Urban Justice

Steven Seagal's career post Under Siege has been one in constant need of resurgence. On Deadly Ground was greeted with acid tongued derision from critics, thus followed up by Under Siege 2, an upturn, though still unfavourable in comparison to the first. Exit Wounds followed another string of poorly received outings. Then the downward spiral hit high gear with the odd (and only slight) upturn in films like Belly Of The Beast and Into The Sun. In 2007 it's seemingly a crunch moment. Seagal needs an upturn. His fan base is in danger of decimating, perhaps jumping ship to Jean Claude, Wesley or Dolph, heck maybe even Don Wilson when you consider how bad Attack Force was. Urban Justice needed to be decent, needed to hit the high notes. But did it? Well overall…it kinda did. Not to say it's a great film by any means, but it's an upturn in fortune for Seagal, and most importantly, the man himself really comes out of his corner throwing some big shots again. He's not been out for the count quite yet, and with a few rounds left in him, maybe he can still turn this fight in his favour (nice analogy huh?).

Urban Justice firstly steers clear of the trend of Seagal's post Exit Wounds flicks, and that is CIA/FBI conspiracy subplots that eat away at the pacing and clarity of his recent flicks. This plot line is simple, straight and laid out. Seagal's son gets killed, and he wants the killer, nothing more. There's nothing too much on the side that gets in the way of Seagal getting from A to B. Secondly the film features Seagal as prominently as a leading man actually should feature, both in screen time (some of his recent flicks have him disappear for sometimes 15 minutes at a time!) and ADR participation (no dubbing this time folks). Above all Seagal manages to bring back some of his charisma that had seemingly been left behind in the early 90's somewhere along with Kelly Le Brocks hotness. Seagal's cool again, he's badass! Sure a little chunky and sweaty still, but he kicks ass! The action in this film is pretty good too. There's a plethora of hand to hand fights, which believe it or not, actually feature Seagal himself! Yes amazing given recent history. His stand in, stunt double and ADR double sat around twiddling there thumbs in this picture, and that's good. Seagal fans don't want those guys too busy. The fights are pretty decent though and Seagal unleashes some pretty savage beat-downs. We get vintage moves here. He breaks every conceivable bone in the human body during this flick, a femur on one guy, and a couple of ribs on another and so on. Best and coolest of all is the fact that Seagal once again looks like he could kick most guys assess! He's quick in this film I'm telling you. It's that old school Seagal who can virtually stand on the spot, but a few lightening moves of the arms and hands, and big ol' size 16 boots from no where, and the bad guys are floored. The fights are well edited and though tightly shot, they pack a punch, and the sound design is top notch. As for the rest of the action, we have disappointingly lame car chase. Not so much down to budget, but down to a complete lack of any kinetic energy and imaginative stunt work. The shoot outs are almost Hard Target insane! Meaning entire clips are unloaded on each individual bad guy, and blood shoots out all over the damn place! In fact the blood impacts in this film are the most insane I've ever seen and totally illogical, but I love it. It's the kind of super-violence Seagal used to produce. Seagal also gives his best performance in a few years. He seems interested, engaged and as I said shows off his charisma here.

The director Don E Fauntleroy was previously responsible for two of Seagal's shoddiest works. His inclusion in this was a worry, but while those first two collaborations with Big Pappa lacked any real autuership of any kind, here it's different. Fauntleroy manages to project some vision here, some style. We're not talking Scorsese, but for these sorts of flicks he's serviceable. Elsewhere the co-stars are not too bad. In particular there's a decent cameo from Danny Trejo, while Eddie Griffin makes for a somewhat cartoony but well suited villain.

On the negative side, though the plot is very simple, it's simplicity should have lent itself to a quicker pace of movie. The mid section suffers some lag, with too many gangster based dialogue scenes. That might not have been so bad if anything important was being said, and also the script is problematic in that the hip hop dialogue isn't very realistic. It's as if the writer knew only a couple of hood words and decided to repeat them endlessly. "Aaaaaaariiiiggghhht", "Mother-f**ker" and in particular "n***er" are words that are overused to levels of almost annoyance. The relationship between Seagal and his snitch and also landlady could have been developed but instead feel needless and pasted in. Above all it would have been a few more scenes with Seagal. Elsewhere the score is pretty bad. It's a rush job without question and one that jars against the competent direction, editing, and an in form Seagal.

Overall this isn't exactly a great film, but in Seagal's recent canon, it's top notch. Importantly, the man himself is back to his old self again. If a better film can be put around him, he'll surely be able to deliver a film to rival his best ones. As it is, Urban Justice is a welcome filler and good solid Saturday night home entertainment. Coming from one of Seagal's harshest (though I maintain, realist) fans, that's saying something. **1/2

That says a lot actually, because I have disliked a lot of them. Urban Justice may have some clichéd characters, a derivative plot, a really lagging pace particularly in the middle, mediocre acting and some jarring dialogue. However, while hardly high art the photography and editing are a step above other Seagal films, same with the soundtrack and sound effects. The action is short but decently choreographed and has a tinge of excitement, the direction is not incompetent as it can be and while Steven Seagal himself is not great he is not as lazy and unintelligible as he can be. All in all, one of his better recent releases, but could've been better. 5/10 Bethany Cox

This is more like the Steven Seagal that I used to enjoy in the early 90s in films like Hard to Kill, Out for Justice and Marked for Death. He actually is this movie and appears in almost every scene.

Apparently he has run through enough dead wives that no one would marry him, so he is after the person who killed his son. He is a determined killing machine.

As expected from a film that features urban gangs, every other word is f*cker or motherf*cker. I actually think they have beaten Scarface with this film.

The only real criticism I had was the lighting. Almost the entire film took place at night and it was hard to watch. I guess that is to be expected in an urban environment.

My man, Danny Trejo, gets his 15 seconds of fame in the movie.

Steves last two films (flight of fury,attack force)where how can i say completely rubbish. so one i saw renegade justice in a DVD shop i was a bit reluctant to buy it but i thought to myself give it a try it could be good.so i bought it and hoped for the best lets just say renegade justice is 10 million times better than attack force and flight of fury. but that still doesn't mean it is Seagals comeback far from it.the plot is simple a young cop is shot dead in a drive by shooting in a rough neighbourhood. Seagal plays Simon a mysterious man who wants revenge on the people who shot and killed his son. the film is an improvement compared to his recent movies for instance Seagal is actually doing his own fight scenes without the help of body doubles. also there is no dubbing from someone who sounds nothing like Seagal. but there some annoying parts like when every character speaks they start a sentence with the word mother****er and end every sentence with the word to. also when a person dies they die in an slow motion sequence that really got on my nerves.still not his best but a big improvement lets hope his next film is a bigger improvement.

An American action film; A story about a former special-ops agent whose son is gunned down in a drive-by shooting where there were no witnesses, and so to find his son's killer, he probes, unleasing some of his own justice on treacherous streets and towards other unseen forces. It's fairly predictable and light on plot but heavy on action. Seagal convinces us of his ruthlessness and amorality in his pursuit of his son's killer. As an aside, the production standards here are the highest for ten years in Seagal's film career, the last of which was "The Glimmer Man," which preceded a long succession of lower-budget direct-to-video films.