Quand une machine sur laquelle des thérapeutes ont stocké les rêves de leurs patients est volée, c'est la panique générale. Paprika, une jeune thérapeute est la seule à pouvoir y mettre un t... Tout lireQuand une machine sur laquelle des thérapeutes ont stocké les rêves de leurs patients est volée, c'est la panique générale. Paprika, une jeune thérapeute est la seule à pouvoir y mettre un terme.Quand une machine sur laquelle des thérapeutes ont stocké les rêves de leurs patients est volée, c'est la panique générale. Paprika, une jeune thérapeute est la seule à pouvoir y mettre un terme.
- Réalisation
- Scénaristes
- Vedettes
- Prix
- 6 victoires et 5 nominations au total
Megumi Hayashibara
- Paprika
- (voice)
- …
Tôru Emori
- Inui Sei-jiroh
- (voice)
Tôru Furuya
- Tokita Kohsaku
- (voice)
Kôichi Yamadera
- Osanai Morio
- (voice)
Hideyuki Tanaka
- Guy
- (voice)
Satomi Kôrogi
- Japanese Doll
- (voice)
Daisuke Sakaguchi
- Himuro Kei
- (voice)
Mitsuo Iwata
- Tsumura Yasushi
- (voice)
Rikako Aikawa
- Kakimoto Nobue
- (voice)
Shin'ichirô Ôta
- Reporter
- (voice)
Satoshi Kon
- Jin-nai
- (voice)
Yasutaka Tsutsui
- Kuga
- (voice)
Brian Beacock
- Hajime Himuro
- (voice: English version)
- …
Doug Erholtz
- Dr. Morio Osanai
- (voice: English version)
Michael Forest
- Dr. Seijiro Inui
- (voice: English version)
Shin'ya Fukumatsu
- Magician
- (voice)
- (as Shinya Fukumatsu)
Avis en vedette
I saw this two days ago at the New York Film Festival.
The plot: What happens when we acquire technology that allows us to migrate the boundary between dreams & reality, and what happens when that boundary blurs?
The Animation: Stunning; Madhouse always does good work and Kon's movies always produce some fun reality bending sequences.
The Music: Susumu Hirasawa who did the Paranoia Agent soundtrack came up with the score here too. The opening song is a particularly infectious number. It makes you smiley. It's like the opening song from Paranoia Agent on steroids. I really could not get the grin off my face till the beginning sequence ended.
The Cast: The voice cast is headed by Megumi Hayashibara, probably the most prolific and well known female seiyuu ever, with roles such as Rei Ayanami (Evangelion), Lina Inverse (Slayers), and Faye Valentine (Cowboy Bebop) to her credit. Akio Ohtsuka and Koichi Yamadera, Batou & Togusa of Ghost in the Shell fame, both play major roles as well. All do a fabulous job as usual, but Hayashibara really shines in her Paprika role.
This film has great animation, music & actors, but the plot is really just a thin veneer for the lucid dreaming sequences that permeate so much of Satoshi Kon's work. I still recommend seeing it because it's a really light fun film, but I don't think it adds up to being more than the sum of some really great parts. I think this one needs to be enjoyed in pieces rather than as a whole.
The plot: What happens when we acquire technology that allows us to migrate the boundary between dreams & reality, and what happens when that boundary blurs?
The Animation: Stunning; Madhouse always does good work and Kon's movies always produce some fun reality bending sequences.
The Music: Susumu Hirasawa who did the Paranoia Agent soundtrack came up with the score here too. The opening song is a particularly infectious number. It makes you smiley. It's like the opening song from Paranoia Agent on steroids. I really could not get the grin off my face till the beginning sequence ended.
The Cast: The voice cast is headed by Megumi Hayashibara, probably the most prolific and well known female seiyuu ever, with roles such as Rei Ayanami (Evangelion), Lina Inverse (Slayers), and Faye Valentine (Cowboy Bebop) to her credit. Akio Ohtsuka and Koichi Yamadera, Batou & Togusa of Ghost in the Shell fame, both play major roles as well. All do a fabulous job as usual, but Hayashibara really shines in her Paprika role.
This film has great animation, music & actors, but the plot is really just a thin veneer for the lucid dreaming sequences that permeate so much of Satoshi Kon's work. I still recommend seeing it because it's a really light fun film, but I don't think it adds up to being more than the sum of some really great parts. I think this one needs to be enjoyed in pieces rather than as a whole.
But then again, this isn't meant to be for children! Again Japan shows us, that animated movies, doesn't mean "child(ish) movies". Quite the contrary. With it's very complex story, this one will even leave some adults scratching their head after they see it. That's because there are many interpretations for this movie. Which make it a somewhat difficult experience.
Still a good one, but difficult to wrap your mind around it ... The story mind you, never get's out of hand or get's out of hand (in the sense, that it does make ... sense, in the end). If you're ready for a mind trip, this sure will be a great one to take/experience!
