ÉVALUATION IMDb
6,3/10
4,3 k
MA NOTE
Ajouter une intrigue dans votre langueStill traumatized by the disappearance of her three-year-old daughter 15 years ago, Julia Sandburg's old psychic wounds painfully resurface when she meets Louise; a troubled young woman with... Tout lireStill traumatized by the disappearance of her three-year-old daughter 15 years ago, Julia Sandburg's old psychic wounds painfully resurface when she meets Louise; a troubled young woman with a checkered past.Still traumatized by the disappearance of her three-year-old daughter 15 years ago, Julia Sandburg's old psychic wounds painfully resurface when she meets Louise; a troubled young woman with a checkered past.
Rick Holmes
- Trendy Restaurant Manager
- (as Rick Vincent Holmes)
Avis en vedette
This movie is one that I have watched many times, often with a cup of tea. I'd say this movie is for those who want to watch something full of suspense, drama and questions.
I could re-watch this constantly yet for some I can see that it can be considered to be too 'slow' for certain audiences.
The movie was well done by the various actors and actresses and its obvious that a lot of research was prepared before the final publication of the movie - such as the emotions to do with bereavement, not knowing the truth and not being able to let go of the past.
It's well worth a watch!
I could re-watch this constantly yet for some I can see that it can be considered to be too 'slow' for certain audiences.
The movie was well done by the various actors and actresses and its obvious that a lot of research was prepared before the final publication of the movie - such as the emotions to do with bereavement, not knowing the truth and not being able to let go of the past.
It's well worth a watch!
My only criticism of this film is in the casting of the son, Chris. He is shorter than Sigourney Weaver and this is genetically impossible. That said, all the actors did a great job. And just HOW did SW look so convincing as both a thirty and a fifty-year old? Some credit to the make up department, sure - but it was the subtle change in the set of her jaw, the rigidity of her body vs fluidity in the early scenes ... The fact that the secondary characters aroused curiosity added to the atmosphere - someone els has complained that their potential stories were not developed. But this was all part of Julia's withdrawal from the World, her loss of interest in anyone after she lost her child.
While Girl in the Park is never great, it manages to be a solid drama about the loss of a young child and its effect on a mother (Sigourney Weaver).
Everything here is well crafted but a little bland and formulaic. We meet tons of characters who have the seeds to provide good drama but many of them (The ex husband, the son, the romantic interest at the office, the daughter in law and her pregnancy) are left with unfinished business by the end of the movie, feeling like little more than plot points. As for Louise, for all the flashiness she offers, she brings very little to the table in the end.
In the end, you will feel you have spent a nice evening. The cast does a nice job. Sigourney Weaver gives some soul to her performance and Kate Bosworth is very well cast and provides some sparks and a nice contrast to Weaver.
It's a good movie, but not a great one. Some more development, some twists and turns in the second half of the movie would have considerably improved the movie. Instead, we're left with a cheap Hollywood ending, the catalyst of which is too dumb to even write down here.
Worth watching as a rental if you like dramas.
Everything here is well crafted but a little bland and formulaic. We meet tons of characters who have the seeds to provide good drama but many of them (The ex husband, the son, the romantic interest at the office, the daughter in law and her pregnancy) are left with unfinished business by the end of the movie, feeling like little more than plot points. As for Louise, for all the flashiness she offers, she brings very little to the table in the end.
In the end, you will feel you have spent a nice evening. The cast does a nice job. Sigourney Weaver gives some soul to her performance and Kate Bosworth is very well cast and provides some sparks and a nice contrast to Weaver.
It's a good movie, but not a great one. Some more development, some twists and turns in the second half of the movie would have considerably improved the movie. Instead, we're left with a cheap Hollywood ending, the catalyst of which is too dumb to even write down here.
Worth watching as a rental if you like dramas.
What a surprise. Collipol's comments were right on. I guess people either hated this or loved it. I think it's really about how much we all want love fulfilled, how we cope with catastrophic loss, how far we are willing to go to fill that empty space, and how far the people who love us are willing to support us. Weaver made a wonderful transition from happy mom to a cold, disconnected woman, and back and forth again. Any woman with a "favorite child" or a personal and crippling loss can empathize - but I am astounded by the story and the performances.
The young woman who suckers Weaver is off-putting at first, an instant irritant, but by the end of the movie you really want her to love her new "mom" and you really want Weaver to have the daughter she never got to grow up with. It doesn't matter anymore whether she is or she isn't for reals, they become what they both want. Several scenes touched me so deeply I was stunned. It would have been so easy to make this a thriller, or maudlin, or predictable, but the director did not. It was engaging, mysterious, warm, frightening, very sad, sweet, and very deeply moving. The end was perfect; subtle and let you absorb it all on your own. I thoroughly enjoyed every performance - they all were extremely well thought out, well executed, beautifully written and they all added together for a delicate and meaningful story. Do it again! Please.
The young woman who suckers Weaver is off-putting at first, an instant irritant, but by the end of the movie you really want her to love her new "mom" and you really want Weaver to have the daughter she never got to grow up with. It doesn't matter anymore whether she is or she isn't for reals, they become what they both want. Several scenes touched me so deeply I was stunned. It would have been so easy to make this a thriller, or maudlin, or predictable, but the director did not. It was engaging, mysterious, warm, frightening, very sad, sweet, and very deeply moving. The end was perfect; subtle and let you absorb it all on your own. I thoroughly enjoyed every performance - they all were extremely well thought out, well executed, beautifully written and they all added together for a delicate and meaningful story. Do it again! Please.
It has few basic virtues. who does it special, against the low budget. first - it has a great story. who is more than a good one because each parent from public feels the posible if in its bitter nuances. second - it is a film of doubts. not the last - it has the chance of admirable actors, Sigourney Weaver giving a moving portrait . and not only she. it is a drama and, at first sigh, all could be familiar. but it is one of film proposing all the angles for discover the intensity of story. and that, maybe, does it real special.
Le saviez-vous
- AnecdotesThe street door to Julia's apparment building would have to be open to anyone wishing to enter, the door to the building however would have to be locked and opened by buzzing in. The opposite is the case in this movie and is demostrated as Celeste and Chris leave Julia's building. Louise is waiting on the street for someone to let her into the building.
- GaffesWhen Julia's co-worker brings her a coffee to try out from his new coffee machine, he places it on her desk. The shot changes to him a few seconds later. When back to her, the coffee cup is turned 180 degrees - the handle is on the other side, the computer mouse is moved, and a stack of papers near her planner is moved. She did not move all of these things in those few seconds because she is holding some papers that she was reading when he walked into her office.
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- The Girl in the Park
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – à l'échelle mondiale
- 108 747 $ US
- Durée1 heure 50 minutes
- Couleur
- Rapport de forme
- 2.35 : 1
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What is the Spanish language plot outline for La fille dans le parc (2007)?
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