Mila

A dash of Philip K. Dick & Julio Cortazar (Disturbed Memory Department of the Neurological Hospital) and lots of Greek Weird Wave clichés - deadpan humor, doom and gloom, alienation, grief, identity-crisis, ennui etc. Alas, Apples lacks the haunting sadism of Lanthimos and Makridis' films which could make it more palatable to a wider audience. Nikou's suggestion - amnesia is not a disease, but a cure - is intriguing.

I don't often like cinematic riddles, but this one deserves putting the effort to try and solve it. Especially since the movie itself gives us all the necessary clues for the solution.

The more I thought about this film the better I realized it was. It asks two basic questions what's our memories made of? And, how do we build new ones if we lost all those we had?

Yes, it's funny at moments, but I don't think it's a comedy and I said more than once on this pages "comedy drama" or "tragic comedy" are non terms as far as I'm concerned. Life have their funny moments, and showing these funny moments doesn't mean we're telling a funny story. In fact most of the laughs in this movie come from the artificial attempt to create new memories for these people who lost their old memories so they can build a new personality. It's like constructing a personality in a laboratory - that's not the way to do it. Personality is what carries us through real life and that's the only place where personalities can be built.

The film says this very loudly with a story that allows us very limited information about its protagonist. Aris, the protagonist seems to suffer from the amnesia sickness that the story tells us, is taking place all over the world. But we'll soon realize Aris does remember certain things, but doesn't like remembering. We'll have to reach the very end of the movie to solve its riddle and pay close attention to the clues provided through the story to find why Aris stopped fearing apples which are - as the film says - "good for the memory"

I won't be saying anything more, as this would mean adding a spoiler - I don't do these.

I got ambiguous feelings after movie. One side of my mind tried to tell me this movie speaks quite of nothing, but other side quite loved it. Because the story is so realistic, and it's very easy to imagine oneself in the main character situaction.

So the verdict would be - worth your time!

A very interesting take on a different type of pandemics, I felt I could see more of that movie, maybe more complications and more lines to the story to give it the depth that could made that a movie one of the best movies in 2021 without a doubt.

Beside my wishes, an authentic experience that you witness rarely.

A film quite good in terms of plot, composition of the story and its evolution as well as with a great cinematic and directorial image, sound and shooting for the Greek data, the only thing that spoils it is the typical Greek "daydreaming" and the non-liveliness of the actors, except for the excellent Servetalis once again. The story had some holes in some parts of the film with a more characteristic ending as I think the director should have given more basis to the ending of the film and find out all the reason that ended up and the main character to choose this "new identity". ... maybe it was appropriate that I could not enter the director's mind except to make guesses and reflections ... generally a well-crafted plot which was not at all often boring and similar to others.