Ajouter une intrigue dans votre langueYears after the assassination of President George W. Bush in Chicago, an investigative documentary examines that as-yet-unsolved crime.Years after the assassination of President George W. Bush in Chicago, an investigative documentary examines that as-yet-unsolved crime.Years after the assassination of President George W. Bush in Chicago, an investigative documentary examines that as-yet-unsolved crime.
- Director
- Writers
- Stars
- Nominé pour le prix 1 BAFTA Award
- 6 victoires et 1 nomination au total
- Self
- (archive footage)
- (uncredited)
- Samir Masri
- (as Seena Jon)
- Casey Claybon
- (as M. Neko Parham)
Avis en vedette
Gabriel Range's mockumentary that is set 3 years after the assassination of President George Bush. This television-style mockumentary delves into interviews with suspects and those whom were responsible with protecting and then those who were in charge of finding the assassin and anyone else who was responsible. The way the film was laid out was that the identity of the assassin is unknown until everything else suspect was eliminated. All in all, a "who dunnit?" tale told by those involved in it.
Controversy and hype aside, as a mockumentary from the future it was very well done and convincing with great use of archival footage and staged scenes. However, if this were an actual documentary, my interest in the topic would've been different and more interested because I would've had a good 3 years of non-stop media coverage and countless discussions and opinions about the event, not to mention how such a thing not only affects everyone around the globe, but personally as well. For example, if I were to watch a fictional film about 9/11 before that horrid and devastating event, I wouldn't have the same reaction or emotional responses as if it were a documentary after that event.
Range's approach to fictional storytelling is fascinating indeed but lacks that personal touch to myself as a viewer. All in all, if released world-wide this film will probably garner much hype but it'll end up having no real bite to it.
I am impressed by the film's presentation of events. It cleverly mixes fictional footage with news footage, mixing interview with "facts" and the re-enactment of events are so real that it seems like a real documentary. The film allows the different sides to speak, which makes it more all rounded. Not only government officials, but the suspected assassin's wife get to be "interviewed" as well touches me. Many a times, these voices are silenced or suppressed. In this way, the various views and feelings get balanced.
It also approaches what truth really is. Is truth really the truth? Is it what people want to believe? Or is it what the authorities want you to believe? The twist ending reminds me of another powerful film, "The Life of David Gale".
This film is very powerful. It is deep and thought provoking. i truly recommend it.
The documentary style was very well done, and very convincing. I would even say that the acting looked so real, it would not surprise me if there was indeed no script, but just general guidelines on what each character would/should say. obviously i knew that this was not a real documentary, but it did have me wonder if each of the "experts" called forward to give their side of the story had in fact worked in their characters capacity at some point in the past as the parts were done so well.
I was less impressed with the final 20 minutes or so, and found the eventual conclusion to be flimsy, and overtly thought provoking... as if they decided to try and give a twist that was unexpected just for the sake of it.
Apart from a few minor plot issues like this, i really did think that this was a very convincing look at how a post assassination investigation and aftermath may look like. It is neither negative towards Bush or his standpoints. It in fact shows him to be in a very positive light whilst showing the anger and frustration of others at his actions towards Iraq and conflict in general.
In all, Death of a President was a very entertaining mockumentary and deserves to be seen. It does not incite violence, nor does it glorify war or Bush, it is more or less just a simple look at what would happen IF this were to really happen.
The 'whodunit' feel to this film, using documentary-style interviews with the people involved with the investigation to unfold the story, kept this film interesting. This technique aided in preventing it from being "just another documentary" because the outcome of this fictional future-event is unknown to the viewer, unlike most historical documentaries.
DOAP fails to talk about the worldwide and/or nationwide repercussions of such a devastating event as DOAP attempts to examine, which was disappointing and clearly beyond the intended scope of the film.
In my opinion, I'm glad I had a chance to attend the world premiere and it's definitely a film worth checking out when it comes to your video store, but DOAP is no more of a "must-see" than any other enjoyable, but ultimately forgettable, piece of fiction.
The point of the film is NOT some perverse fantasy about killing the current President of the United States of America, George Walker Bush Jr. People who say otherwise either haven't seen it or are wanting to purposely misguide you.
It is a drama in the style of a documentary (one that would air on television rather then a cinema screen) that looks at a possible run up to an assassination of the president, as well as how the investigation might be handled afterwards with the involvement of Dick Cheney (who would take over the Presidency if George Bush was assassinated).
The drama does not dwell or linger on the death of the president at all, in fact apart from Bush being crammed into his presidential car by secret service and whizzed away at high speed, that is all the viewer sees. You then find out about his death from mock news reports. Hardly a sordid gratification from a 'perverse' director.
The drama is convincing as a documentary by realistic interviews with decent unknown actors playing their roles just right without hyperbole as could quite easily be the case.
Without spoiling exact plot points, the drama makes a point in how the government may be more interested in finding a suspect and making the evidence fit the profile because it is more politically advantageous then actually running an investigation to find out exactly what happened, and draw suspects that way. Considering the current climate where seemingly the Geneva Convention is open to interpretation, and restrictions on Habeus Corpus, this suggestion is not far fetched in the slightest.
It aired on 'More 4' in the UK, a channel from Channel 4 television, and I'd imagine it would air on an American network at some point, or maybe a limited screening at cinemas if the US networks lose their bottle.
So for my US brothers and sisters, consider what I've written, and go SEE it and decide for yourself. That's what the freedom as a US Citizen entitles you to do.
Le saviez-vous
- AnecdotesThe majority of the actors in the film were not told the premise of the movie. The working title for the film was "D.O.A.P.," and the actors were not told what the plot was, except for their specific scenes.
- GaffesWhen Eleanor Drake addresses the North Korean conflicts she calls the dictator "Kim Il-jung" instead of "Kim Jong-il", mixing his name with his father's (Kim Il-sung) together.
- Citations
[end title cards]
Title card: One year after his conviction, Jamal Abu Zikri has still not been granted leave to appeal.
Title card: He remains on death row in Stateville Correctional Center.
Title card: Since recording the interview for this film Robert H Maguire has resigned as Head of the Chicago Field Office of the FBI.
Title card: USA PATRIOT III, introduced in the days after the assassination, has since been turned into permanent law.
Title card: It has granted investigators unprecedented powers of detention and surveillance, and further expanded the powers of the executive branch.
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Détails
Box-office
- Budget
- 2 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 519 086 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 281 778 $ US
- 29 oct. 2006
- Brut – à l'échelle mondiale
- 869 352 $ US
- Durée1 heure 37 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1