Gruz 200
- 2007
- 1h 29m
ÉVALUATION IMDb
7,1/10
13 k
MA NOTE
Ajouter une intrigue dans votre langueA young woman is taken hostage by a police officer gone mad.A young woman is taken hostage by a police officer gone mad.A young woman is taken hostage by a police officer gone mad.
- Prix
- 4 victoires et 14 nominations au total
Andrey Mokeyev
- Naboev
- (as Andrei Mokeyev)
Yevgeniy Kramorov
- Bit part
- (as Evgeniy Kramorov)
Avis en vedette
This is a brilliant if dark movie. Showing corruption of the Soviet system in stark and horrific colors and the high price it put on the human soul, this cynical piece of movie making is based on a true story. And it rings true. More horrific than most horror movies, it is well worth a watch. It may scar you, so beware. But it is one hell of a great movie.
It's like a bad dream. You want to turn it off but you cannot. No matter how much you are dissapointed in humankind or cynical you always have some hopes left in you. This movie will bring you to the limit. Nothing exists beyond that. The worst part is you don't realize you're watching a movie, it's so real.
I don't know if anyone noticed that most critical, "one star" reviews emphasize the movie's agenda rather than anything else: the primary object of their critique is not a play by the individual actors, extreme violence or disgusting scenes but director's attitude toward Soviet reality. An they are right. Every small detail in the movie is intended to show that it was indeed rotten and decaying society. The year 1984 was chosen not by the accident: it is the answer to Orwell' book "1984" where British author tried to predict how the communist society would look in 25 years. Balabanov's answer: it is worse than Orwell could even imagine. The letters "USSR" on the T-shirt are not accidental either. This is another Balabanov's answer, this time to the official Soviet literature which presented young people (komsomol)as heroes, ready to sacrifice themselves in defense of their mother-Russia or save little babies from the fire. This real "businessman-komsomolets", who was educated by the Soviet reality, who saw how Soviet officials meet fallen soldiers from Afghanistan, won't do anything like that. Indeed, the movie wants to say that such pervert like captain Zhurov could live anywhere, in any country. However, he could thrive only in USSR, in the country which lost its soul. Great movie.
The title of the film is a code name for the return home of a body from the battle field. The reason why this title is chosen becomes clear early in the film - but the build of the film would allow a lot of different titles and each one of them would be matching for this film goes far beyond a body returning from the battle field. As the story rolls the film switches back and forth between a number of people and tells their respective tales - and the way all of them connect in one way or the other. The stories are not altogether happy but are not too dark either so the film doesn't turn too dreary. It is very grim though. As each of the stories turns to its conclusion one can not escape the biting cold reality of them.
Played out well enough to be believable and quick enough to be entertaining this film does pretty well. It's ending is fitting, its after-taste is bitter. But, above all, it's an interesting watch.
8 out of 10 broken bottles of vodka
Played out well enough to be believable and quick enough to be entertaining this film does pretty well. It's ending is fitting, its after-taste is bitter. But, above all, it's an interesting watch.
8 out of 10 broken bottles of vodka
After watching the film to the end, i launched myself off the chair, toward the television and returned to the beginning - so i could reassure myself that the word 'based on true events' had been written there. He (Alexey balbanov) may have been messing with us or not, but then the complete repulsiveness and disbelief at the fact that human beings are capable of such things, was the most riveting thing. The film and characters deliver a slice of outright realism, social decay, dark and twisted tales i have ever seen. And nowadays in times unsurprising storytelling, this film shocked the hell out of me. It wasn't the disgust of Captain Zhurov nor the helplessness of Angelika (my name-sake) that irritated me, but the sheer intertwining and coincidence that could be experienced in the film. Everyone crossed everyone else's path. This, like others have said, is a very very dark, sick, twisted movie... in a good way. That it keeps you interested and intrigued. I loved it, only with an open mind.
Le saviez-vous
- AnecdotesRejected by the Berlin and the Cannes Film Festival.
- GaffesAfter Valera sees Antonina's abduction by Zhurov, he gets in his Lada to drive off, however the interior light on the B pillar was left on over night and it doesn't loose intensity when cranking the engine, nor does the car struggle to start, which would be implausible after the battery got a small discharge from the light bulb during such long time.
- ConnexionsEdited into Zapreshchyonnye Barabanshchiki: Rodina (2017)
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Cargo 200
- Lieux de tournage
- Nevskiy Civic Center, Saint-Pétersbourg, Russie(scene with the band "Kino" playing live)
- société de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – à l'échelle mondiale
- 592 673 $ US
- Durée1 heure 29 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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