Une femme mariée réalise à quel point son mariage est malheureux et que sa vie doit évoluer vers une autre direction. Après un divorce douloureux, elle entreprend un tour du monde pour se re... Tout lireUne femme mariée réalise à quel point son mariage est malheureux et que sa vie doit évoluer vers une autre direction. Après un divorce douloureux, elle entreprend un tour du monde pour se retrouver.Une femme mariée réalise à quel point son mariage est malheureux et que sa vie doit évoluer vers une autre direction. Après un divorce douloureux, elle entreprend un tour du monde pour se retrouver.
- Director
- Writers
- Stars
- Prix
- 2 victoires et 2 nominations au total
- NYU Student Girlfriend
- (as Jennifer Kwok)
Avis en vedette
Exactly what I got. Roberts almost cruelly and certainly suddenly/without warning leaves her husband (Billy Crudup) to travel the world, visiting Rome to Eat, India to Pray, and Bali to Love. During her adventures she meets Javier Bardem, Richard Jenkins, and many others.
Won't lie, I enjoyed quite a bit of this. A lot of the film is Julia Roberts being Julia Roberts, treading no new ground and playing her usual boring role. But, I suppose, that was the point. The character she plays is boring and normal, and even when she travels across the world Roberts does little to show the changes her character experiences. Can't say I really liked her character, which provided a bizarre feeling for the entirety of the movie. Was I supposed to root for Julia? Who knows.
EPL has some remarkable cinematography that deserves noting. I was surprised it wasn't nodded towards at the Oscars this year; shots of all these countries are beautifully represented. The script lags the most in Rome, but really picks up in India and Bali. As I said, Roberts is an unsympathetic character, but each travel experience brings interesting characters. Richard Jenkins, undoubtedly the most underrated actors ever, shines in his role of Richard from Texas in India. Bardem is good as well, but that's not a surprise. These two are the bright spots here.
If you've seen the trailer you've seen the movie, but if you're not looking for that much I think you'll be as surprised as I was. Worth it for the cinematography and characters. Plus, for that Friday-night chick flick your girlfriend picks out, you could do worse.
Long story short, it's all of the arc of the book, without any of the passion. While never horrible, this film simply made me feel nothing.
I found the book soulful, moving, even transformative at times. The greatest emotion I felt from the film was hunger (for Italian pizza), thirst (for Italian wine), and an occasional dizziness due to director Ryan Murphy's apparent recent discovery of how to "pan." It was laughable camera-work throughout the first 45 minutes, and occasionally throughout.
The first 1/2 hour of the film was almost unbearably bad, even though the first section of the book was amongst my favorites. Perhaps someone who did not read the book could enjoy this movie, but I somehow doubt it. One time Liz made a joke, that was a nice break from the feeling of being in a lukewarm bathtub for 2 1/2 hours. Not unpleasant, just meh.
Instead of finding Liz intelligent and thoughtful, she seemed selfish, boring, and obsessed with men. Instead of finding spirituality, she seemed vapid. When the character becomes shallow, a film centered around that character becomes a throw away. Maybe I'll just watch the trailer again.
Julia Roberts Through the Years
Julia Roberts Through the Years
Le saviez-vous
- AnecdotesJulia Roberts only agreed to film her Bali scenes on location if the producers agreed to allow her to have her family over there during the shoot.
- GaffesKetut, who is supposed to be Balinese, chants in Javanese while healing the crying toddler.
- Citations
Liz Gilbert: In the end, I've come to believe in something I call "The Physics of the Quest." A force in nature governed by laws as real as the laws of gravity. The rule of Quest Physics goes something like this: If you're brave enough to leave behind everything familiar and comforting, which can be anything from your house to bitter, old resentments, and set out on a truth-seeking journey, either externally or internally, and if you are truly willing to regard everything that happens to you on that journey as a clue and if you accept everyone you meet along the way as a teacher and if you are prepared, most of all, to face and forgive some very difficult realities about yourself, then the truth will not be withheld from you.
- ConnexionsFeatured in The Rotten Tomatoes Show: Repo Men/The Bounty Hunter/The Runaways (2010)
- Bandes originalesMidnight Blue
Written and Performed by Kenny Burrell
Courtesy of Blue Note Records
Under license from EMI Film & Television Music
Meilleurs choix
Détails
Box-office
- Budget
- 60 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 80 574 010 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 23 104 523 $ US
- 15 août 2010
- Brut – à l'échelle mondiale
- 204 596 571 $ US
- Durée2 heures 13 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1