Naissance des pieuvres

Not everything is said in this excellent first feature from Céline Sciamma. The friendship, the "wanting to fit in", the first sexual feelings... All this and much more is sublimated through the underwater synchro swimming scenes.

All three girls in the movie try to find and express their personality in a very different way. It is a much less violent approach to the understanding of the teenage years compared to, say, "Thirteen", but a very worthwhile trip nonetheless.

A must see, and please leave all American cinematographic preconceptions at he door. The soundtrack is A+ by the way.

Bon cinéma !

Water Lilies 1/30/2010

This is an amazingly fearless movie that tackles issues no Hollywood studio would touch. "Water Lilies" is a French film that deals with the lives of three distinct teen female characters and their very real struggles. Set in the world of synchronized swimming, director Celine Sciamma takes you on a disturbingly honest depiction of the lives of modern teenage girls.

The sport of synchronized swimming is very similar to the internal struggles of each of the girls, with all of the furious action and kicking occurring just under the surface. Marie is a fifteen year old tom boyish girl that tends to keep to herself. She is short and is envious of the older more developed girls. She is best friends with the second main girl Anna. She is overweight and often resorts to childish behavior. She fears growing up and being alone. Then there is Floriane the hottest girl in school and captain of the swim team. All of these characters share many of the same problems and deal with them in very different ways. When Marie sees Floriane perform at a school swim meet she quickly becomes enamored with her. Her grace, beauty and popularity make most all the girls in school envious. Marie makes a deal with her so she can watch the team practice. In return Marie has to be the reason for Floriane to leave the house at night to hook up with random boys. Floriane seems to have everything under control and lives a perfect life, but we find out that can't be further from the truth. Her beauty makes her feel like an outsider, as she sticks out in a crowed. Other girls are jealous and mean to her, as she is looked upon as the school slut.

No matter who we are or how we look everybody has body image issues and this is further compounded by the popular media. Television, movies, and magazine mold young minds into thinking what is normal and what is acceptable. Anna and Floriane like the same guy, François. There a few scenes between Marie and Floriane that will make certain audiences extremely uncomfortable. That has developed a sort of controversy between groups of people. Some think that the film is nothing but a cheap exploitation of teen sex. Maybe there would be more of a basis for an argument if the film was made by a man, but it wasn't. Director Celine Sciamma looks to takes great care and sensitivity to the actors and the story. This film is not for everyone but you will get hooked by the likable true to life characters.

These type of movies about young teenagers struggling with their own sexuality were something unique and daring and daring a couple of years ago but more and more movies like this got made over the past few years, making it hard for the movies to still stand out really.

Also this movie received little publicity, aside from the usual little film festivals that featured this little French movie, as well as the big festivals that are always fond of these type of little movies about everyday subjects that aren't being handled too often in movies. The film premiered at Cannes in 2007 and actually won some awards there as well.

The movie doesn't really stand out from others, since it actually features little new once you've already seen some similar movies such as this one but this however really doesn't mean that "Naissance des pieuvres" is a bad one to watch. The movie is certainly a good watch, that handles its subject well and tells its story steadily and therefore also effectively, in a typical somewhat slow French cinematic pace.

It's a coming of age movie, that focus on the life of mainly 3 totally different mid-teenagers. Sexuality is a big theme within the movie, which gets handled delicately and subtle. It makes the movie and its story overall a pretty realistic one, though perhaps a bit predictable, since the movie doesn't quite offer anything original enough within its genre.

This type of French movie will probably scare off a lot of people because of the reason that they probably expect it to be very arty, with deep layers and meanings to it. "Naissance des pieuvres" however is a very accessible movie for everyone and you really don't have to be into Euro-teen movies to appreciate this movie. It's a sweet and somewhat sensual kind of movie, due to its subject and visual approach.

The movie is also being made realistic by its actors, who don't had and have a lot of experience within the movie business but are authentic looking and feeling within their roles. The strong individual characters provide the movie with some nice themes and good moments.

A good movie on its subject.

7/10

http://bobafett1138.blogspot.com/

A mystical and intensely eerie take on the coming age movie.

Kind of reminded me of Black Swan though there is no movie quite like it; the hypnotic, even dreamlike visual style captures lyricism and moroseness that play off each other.

It's a secret world of the girl, removed from the prying eyes of parents or guardians who don't appear at all, on a warped personal journey in pursuit of beauty and mutual love but does it all in such a breezy way that cuts out all the stuff that makes Lifetime movies insufferable.

I suggest watching it alone.

The significance of French title of this film, "La Naissance des Pieuvres" which literally means "The Birth of the Octopuses", is rather obscure, so it is perhaps not surprising that it has been marketed in English-speaking countries as "Water Lilies". The "lilies" of the English title are three teenage girls, Marie, Anne and Floriane, who are members of a synchronised swimming team based in the Paris suburbs, and the film is a "coming-of-age" drama about the development of their first sexual feelings.

One feature of the film, perhaps unusual for a film of this type, is that it concentrates exclusively on relationships between the young people themselves. We see nothing of their parents or their teachers, and very little of the adult world at all. The three girls are very different in appearance, and are portrayed as being very different in character. The shy, retiring Marie is slim and petite and appears to be the youngest of the three. Anne is something of a plain Jane, Floriane a glamorous blonde who is very popular with the boys. The three, together with a handsome male swimmer named Francois, are involved in what might be described as a love-quadrilateral.

Anne has fallen in love with Francois, but he is smitten with Floriane, who seems to return his affections, although he is by no means her only male admirer. Indeed, not all of Floriane's admirers are male, because Marie has a crush on her attractive friend. The film charts the way in which their friendship develops; at first it seems that Floriane is simply using Marie as a convenient excuse when she is in fact going out to meet boys; her parents presumably object to her dating boys, but have no objection to her going out with female friends. Later, however, we realise that, despite Floriane's image as the sexy, popular girl who is always the centre of male attention, she actually reciprocates Marie's feelings. The film reverses some conventional stereotypes about sexuality. Anne, with her short hair and rather chunky figure, looks typically "butch", yet she is the only one of the three main characters who is unambiguously heterosexual, whereas the more conventionally feminine Marie and the glamorous Floriane are lesbian, or at least bisexual.

Coming-of-age films are common enough, although most of them tend to avoid the controversial topic of teenage lesbianism. "Water Lilies", however, deals with its subject-matter in a sensitive way, with three very good performances from its three leading actresses, Pauline Acquart, Adele Haenel and Louise Blachere. The relationships between the characters, especially that between Marie and Floriane, are complex, and capable of a number of interpretations. (Is Floriane, for example, simply using Marie for sex, or does she genuinely have romantic feelings for her? Could Floriane's sluttish behaviour with Francois and the other boys be just a device to hide her lesbian feelings from the outside world? Or even to hide them from herself?) This was the first film made by its young director Celine Sciamma (only 27 at the time); on this basis she must be regarded as a highly promising newcomer. 7/10