Einstein et Eddington

I am not a scientist, I have no scientific bent. Nor have I ever studied the odd couple pairing of Einstein and Eddington. I simply have the greatest of respect for David Tennant as an actor, and so watched this film with an eye to Mr Tennant's performance. However, my expectations were more than met with this tribute to an early 19th century event, which changed the course of science as it had been known before. Evidently, Einstein, a German born scientist with 'crazy' ideas, had moved to Switzerland to marry and raise a family, while Arthur Eddington, a gay, Quaker, pacifist, was just finishing up his years at Cambridge. Lauded as an heir to Sir Isaac Newton, Mr. Eddington had a seat at Cambridge, despite his being a pacifist, much frowned on by the many Lords and gentlemen who had donated a son to the 1st World War. Especially as the battle of Ypres raged, and 15,000 were lost to chlorine gas, Mr. Eddington's passivity rubbed raw the sensibilities of a nation against Germany in particular. Meanwhile, Einstein had been lured to Berlin, in hopes that his theories would provide war capable weapons. As it happened, Einstein was against the war, and did not wish that his theories be used as weapons. And so, given his 'relinquishment' of his German residency, as a 'Citizen of the World', his life was reigned in by the German powers, and he became unable to have a voice in his community, be it scientific or personal. And of course, during World War 11, he was excoriated as a Jew, and barely fled with his life. The US wanted his knowledge, and of course, eventually, the atomic bomb was invented, based on his theory of relativity. But that was many years after this moment in time. Arthur Eddington discovered a variation in the known elipse of Mercury, and with the help of a German family he had rescued from a violent English protest, sent a translated letter to Einstein explaining his new theory. Einstein was unable to answer him, due to the German soldiers denying his entrance to his only post box. However, Eddington and his scientific companion convinced Cambridge University to pay for a trip to Africa, in order to prove a new theory on the relationship of the stars to the sun, during a total eclipse. Einstein, of course, went on to incredible fame and notoriety. Eddington, however, did not pursue fame, and faded into obscurity. This is a wonderful film, and trust me - you needn't know science to understand what this adventure is all about. Enjoy!

The fine ensemble of actors never seemed to gel and had zero chemistry. Einstein was portrayed as a joke, when he wasn't working, that is. They tried to drag too many dramatic elements which muddled things. They should have picked two and stuck to those. Nowhere it say, that I have found, that Eddington was gay. He might have been, but he never came out. As many people view movies based on history as history itself, this was a cheap ploy to resemble A Beautiful Mind, and further muddled the plot (why hire an actor to play the object of his affections, for two very short scenes?). Tennant, a fine actor, played Eddington over the top and his glasses magnified his eyes in a very distracting and strange way. What was the director thinking??? Give him clear lenses and contacts.

The "history" in this movie is not even close, except that Einstein did indeed solve this puzzle. Eddington did not help him or pose the question. Einstein already had the question. They left out key life milestones. Einstein did marry his 1st cousin, right after his divorce from his 1st wife came through, as it had taken a long time (the only thing this got right). The whole Africa thing didn't happen like this nor did the scene where Eddington proved Einstein's theory, and it wasn't in public. I don't expect any movie based on history to be a documentary, but at least get half of it right, not 10%.

The writing was bad TV movie worthy. I cringed for the actors often. The music was just embarrassing. I almost turned it off after the overly majestic opening, as I thought it was a kid's movie. The composer copied the ET score, if not in notes, in theme, mood, and dynamics. And not near as good as the ET score. I am glad that Andy Serkis got a nice leading role after being known as Gollum for so long. But like the other actors, he never got to really shine. He managed the situation better than most of the male ensemble, though. The women did very well, however.

Einstein and Eddington is a very entertaining TV movie: well written, with decent cinematography and above average acting. David Tennant and Andy Serkis give really good performances as the younger Eddington and Einstein respectively and the remainder of the cast are outstanding. That said, I would like to comment on the misconceptions about Eddington's sexual preference and the ongoing debate about that. What sex has to do with the storyline is a mystery. Perhaps the homosexuality hinted at in the movie is there to gain a wider audience. In any event, the movie's intimation about Eddington's sexuality and the subsequent debate needs to be addressed.

Everything I have read or was told about Arthur Stanley Eddington indicates that he was a painfully shy, genteel, devout Quaker and an active pacifist whose sexual preferences are UNKNOWN. To suppose that Eddington, or any other male for that matter, is a homosexual because they never married or died young, is an exercise in jackass fallacy; probably the most stupid deduction I have ever heard proposed. Such logic would also make every woman who never married or died young a lesbian. This is really dumb thinking, folks.

