L'Enlèvement

Stripped of all Complexity this Major Box Office Hit is nothing more than a Great Way to Release some Pent -up Frustration, Classic-Catharsis, about Despicable Things that Continue to Go-On with Impunity around the World.

For those who maintain that this is Xenophobic and Racist, well it has to be Set Somewhere and the Villains have to be Somebody.

So Pick One. It really Doesn't Matter. There is No Argument that America is also Filled with such Evil and Nastiness that it Might have Taken Place in the Good olé USA.

These Things Matter Little in these Comic-Book Movies. Nothing seems Plausible or Realistic, hence Comic-Book Category, but it is so Much Fun Watching the really Bad Guys Get a really good Comeuppance.

There is some mediocre Acting, but this is for the Tired of it all People who are Sick of the Apathy and Talk and just want some good Old Fashioned Payback.

Justice...Revenge...Karma.

So Forget Deep Sociological Analysis. The Movie is a Vehicle to Continue a Thing that makes great Fiction.

Viva the Fictional Vigilante.

Wow - I had already read reviews of this movie, and with the writer being one of my favourite directors, Luc Besson, I just had to go see this movie as soon as possible...

I was not disappointed... I'm not sure if this was intentional but there were no trailers before the movie, so being thrown strait into the film unexpectedly with people whispering "is this it then ?" only helping build up some initial tension and excitement.

The film starts nicely, but with overtones of spy thrillers like "Day of the Jackal" coming to mind. Neeson seems a bit pityful at the start, but soon overturns that impression with a taste of his handywork after around ten minutes of the thriller.

Then, before you know it, it's over. 93 minutes, gone in a blur of fighting, fear, chasing and excitement at serious pace. The artwork and direction is nicely done, giving you the feeling of being the one attacking and the chair squirming feeling of being the poor gits who get annihilated in almost every way possible.

It was one of those films that I wanted to applause after the film, I actually clapped about three times, but no-one joined in... too afraid of being the only two people clapping I suppose...

Neeson was great, and I can't wait to see the movie many more times. I only gave it 9 out of 10, as it was too short ! The film could have been easily stretched to 2 hours in my opinion, with some more development and intimacy with the characters. But I guess this may have not made it so exciting... still, well worth the money to see this in the big screen.

First thing to say is, this is a great and fun movie from beginning to end. If you like the Bourne titles then you will love this movie. The fighting style and the way things get done is similar to Matt Damon's character and it doesn't get old and is interesting and great to watch throughout the whole film.

The movie has a similar plot to other action thrillers, but even though you may know the outcome, it is the journey that counts in this movie. It is the way he does what he does, the way that he fights and overcomes problems that draws you into the movie and makes this movie so great to watch.

Liam Neeson is such a great cast for the main character, he delivers an outstanding performance. I love to see an actor that can portray themself in anyway, a good guy or a bad guy and in this film he fights for his daughter and he will not stop for anything. You love to watch him seek revenge and feel for him the whole time, maybe just because its Liam Neeson, can you help yourself from loving this guy? He is such a great actor and shows himself as a badass with charm.

Great, great , greatness i loved this movie so much and had great fun watching it. If you love the bourne titles you must see this movie. All i can say is its so much fun to watch it, love it and go check it out.

The most thrilling movie I've seen in a long time. Neeson is what we would fear if James Bond went to hell and came back for revenge (I doubt big budget Quantum of Solace will top this). I loved Jason Bourne; but where Bourne is confused for half the movie, Neeson is looking down a barrel of a pistol 3/4 of the time. In a three way spy battle, I would put Neeson edging out Bourne, who would be a step ahead of Bond.

Between the jaw-dropping action sequences was the subject matter of international trafficking, which was pretty miserable to watch. Although killing is wrong, death was never more satisfying to watch.

Since the entire plot of this film is given away in the masterfully delivered trailer, it's not divulging anything to say that Taken is a modern-day revenge thriller. This presents an interesting experiment, actually. Considering that there aren't really any surprises to be found in Taken, beyond those we were offered in the pre-release snippet, are splendidly realized action sequences enough to carry this film? The answer here is a resounding "yes". Taken may be a simple film, but it's not simplistic, and even though the first third of it is spent recapping what we knew going in, the second and third acts here deliver enough thrills and action to make this film riveting, even if we know exactly where it's going.

By setting the chase within the ultra-sleazy world of human trafficking, which we secretly hope is just a media creation, but know deep inside that this reprehensible and inhumane phenomenon is a reality, the film is propelled by a sense of urgency that isn't present in most revenge films. Liam Neeson's daughter isn't "Dead", she's "Taken", so his race against the ticking stopwatch tracking her probable fate provides enough tension to diffuse any disappointment in knowing exactly what's going to happen here.

The selling point here is how deftly Liam Neeson hacks his way through a bevy of Albanian baddies. Neeson is untested as an action star, but watching him maneuver his way through the sea of detritus here, we're left hoping that he's got a franchise in him.

The film may not have the intricacies of the expertly crafted Bourne films (although, like every action film made since Bourne appeared on the screen, the fight scenes here owe an obviously rich debt to Matt Damon's antics), but the gritty and realistic path Neeson carves to get to his stolen daughter is sufficient to deliver the promise implied by the fantastic trailer.

You don't have to be a parent to understand and sympathize with Liam's plight here, and there is a morbid but exhilarating sense of release in seeing the evil empire pay for its transgressions. Sometimes morally complex, ambiguous studies of man's desire for revenge are too preachy to be entertaining. Taken doesn't really care if you like Liam Neeson or wonder if he's doing the right thing by flagrantly taking the law into his own hands; the film just wants you to strap yourself in and enjoy the tidings as he hands out beat-downs all over Paris.

This film doesn't want you to think. Like Neeson's character quickly realizes, thinking is often not a luxury present in dire circumstances like these. Action is what counts, and for those who miss the era of the lean, mean 85-minute skull-crack fest, Taken will re-conjure the giddy thrills of watching Dudikoff, Seagal, and Van-Damme chomp through a slew of B-Movie terrorists. Having an Oscar-caliber actor delivering the judo chops only sweetens the pot.

Forget about Oscars, plot points, or coherence. This dude's daughter has been kidnapped, and he's a former government agent trained to make bad guys' lives a living hell. Do you want to see him find his daughter and take down the scum who took her? Of course you do. Even reading this review is over-analyzing it.