and the writing that doesn't even feel amatuer-ish - it feels embarrassing. For everybody on that show, Warwick especially. It's apparent that the writer has no connection with what the character/actor would comfortably say at any given time, prompting him to spew out wordy, awkward lines, that he has to somehow form together into "acting". The dialogue comes across so unnaturally it's embarrassing. Somebody should feel ashamed for this, really.
The last thing you want to do with fantasy is have it come across as modern. Even if you didn't enjoy the Rings of Power show it still has a feel of antiquity about it, about the continuity of what they say and do. About what the characters are concerned with during the course of the show..... but that is not the case here. Here you get Nickelodeon teen drama (that firmly reminds you you're in the year 2022), mixed with half-hearted, poorly conceived fantasy. Which has zero percent of the feel captured in the 1988 movie, and while i can't say that was perfect either it stands as a masterpiece in comparison to this.
Who is to blame here isn't clear. My vote goes to Disney, for coming up with an idea and then going with whatever first idea was presented forth to them, no matter how good or bad it was. The content machine must keep flowing, or else they lose subscribers.. right? Well they will certainly lose people by continuing to release abominations such as this. Ya know i do feel bad, just because i know how severe the internet is going to tear into this one, review-wise. So 6/10 is a mercy from me.
The last thing you want to do with fantasy is have it come across as modern. Even if you didn't enjoy the Rings of Power show it still has a feel of antiquity about it, about the continuity of what they say and do. About what the characters are concerned with during the course of the show..... but that is not the case here. Here you get Nickelodeon teen drama (that firmly reminds you you're in the year 2022), mixed with half-hearted, poorly conceived fantasy. Which has zero percent of the feel captured in the 1988 movie, and while i can't say that was perfect either it stands as a masterpiece in comparison to this.
Who is to blame here isn't clear. My vote goes to Disney, for coming up with an idea and then going with whatever first idea was presented forth to them, no matter how good or bad it was. The content machine must keep flowing, or else they lose subscribers.. right? Well they will certainly lose people by continuing to release abominations such as this. Ya know i do feel bad, just because i know how severe the internet is going to tear into this one, review-wise. So 6/10 is a mercy from me.
If you disliked the acting and dialogue, you clearly misunderstood what was going on in the show. It's not meant to be a serious and heavyweight fantasy like LoTR for example, but a fun ride that you can sit, relax, and enjoy for 40 mins. For me it even felt a little bit like fantasy satire. At some points it was almost breaking the fourth wall even, like when they were talking about "the quest" they were on (as if it's a video game) and mocking the tropers they were getting themselves into.
So having said all this, acting and actor choices were spot-on, especially the Graydon actor - he did an amazing job with the role.
I really wish this gets past the audience thickness and score bombing and renews for volumes II and III.
So having said all this, acting and actor choices were spot-on, especially the Graydon actor - he did an amazing job with the role.
I really wish this gets past the audience thickness and score bombing and renews for volumes II and III.
Le saviez-vous
- AnecdotesThe names "Ballantine" and "Boorman" are both homages to important contributors to the fantasy genre. Ballantine Books is one of the leading publishers of science fiction and fantasy literature in the United States, while filmmaker John Boorman is the director of the fantasy classic Excalibur (1981).
- ConnexionsFeatured in AniMat's Crazy Cartoon Cast: The Rat of All My Dreams (2020)
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