Other posters and commentators have jumped on dialogue from the movie e.g., Eddington saying to his sister: "I really loved him!" as being prima facie evidence that Eddington admitted to his sister that he was a homosexual. First, for a person to declare that they love someone of the same sex, does not presume they are in a homosexual relationship with that person or that they are homosexual lovers. Second, people forget that these words were never said by Eddington himself and that they are actually just words put into an actor's mouth by a writer or a director. The fact is Eddington's sexual preference is UNKNOWN. It was never mentioned, indicated or hinted at by Eddington, his sister, his other family members, his friends or his colleagues at any time before, during or after his death. I don't understand the logic or rationale that because he never mentioned it, confirms he must be a homosexual. If Eddington was a homosexual it would be most unusual for him not to indicate this in his personal papers because homosexuals almost always leave behind some clear indication, or even proof, of their sexual preference. I cannot think of one homosexual who didn't. And Eddington didn't. Claiming Eddington is a homosexual sounds like just a lot of homosexual wishful thinking to me.

Sadly, this inference in the movie and subsequent debate really deters from the terrific story of Eddington's (definitely heterosexual and academic) relationship with Einstein and the problems he encountered trying to prove Einstein's Theory of General Relativity. This movie would have been more dramatic if the makers had pursued Eddington's (and Einstein's) endeavours to find a repeatable scientific method experiment which would prove the Theory of General Relativity supersedes Newton's Theory of Gravity, as well as providing greater detail of the reactions of the German and English scientists and their inter-relationships with Eddington and Einstein. Eddington's battle with the Royal Society was monumental and went on for many years. Details of the science and the scientific debate would have made a more exciting and interesting movie and far more satisfying than having Eddington's character race his bicycle along a road next to a train, with a strange expression on his face, in order to bid farewell to his (undeclared) lover. It's just silly. While the movie clearly hints at Eddington's alleged homosexuality, it glosses over the Einstein's heterosexual aberration in his courting and marrying his first cousin - she was a first cousin his mother's side and a second cousin on his father's side of the family, a double whammy which gives new meaning to Einstein's relativity! Then again, I'm thankful because it really doesn't belong nor does it add to the real story. If the drama of the scientific debate had been followed more vigorously, instead of raising the homosexuality red herring, this movie would have been better for it and far more interesting. People seem to focus more on Eddington's sexual preferences than his (and Einstein's) genius and their scientific breakthroughs and achievements. And that is a tragedy.

Nevertheless, this is a very good movie that I enjoyed very much despite these shortcomings. Enjoy!

Rating: 4/5 stars

What an extraordinary experience!

Both Einstein and Eddington wrote numerous books for the general public, and I read most of them when I was young. I was familiar with the famous 1919 astronomical expedition to test Einstein's General Theory of Relativity by measuring the position of Mercury during an eclipse, and even read old newspaper accounts from the archives, including the comments by Alfred North Whitehead. And I have read books on the history of science.

Yet I never knew about the context in which General Relativity was developed, both historical and personal. Now, in light of this program, it seems obvious: General Relativity was published in 1916, during the first World War. The Eddington expedition to measure Mercury occurred in 1919, shortly after the war ended. And yet, when we learn about science we assume that it rises above politics and conflicts like war and national pride, as though existing in another world.

What we see in Einstein and Eddington is that it does not. Politics and national pride played central roles, and it is only through individuals resisting social pressure that it does, actually, rise above transient political bias. Specifically, Britain's national pride was closely tied with Newtonian physics. Germany's national pride could be enhanced by having a scientist of their own overthrow Newton, namely Einstein. But both Eddington -- who, as director of the Cambridge Observatory was viewed as a protector of Newton's law of gravity -- and Einstein believed loyalty to scientific truth transcended national chauvinism.

These principles were put to the test as much as Einstein's theories because of the ongoing war between Britain and Germany. In Eddington we have a Quaker and true pacifist, and in Einstein we have a not terribly devout Jew who also does not believe in war, and wrote pacifist essays later in life. However, to say Einstein did not believe in God is mistaken, just not the anthropomorphic, personal God. This film brings out the curious parallels between the two scientists.