Still a good one, but difficult to wrap your mind around it ... The story mind you, never get's out of hand or get's out of hand (in the sense, that it does make ... sense, in the end). If you're ready for a mind trip, this sure will be a great one to take/experience!
I have only seen this movie a few hours ago and am still stunned by simply how incredible it was. Who ever thought anime could be so fantastical? While the plot, at times confusing and going on the border of being a stereotypical anime, is terrific and i couldn't ask for it to be any better. Many reviewers condemned this film because of the randomness and lack of explanation for some parts, but i believe that Satoshi Kon did this on purpose. Kon simply made this movie like a dream; it is colorful, incredible, random, and offers scarce explanations. The film wants you to think about what the meaning of these "dreams" are, instead of telling you what the meaning is, much like what you would have to do with a real dream.
The best part of this film is that it can appeal to the non-anime fanatic crowd. I have seen all a few animes (only hayao miazaki films) so i wouldn't be called a true fan, and am not much into the science-fiction animes and what not that many people seem to love, yet i could not help but fall in love with Paprika.
Please, Please, PLEASE see this movie. Its too incredible to go under-appreciated by the world. Perhaps the best film of 2007, maybe one of the best from the past few years, if you see this movie you will NOT regret it.
The best part of this film is that it can appeal to the non-anime fanatic crowd. I have seen all a few animes (only hayao miazaki films) so i wouldn't be called a true fan, and am not much into the science-fiction animes and what not that many people seem to love, yet i could not help but fall in love with Paprika.
Please, Please, PLEASE see this movie. Its too incredible to go under-appreciated by the world. Perhaps the best film of 2007, maybe one of the best from the past few years, if you see this movie you will NOT regret it.
A couple weeks ago I was listening to the soundtrack from a movie called Paprika by Hirasawa Susumu. The music fascinated me, it was magnificent.
I was strongly compelled to watch the movie.
The story is based around a lovely lady named Paprika, she has mastered the ability to sail into others dreams and help them with their problems.... an internal dream analysis/counselor.
I found Paprika the movie is as fascinating as the soundtrack .
Needless to say the dream sequences are exquisitely and vividly portrayed. The pace is manic at times and dreams and reality often converge to confuse the characters and especially the viewer. It all comes together however, in what can only be described as the best closing battle sequence I have ever seen...... period!!! Paprika shines.
Now...I never do, with movies what I did with Parika. Firstly the moment the movie finished, I got another cup of coffee and started it up again. Secondly I wrote this review
And now I'm off to watch it again.
Like anime or not, Paprika is NOT to be missed.
Suggestion, if your not used to subs.... get the dubbed version......this is a fast paced movie and will require some attention.
10/10
I was strongly compelled to watch the movie.
The story is based around a lovely lady named Paprika, she has mastered the ability to sail into others dreams and help them with their problems.... an internal dream analysis/counselor.
I found Paprika the movie is as fascinating as the soundtrack .
Needless to say the dream sequences are exquisitely and vividly portrayed. The pace is manic at times and dreams and reality often converge to confuse the characters and especially the viewer. It all comes together however, in what can only be described as the best closing battle sequence I have ever seen...... period!!! Paprika shines.
Now...I never do, with movies what I did with Parika. Firstly the moment the movie finished, I got another cup of coffee and started it up again. Secondly I wrote this review
And now I'm off to watch it again.
Like anime or not, Paprika is NOT to be missed.
Suggestion, if your not used to subs.... get the dubbed version......this is a fast paced movie and will require some attention.
10/10
I saw Paprika on the Fantastic film Festival of Amsterdam and i was amazed. Being a movie buff since the age of 14 and running to 30. Once in a while i get blown away by a new production. Always been a fan of manga this production from anime master Satoshi Kon is his latest entry is the magic world of drawing. Taking all the space and freedom this genre offers you will be sucked in to a world of fantasy en wonders. Kinda like when you first saw Charlie and the chocolate factory as a kid. The characters are totally lovable en the drawings are of the most beautiful i have ever seen in theater. The story is complex so, if you want to know what all the fuzz is about read another review en check the film.
it's my new love: Paprika 9 a.o.10
it's my new love: Paprika 9 a.o.10
Le saviez-vous
- AnecdotesThe tall and short bartenders on Paprika's website are voiced by director Satoshi Kon, and the original author of the Paprika novel, Yasutaka Tsutsui, respectively.
- ConnexionsFeatured in WatchMojo: Top 10 Beautiful Animated Movies (2014)
- Bandes originalesParade
Composed and Performed by Susumu Hirasawa
Meilleurs choix
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Détails
Box-office
- Budget
- 300 000 000 ¥ (estimation)
- Brut – États-Unis et Canada
- 882 267 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 35 593 $ US
- 27 mai 2007
- Brut – à l'échelle mondiale
- 967 432 $ US
- Durée
- 1h 30m(90 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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