Un escroc, ayant un besoin urgent d'argent, entre par effraction dans la maison de campagne de son patron. Mais, bientôt, celui-ci réalise que sa famille a été enlevée par un tueur ayant pla... Tout lireUn escroc, ayant un besoin urgent d'argent, entre par effraction dans la maison de campagne de son patron. Mais, bientôt, celui-ci réalise que sa famille a été enlevée par un tueur ayant placé des pièges mortels partout dans la maison.Un escroc, ayant un besoin urgent d'argent, entre par effraction dans la maison de campagne de son patron. Mais, bientôt, celui-ci réalise que sa famille a été enlevée par un tueur ayant placé des pièges mortels partout dans la maison.
Haley Pullos
- Cindy
- (as Haley Alexis Pullos)
Krystal Mayo
- Bar Dancer
- (as Krystal Dawn Mayo)
Avis en vedette
I truly enjoyed this movie. It was really good all the way around from my point of view. I definitely felt it was better than Saw, and if it had half the marketing that Saw did, I feel it would've made a Huge "cult" following. If you liked Saw you probably will like this, but even if you didn't like Saw you still might like this, lol. It has a different plot line, decent acting and not too far fetched. If you watch this and happen to feel the way I do, you will like sequel "The Collection" too. Enjoy!!
If you can sit tight for the first 20 minutes which is a little slow your soon rewarded with a tense on the edge of your seat violent bloody thriller/horror were you find yourself rooting for the better of the villains you would usually hate but end up screaming at the tv in support of. Iv watched this loads of times now and still love this film please watch
As the story of the Collector unfolds, it quickly becomes obvious that writer/director Marcus Dunstan is knowledgeable when it comes to the horror genre and knows what makes people click.
First, there is a 70s/80s feel to this movie. From the dirty-ish cinematography to the pacing, editing and the casting choices, a lot of this reminds me of the less polished horror films of these decades.
One of the aspects where this movie shines is with its protagonist Arkin. A down-on-his- luck handyman struggling to pay his bills. Josh Stewart was a revelation for me in this role. I can't wait to see what the future has in store for this actor. Is he a one-note actor who was perfectly cast or is this some serious talent? I for one would lean toward the latter. Stewart is perfect in making us feel Arkin is a decent guy with a will of is own but just suffers from a total lack of respect by the people around him. He oozes charisma despite the "loser" role he has to work with and reminds me a little bit of Sean Penn. What makes the film effective is really exploring the character of Arkin early on. There is a simple situation driving this man to do what he is about to do and we can relate to him.
Unfortunately, the movie begins to lose steam when Arkin gets inside the house. At first, the traps and situations are intriguing. But character and story development halts to a crawl. Who is the collector and what is the meaning of this collection? We don't really know and Dunstan doesn't seem to care in the least. Themes explored throughout the movies? Again, doesn't seem very relevant.
As the story progresses, the traps become the star of the film and the whole thing seems more and more far-fetched. What should be the meat around the bone becomes the entire movie. The concept seems more like the latest horror gimmick. It's a somewhat interesting and entertaining one but one must deplore all the character development of Arkin if the rest of the movie was really just about mindless fun.
All in all, this is a solid movie reminiscent of the trashy, dirty 70s and early 80s horror flicks. But it seems to be lacking in themes and symbolism that made those movies so great and I sensed the writing lost its purpose mid-way. I also deplore what I sense like a desperate attempt to build a franchise, as opposed to make a great movie. The movie seems like a setup for sequels, a TV series pilot more than a single work of art to be enjoyed.
The movie deserves a 5.5 and is relatively well-done. If this review seems harsh, it's just that the first half hour or so lets you think the movie will be much more powerful than it actually ends up being.
Very curious to see if a sequel will be done for this one.
First, there is a 70s/80s feel to this movie. From the dirty-ish cinematography to the pacing, editing and the casting choices, a lot of this reminds me of the less polished horror films of these decades.
One of the aspects where this movie shines is with its protagonist Arkin. A down-on-his- luck handyman struggling to pay his bills. Josh Stewart was a revelation for me in this role. I can't wait to see what the future has in store for this actor. Is he a one-note actor who was perfectly cast or is this some serious talent? I for one would lean toward the latter. Stewart is perfect in making us feel Arkin is a decent guy with a will of is own but just suffers from a total lack of respect by the people around him. He oozes charisma despite the "loser" role he has to work with and reminds me a little bit of Sean Penn. What makes the film effective is really exploring the character of Arkin early on. There is a simple situation driving this man to do what he is about to do and we can relate to him.
Unfortunately, the movie begins to lose steam when Arkin gets inside the house. At first, the traps and situations are intriguing. But character and story development halts to a crawl. Who is the collector and what is the meaning of this collection? We don't really know and Dunstan doesn't seem to care in the least. Themes explored throughout the movies? Again, doesn't seem very relevant.