According to the film, it was a letter from Eddington prodding Einstein to use his Theory of Special Relativity to explain the anomalous orbit of Mercury that put Einstein on the road to writing his Theory of General Relativity, published in 1916. An examination of the dates of publication of his works in the intervening years suggests this is probably misleading -- say a literary device, though I am not sure; the chronology of events in the movie are vague. By 1911 he had already calculated that light from a star would be bent by the sun's gravity -- which was proved correct by Eddington's 1919 expedition. At any rate, Eddington should have had several other journal articles by Einstein to read.

This simplification of the story can be forgiven because the film does such a good job of conveying for the layman several concepts of relativity, particularly gravity bending space. An intelligent person should be able to follow this film. But a little more scientific context would have been helpful for novices.

There are many layers to this film, one being the invention of weapons by German scientists, which outrages both Einstein and Eddington's British colleagues. Yet, Einstein's General Relativity laid the foundation for the ultimate weapon.

I'm not sure the film precisely captures the character of the young Einstein, but it comes close. More recent biographies have told about Einstein's relations with women, and that he was sometimes, shall we say, manipulative. So it is good to show him as a human being. He was always a non-conformist, especially in his later years, when he could afford to be. The bit at the end with him going before the press looking disheveled was silly, and the shot of him sticking out his tongue was from many decades later. But chalk it up to literary license.

I was also annoyed by the snide comment about Eddington's irrelevancy at the end of the film. Eddington did solid, respected science and was very famous, the Carl Sagan of his time. It's been a century since the period presented in this film, and few scientists remain household names that long. Eddington was an early astrophysicist and one of the first cosmologists, so he was a pioneer who laid the groundwork for so much that we read about in the press today. It is a fine thing this film brought him back into public view.

It would have been nice if the actors could have pronounced Max Planck's name correctly. And why do the British kill animals on screen so often? It's very disturbing, especially for children.

What really bugged me about Einstein and Eddington was the goofy camera work by Julian Court. I can see hand holding the camera outside while moving, but inside while the actors are sitting at a table talking? If you can't hold a camera steady, put it on a tripod! It sure looked like they were jerking the camera up and down unnecessarily during static scenes, unless the camera had Parkinson's. This is not MTV or youtube; it is not even one of those wacky National Geographic documentaries.

This is an historical science drama, and it should have been treated with the appropriate polish. The jerky camera movement was distracting from the concentration needed to follow the ideas being presented. Aside from that, this docudrama really held my interest throughout. So one point off for the camera work, one point off for killing animals; otherwise, a 10.

Many of the works that Eddington and Einstein wrote for the layman are still worth reading today, and do not require prior science courses. Eddington's honest examination of philosophical questions related to science, particularly between consciousness and the physical universe, are still relevant. Eddington was among the best at explaining science and cosmology to the general public, and I think he would have been delighted by this film.

This is a superb drama, combining a well-presented scientific and historical explication of Albert Einstein's theory of relativity alongside a gripping portrait of the moral dilemmas that scientists have to struggle with as they try to reconcile the demands of country and conscience.

The twin leads –British scientist Arthur Eddington (David Tennant) and Einstein (Andy Serkis) – lead very different lives but face not only similar scientific opposition and derision but also similar pressures to back their country's efforts to win the First World War. Tennant shakes off the Dr Who expectations in pointing up the problems of a gay pacifist Quaker who tries to prove the new-fangled theories of 'enemy' scientist Einstein – a theory especially dangerous because it undermines the ordered view of the universe created by English scientist Isaac Newton. Einstein's complicated private life is compounded by his revulsion at fellow scientists' work in developing poison gas. Both Tennant and Serkis get right into the skin of their characters - two brilliant actors on top form.

The drama brings over very effectively the transition from the comfortable life of the scientists in pre-war Cambridge and Switzerland to the tragedies of war. Jim Broadbent as Sir Oliver Lodge and Donald Sumpter as Max Planck lead the scientific establishments in Cambridge and Berlin as they pervert their scientific beliefs to condone mass killing on a scale never before seen. The main female roles have rather less to do, but Rebecca Hall as Eddington's sister, Lucy Cohu as Einstein's abandoned wife and Jodhi May as his mistress all add an extra warmth to the production and help to avoid the danger of focusing only on clever men using symbols and formulae to bemuse their colleagues (and the audience).

The settings – Cambridge, Berlin and West Africa, where Eddington photographed a total eclipse of the sun to prove the Einstein's theory was right – provide a powerful backdrop to the human drama, making it all the more believable. All in all, a very successful and informative BBC and HBO drama that maintains tension and excitement throughout.