As the story progresses, the traps become the star of the film and the whole thing seems more and more far-fetched. What should be the meat around the bone becomes the entire movie. The concept seems more like the latest horror gimmick. It's a somewhat interesting and entertaining one but one must deplore all the character development of Arkin if the rest of the movie was really just about mindless fun.
All in all, this is a solid movie reminiscent of the trashy, dirty 70s and early 80s horror flicks. But it seems to be lacking in themes and symbolism that made those movies so great and I sensed the writing lost its purpose mid-way. I also deplore what I sense like a desperate attempt to build a franchise, as opposed to make a great movie. The movie seems like a setup for sequels, a TV series pilot more than a single work of art to be enjoyed.
The movie deserves a 5.5 and is relatively well-done. If this review seems harsh, it's just that the first half hour or so lets you think the movie will be much more powerful than it actually ends up being.
Very curious to see if a sequel will be done for this one.
I've read reviews off and on that dog this movie. I wonder sometimes if the people that dislike this movie so much, dislike the horror genre. If I were to rate a musical, I would probably give it a low score myself.
This movie is not perfect, but because the horror in it is done well enough, it is worthwhile to suspend some disbelief to go along with the ride. This isn't a PG-13 teen scare. People tote the term "torture-porn" I think because the killing is done is such an unapologetic, organized fashion. Every kill is planned and gruesome. In the horror genre, what actually is wrong with that?
While Rob Zombie and others are destroying monsters (Zombie basically killed the icon of Michael Myers) by humanizing them too much, it is refreshing to have a new killer killing for killing-sake. Isn't that worth a ride (assuming you are into horror)?
This movie is not perfect, but because the horror in it is done well enough, it is worthwhile to suspend some disbelief to go along with the ride. This isn't a PG-13 teen scare. People tote the term "torture-porn" I think because the killing is done is such an unapologetic, organized fashion. Every kill is planned and gruesome. In the horror genre, what actually is wrong with that?
While Rob Zombie and others are destroying monsters (Zombie basically killed the icon of Michael Myers) by humanizing them too much, it is refreshing to have a new killer killing for killing-sake. Isn't that worth a ride (assuming you are into horror)?
Pleasantly surprised since this is a way-above average shocker. Unpleasantly surprised because there's an awful lot of unpleasant surprises!
This had me jumping, open-mouthed, rewinding to check that I'd REALLY just seen what I saw...I don't think I've been as jumpy as this since the tower scene in 'In Bruges'.The editing of the gore scenes was brilliantly done, adding to the tension and the in- your-face, jumping-out-of-the-shadows quality. I'm also surprised that the writers and director were able to keep the ending they did: I thought it would have been preview- screened out of existence.
The film did take a while to get going, but when it hits its stride...phew! Although I'd never seen any of the actors before, the performances were top- notch.
Makes the last SAW films look like a teddy-bear's picnic...apparently, it was written by the writers of the last few SAW movies. They seem to have found their form again.
This had me jumping, open-mouthed, rewinding to check that I'd REALLY just seen what I saw...I don't think I've been as jumpy as this since the tower scene in 'In Bruges'.The editing of the gore scenes was brilliantly done, adding to the tension and the in- your-face, jumping-out-of-the-shadows quality. I'm also surprised that the writers and director were able to keep the ending they did: I thought it would have been preview- screened out of existence.
The film did take a while to get going, but when it hits its stride...phew! Although I'd never seen any of the actors before, the performances were top- notch.
Makes the last SAW films look like a teddy-bear's picnic...apparently, it was written by the writers of the last few SAW movies. They seem to have found their form again.
Le saviez-vous
- AnecdotesThe writers intended the movie to be a Décadence (2004) prequel, but the idea was declined.
- GaffesArkin is wearing black sneakers when he enters the house, then as he's walking through, he comes across a trip wire and it shows the boot of the Collector. Then when Arkin is walking down the stairs into the basement he is wearing some worn brown boots - a total of three different pairs of shoes within 5 minutes.
- Générique farfeluThere's a scene after the end credits.
- Autres versionsIn order to secure the FSK-18 rating in Germany, the movie had to be cut by approx 1-2 minutes. Some violent scenes were trimmed to tone down the graphic grisly violence. The black edition Blu-ray release with light SPIO/JK approval is uncut.
- ConnexionsEdited into La collection sadique (2012)
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Le collectionneur sadique
- Lieux de tournage
- Mobile, Alabama, États-Unis(Torture Room)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 6 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 7 712 114 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 3 576 296 $ US
- 2 août 2009
- Brut – à l'échelle mondiale
- 10 234 475 $ US
- Durée1 heure 30 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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